Baltimore City, like most urban spaces, has a particular type of rhythm. It has a pulse, and it moves and breathes. It is an Upper South city that has survived despite the challenges that it faces. It is a city full of stories and storytellers. Dr. Kaye Wise Whitehead is a collector of Baltimore's stories and has shared them on her award-winning radio show, Today With Dr. Kaye, and in her former Afro column, Conversations With Dr. Kaye.

In 2017, during the Black Lives Movement, Dr. Kaye began a three-year in-depth ethnographic study within Baltimore's Black Butterfly neighborhoods, documenting and recording the stories and experiences of the community in a bi-weekly Opinion Editorial column in the Afro. Those stories were then shared in schools and communities across the city, sparking conversation and debate about who runs this city, who owns it, and who is going to inherit it.

my mother's tomorrow: dispatches through the lens of Baltimore's Black Butterfly brings together all of the editorials in one collection. In the story, you tell them that we're not invisible, you tell them that we matter, Dr. Kaye shared the experiences of a woman who lived in a community that had gone four days without running water. She asked Dr. Kaye to tell her story so that she and the residents of the city would be unforgetten. This book was written for her.

It was also written for the veterans that Dr. Kaye met and profiled in her baltimore is my beirut, column who said, You commit your life to fight for this country, then you come back home and where you live is worse than where you were fighting. It's like the war never ended.

It also for the ninth grade student who Dr. Kaye wrote about in the i'm from baltimore, i'm already dead column who when asked what he wanted to be when he grew up responded by saying, My father is dead. My brother is dead. I had two cousins, they got shot. My uncles are locked up. What do I want to be when I grow up? Nothing. I'm from Baltimore, I'm already dead.

It is also for her parents who grew up in Jim Crow South Carolina and chose every day to survive and then when they raised her, taught her how to thrive.

my mother's tomorrow is a love letter to Baltimore--documenting everything from school shootings to Black Lives Matter, Trump's first presidency to Black Covid Stories--it is their words, their lives, and their experiences written and shared so that they won't be forgotten.

I want you to be fully present in your own life, a change agent who is not afraid to dare to be who you are. I wonder though, my dear sweet child, how I can mother you when I have not been able to mother myself? How can I give you the tools to survive this brutal world when I have not been able to craft these tools to save myself? How can I stand up for you when my whole life has been spent trying so hard to stand up for myself? I am not perfect. I am flawed. I am pregnant. And in nine months, I will be your mother. And so begins Karsonya Wise Whitehead's first letter to her oldest son. For the past 14 years, she has written letters, poems, notes, and words of inspiration to her two boys, Kofi Elijah and Amir Elisha. She has documented everything from their first steps to their first encounter with racism; from their questions about race to their questions about falling in love. She has borne witness to their tears of joy and pain, their cries of frustration and discovery, and the difficulties that they have encountered growing up black and male. Since this is her love for them poured out onto the page, she chose to publish them exactly as they were written-without any edits or corrections. Letters to My Black Sons traces her (and her husband's) journey to try and raise happy and healthy black boys in a post-racial America.

Baltimore City, like most urban spaces, has a particular type of rhythm. It has a pulse, and it moves and breathes. It is an Upper South city that has survived despite the challenges that it faces. It is a city full of stories and storytellers. Dr. Kaye Wise Whitehead is a collector of Baltimore's stories and has shared them on her award-winning radio show, Today With Dr. Kaye, and in her former Afro column, Conversations With Dr. Kaye.

In 2017, during the Black Lives Movement, Dr. Kaye began a three-year in-depth ethnographic study within Baltimore's Black Butterfly neighborhoods, documenting and recording the stories and experiences of the community in a bi-weekly Opinion Editorial column in the Afro. Those stories were then shared in schools and communities across the city, sparking conversation and debate about who runs this city, who owns it, and who is going to inherit it.

my mother's tomorrow: dispatches through the lens of Baltimore's Black Butterfly brings together all of the editorials in one collection. In the story, you tell them that we're not invisible, you tell them that we matter, Dr. Kaye shared the experiences of a woman who lived in a community that had gone four days without running water. She asked Dr. Kaye to tell her story so that she and the residents of the city would be unforgetten. This book was written for her.

It was also written for the veterans that Dr. Kaye met and profiled in her baltimore is my beirut, column who said, You commit your life to fight for this country, then you come back home and where you live is worse than where you were fighting. It's like the war never ended.

It also for the ninth grade student who Dr. Kaye wrote about in the i'm from baltimore, i'm already dead column who when asked what he wanted to be when he grew up responded by saying, My father is dead. My brother is dead. I had two cousins, they got shot. My uncles are locked up. What do I want to be when I grow up? Nothing. I'm from Baltimore, I'm already dead.

It is also for her parents who grew up in Jim Crow South Carolina and chose every day to survive and then when they raised her, taught her how to thrive.

my mother's tomorrow is a love letter to Baltimore--documenting everything from school shootings to Black Lives Matter, Trump's first presidency to Black Covid Stories--it is their words, their lives, and their experiences written and shared so that they won't be forgotten.

Passionate, edgy, unapologetic... RaceBrave: new and selected works provides another glimpse into Karsonya Wise Whitehead's work to document her experience raising two black boys in a post-racial America. On July 7, 2014, the day Eric Garner was murdered, Whitehead set out to write about what was happening across America to unarmed black people, in doing so she explores the feelings of hopelessness and helplessness that resonate with parents around the country-sometimes with humor, sometimes with sadness, but always with an ear that bends toward the truth. In marking these moments, Whitehead also reached back into her childhood diaