A new translation from the French by Marion Wiesel. Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.

This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.

Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

The new translation of the bestselling memoir Night in one volume with its companion novels, Dawn and Day

Night is one of the masterpieces of Holocaust literature. First published in 1958, it is the autobiographical account of an adolescent boy and his father in Auschwitz. Elie Wiesel writes of their battle for survival and of his battle with God for a way to understand the wanton cruelty he witnesses each day.

In the short novel Dawn (1960), a young man who has survived World War II and settled in Palestine joins a Jewish underground movement and is commanded to execute a British officer who has been taken hostage.

In Day (previously titled The Accident, 1961), Wiesel questions the limits of conscience: Can Holocaust survivors forge a new life despite their memories? Wiesel's trilogy offers insights on mankind's attraction to violence and on the temptation of self-destruction.

Elie Wiesel's Dawn is an eloquent meditation on the compromises, justifications, and sacrifices that human beings make when they murder other human beings.

The author . . . has built knowledge into artistic fiction. --The New York Times Book Review

Elisha is a young Jewish man, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he will murder at dawn in retribution for the British execution of a fellow freedom fighter. The night-long wait for morning and death provides Dawn, Elie Wiesel's ever more timely novel, with its harrowingly taut, hour-by-hour narrative. Caught between the manifold horrors of the past and the troubling dilemmas of the present, Elisha wrestles with guilt, ghosts, and ultimately God as he waits for the appointed hour and his act of assassination.

The basis for the 2014 film of the same name, now available on streaming and home video.

Not since Albert Camus has there been such an eloquent spokesman for man. --The New York Times Book Review

The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. In Night it is the 'I' who speaks, writes Wiesel. In the other two, it is the 'I' who listens and questions.

In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.

A memorial edition of Elie Wiesel's seminal memoir of surviving the Nazi death camps, with tributes by President Obama and Samantha Power

When Elie Wiesel died in July 2016, the White House issued a memorial statement in which President Barack Obama called him the conscience of the world. The whole of the president's eloquent tribute serves as a foreword to this memorial edition of Night. Like millions of admirers, I first came to know Elie through his account of the horror he endured during the Holocaust simply because he was Jewish, wrote the president.

In 1986, when Wiesel received the Nobel Peace Prize, the Norwegian Nobel Committee wrote, Elie Wiesel was rescued from the ashes of Auschwitz after storm and fire had ravaged his life. In time he realized that his life could have purpose: that he was to be a witness, the one who would pass on the account of what had happened so that the dead would not have died in vain and so the living could learn. Night, which has sold millions of copies around the world, is the very embodiment of that conviction. It is written in simple, understated language, yet it is emotionally devastating, never to be forgotten.

Born in the town of Sighet, Transylvania, Wiesel was a teenager when he and his family were deported to Auschwitz and then Buchenwald. Night is the shattering record of his memories of the death of his mother, father, and little sister, Tsipora; the death of his own innocence; and his despair as a deeply observant Jew confronting the absolute evil of man.

Never shall I forget that night, the first night in camp, that turned my life into one long night, writes Wiesel. Never shall I forget . . . even were I condemned to live as long as God Himself. These words are etched into the wall of the Holocaust Memorial Museum in Washington. Far more than a chronicle of the sadistic realm of the camps, Night also addresses many of the philosophical and personal questions implicit in any serious consideration of the Holocaust.

In addition to tributes from President Obama and Samantha Powers, this memorial edition of Night includes the unpublished text of a speech that Wiesel delivered before the United Nations General Assembly on the sixtieth anniversary of the liberation of Auschwitz, entitled Will the World Ever Know. These remarks powerfully resonate with Night and with subsequent acts of genocide.

With this Passover Haggadah, Elie Wiesel and his friend Mark Podwal invite you to join them for the Passover Seder -- the most festive event of the Jewish calendar. Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come.
Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption.
This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a genius of metaphor through line. Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

A New Translation From The French By Marion Wiesel
Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.
Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

A memorial edition of Elie Wiesel's seminal memoir of surviving the Nazi death camps, with tributes by President Obama and Samantha Power

When Elie Wiesel died in July 2016, the White House issued a memorial statement in which President Barack Obama called him the conscience of the world. The whole of the president's eloquent tribute serves as a foreword to this memorial edition of Night. Like millions of admirers, I first came to know Elie through his account of the horror he endured during the Holocaust simply because he was Jewish, wrote the president.

In 1986, when Wiesel received the Nobel Peace Prize, the Norwegian Nobel Committee wrote, Elie Wiesel was rescued from the ashes of Auschwitz after storm and fire had ravaged his life. In time he realized that his life could have purpose: that he was to be a witness, the one who would pass on the account of what had happened so that the dead would not have died in vain and so the living could learn. Night, which has sold millions of copies around the world, is the very embodiment of that conviction. It is written in simple, understated language, yet it is emotionally devastating, never to be forgotten.

Born in the town of Sighet, Transylvania, Wiesel was a teenager when he and his family were deported to Auschwitz and then Buchenwald. Night is the shattering record of his memories of the death of his mother, father, and little sister, Tsipora; the death of his own innocence; and his despair as a deeply observant Jew confronting the absolute evil of man.

Never shall I forget that night, the first night in camp, that turned my life into one long night, writes Wiesel. Never shall I forget . . . even were I condemned to live as long as God Himself. These words are etched into the wall of the Holocaust Memorial Museum in Washington. Far more than a chronicle of the sadistic realm of the camps, Night also addresses many of the philosophical and personal questions implicit in any serious consideration of the Holocaust.

In addition to tributes from President Obama and Samantha Powers, this memorial edition of Night includes the unpublished text of a speech that Wiesel delivered before the United Nations General Assembly on the sixtieth anniversary of the liberation of Auschwitz, entitled Will the World Ever Know. These remarks powerfully resonate with Night and with subsequent acts of genocide.

Elie Wiesel's classic look at Job and seven other Biblical characters as they grapple with their relationship with God and the question of his justice.

Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: 'What is God doing and where is His justice?' Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores 'the distant and haunting figures that molded him' Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man's greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning cried out against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin's time to 'underline the implausibility' of his trial, and thus become the accuser. Wiesel's concern with the imponderables of fate seems to move from strength to strength (Kirkus Reviews).

In Souls on Fire: Portraits and Legends of Hasidic Masters, Elie Wiesel re-enters, like an impassioned pilgrim, the universe of Hasidism.

Souls on Fire is not a simple chronological history of Hasidism, nor is it a comprehensive book on its subject. Rather, Elie Wiesel has captured the essence of Hasidism through tales, legends, parables, sayings, and deeply personal reflections. His book is a testimony, not a study. Hasidism is revealed from within and not analyzed from the outside. Listen attentively, Elie Wiesel's grandfather told him, and above all, remember that true tales are meant to be transmitted--to keep them to oneself is to betray them. Wiesel does not merely tell us, but draws, with the hand of a master, the portraits of the leaders of the movement that created a revolution in the Jewish world. Souls on Fire is a loving, personal affirmation of Judaism, written with words and with silence. The author brings his profound knowledge of the Bible, the Talmud, Kabbala, and the Hasidic tale and song to this masterpiece, showing us that Elie Wiesel is perhaps our generation's most fervid soul on fire.

Raphael Lipkin is a man obsessed. He hears voices. He talks to ghosts. He is spending the summer at the Mountain Clinic, a psychiatric hospital in upstate New York--not as a patient, but as a visiting professional with a secret, personal quest.

A professor of literature and a Holocaust survivor, Raphael, having rebuilt his life since the war, sees it on the verge of coming apart once more. He longs to talk to Pedro, the man who rescued him as a fifteen-year-old orphan from postwar Poland and brought him to Paris, becoming his friend, mentor, hero, and savior. But Pedro disappeared inside the prisons of Stalin's Russia shortly after the war. Where is Pedro now, and how can Raphael discern what is true and what is false without him?

A mysterious nighttime caller directs Raphael's search to the Mountain Clinic, a unique asylum for patients whose delusions spring from the Bible. Amid patients calling themselves Adam, Cain, Abraham, Joseph, Jeremiah, and God, Raphael searches for Pedro's truth and the meaning of his own survival in a novel that penetrated the mysteries of good, evil, and madness.

Michael--a young man in his thirties, a concentration camp survivor--makes the difficult trip behind the Iron Curtain to the town of his birth in Hungary. He returns to find and confront the face in the window--the real and symbolic faces of all those who stood by and never interfered when the Jews of his town were deported. In an ironic turn of events, he is arrested and imprisoned by secret police as a foreign agent. Here he must confront his own links to humanity in a world still resistant to the lessons of the Holocaust.

In the fall of 1965 the Israeli newspaper Haaretz sent a young journalist named Elie Wiesel to the Soviet Union to report on the lives of Jews trapped behind the Iron Curtain. I would approach Jews who had never been placed in the Soviet show window by Soviet authorities, wrote Wiesel. They alone, in their anonymity, could describe the conditions under which they live; they alone could tell whether the reports I had heard were true or false--and whether their children and their grandchildren, despite everything, still wish to remain Jews. From them I would learn what we must do to help . . . or if they want our help at all.

What he discovered astonished him: Jewish men and women, young and old, in Moscow, Kiev, Leningrad, Vilna, Minsk, and Tbilisi, completely cut off from the outside world, overcoming their fear of the ever-present KGB to ask Wiesel about the lives of Jews in America, in Western Europe, and, most of all, in Israel. They have scant knowledge of Jewish history or current events; they celebrate Jewish holidays at considerable risk and with only the vaguest ideas of what these days commemorate. Most of them come to synagogue] not to pray, Wiesel writes, but out of a desire to identify with the Jewish people--about whom they know next to nothing. Wiesel promises to bring the stories of these people to the outside world. And in the home of one dissident, he is given a gift--a Russian-language translation of Night, published illegally by the underground. 'My God, ' I thought, 'this man risked arrest and prison just to make my writing available to people here ' I embraced him with tears in my eyes.

A memorial edition of Elie Wiesel's seminal memoir of surviving the Nazi death camps, with tributes by President Obama and Samantha Power

When Elie Wiesel died in July 2016, the White House issued a memorial statement in which President Barack Obama called him the conscience of the world. The whole of the president's eloquent tribute serves as a foreword to this memorial edition of Night. Like millions of admirers, I first came to know Elie through his account of the horror he endured during the Holocaust simply because he was Jewish, wrote the president.

In 1986, when Wiesel received the Nobel Peace Prize, the Norwegian Nobel Committee wrote, Elie Wiesel was rescued from the ashes of Auschwitz after storm and fire had ravaged his life. In time he realized that his life could have purpose: that he was to be a witness, the one who would pass on the account of what had happened so that the dead would not have died in vain and so the living could learn. Night, which has sold millions of copies around the world, is the very embodiment of that conviction. It is written in simple, understated language, yet it is emotionally devastating, never to be forgotten.

Born in the town of Sighet, Transylvania, Wiesel was a teenager when he and his family were deported to Auschwitz and then Buchenwald. Night is the shattering record of his memories of the death of his mother, father, and little sister, Tsipora; the death of his own innocence; and his despair as a deeply observant Jew confronting the absolute evil of man.

Never shall I forget that night, the first night in camp, that turned my life into one long night, writes Wiesel. Never shall I forget . . . even were I condemned to live as long as God Himself. These words are etched into the wall of the Holocaust Memorial Museum in Washington. Far more than a chronicle of the sadistic realm of the camps, Night also addresses many of the philosophical and personal questions implicit in any serious consideration of the Holocaust.

In addition to tributes from President Obama and Samantha Powers, this memorial edition of Night includes the unpublished text of a speech that Wiesel delivered before the United Nations General Assembly on the sixtieth anniversary of the liberation of Auschwitz, entitled Will the World Ever Know. These remarks powerfully resonate with Night and with subsequent acts of genocide.

The Trial of God (as it was held on February 25, 1649, in Shamgorod)
A Play by Elie Wiesel
Translated by Marion Wiesel
Introduction by Robert McAfee Brown
Afterword by Matthew Fox

Where is God when innocent human beings suffer? This drama lays bare the most vexing questions confronting the moral imagination.

Set in a Ukranian village in the year 1649, this haunting play takes place in the aftermath of a pogrom. Only two Jews, Berish the innkeeper and his daughter Hannah, have survived the brutal Cossack raids. When three itinerant actors arrive in town to perform a Purim play, Berish demands that they stage a mock trial of God instead, indicting Him for His silence in the face of evil. Berish, a latter-day Job, is ready to take on the role of prosecutor. But who will defend God? A mysterious stranger named Sam, who seems oddly familiar to everyone present, shows up just in time to volunteer.

The idea for this play came from an event that Elie Wiesel witnessed as a boy in Auschwitz: Three rabbis--all erudite and pious men--decided one evening to indict God for allowing His children to be massacred. I remember: I was there, and I felt like crying. But there nobody cried.

Inspired and challenged by this play, Christian theologians Robert McAfee Brown and Matthew Fox, in a new Introduction and Afterword, join Elie Wiesel in the search for faith in a world where God is silent.

A profoundly and unexpectedly intimate, deeply affecting summing up of life so far, from one of the most cherished moral voices of our time.

Eighty-two years old, facing emergency heart surgery and his own mortality, Elie Wiesel reflects back on his life. Emotions, images, faces, and questions flash through his mind. His family before and during the unspeakable Event. The gifts of marriage, children, and grandchildren that followed. In his writing, in his teaching, in his public life, has he done enough for memory and for the survivors? His ongoing questioning of God--where has it led? Is there hope for mankind? The world's tireless ambassador of tolerance and justice gives us a luminous account of hope and despair, an exploration of the love, regrets, and abiding faith of a remarkable man.

Translated from the French by Marion Wiesel

As this concluding volume of his moving and revealing memoirs begins, Elie Wiesel is forty years old, a writer of international repute. Determined to speak out more actively for both Holocaust survivors and the disenfranchised everywhere, he sets himself a challenge: I will become militant. I will teach, share, bear witness. I will reveal and try to mitigate the victims' solitude. He makes words his weapon, and in these pages we relive with him his unstinting battles. We see him meet with world leaders and travel to regions ruled by war, dictatorship, racism, and exclusion in order to engage the most pressing issues of the day. We see him in the Soviet Union defending persecuted Jews and dissidents; in South Africa battling apartheid and supporting Mandela's ascension; in Cambodia and in Bosnia, calling on the world to face the atrocities; in refugee camps in Albania and Macedonia as an emissary for President Clinton. He chastises Ronald Reagan for his visit to the German military cemetery at Bitburg. He supports Lech Walesa but challenges some of his views. He confronts Francois Mitterrand over the misrepresentation of his activities in Vichy France. He does battle with Holocaust deniers. He joins tens of thousands of young Austrians demonstrating against renascent fascism in their country. He receives the Nobel Peace Prize. Through it all, Wiesel remains deeply involved with his beloved Israel, its leaders and its people, and laments its internal conflicts. He recounts the behind-the-scenes events that led to the establishment of the Holocaust Museum in Washington, D.C. He shares the feelings evoked by his return to Auschwitz, by his recollections of Yitzhak Rabin, and by his memories of his own vanished family. This is the magnificent finale of a historic memoir.

When a Christian boy disappears in a fictional Eastern European town in the 1920s, the local Jews are quickly accused of ritual murder. There is tension in the air and a pogrom threatens to erupt. Suddenly, an extraordinary man--Moshe the dreamer, a madman and mystic--steps forward and confesses to a crime he did not commit, in a vain attempt to save his people from certain death. The community gathers to hear his last words--a plea for silence--and everyone present takes an oath: whoever survives the impending tragedy must never speak of the town's last days and nights of terror.

For fifty years the sole survivor keeps his oath--until he meets a man whose life depends on hearing the story, and one man's loyalty to the dead confronts head-on another's reason to go on living.

One of Wiesel's strongest early novels, this timeless parable about the Jews and their enemies, about hate, family, friendship, and silence, is as powerful, haunting, and significant as it was when first published in 1973.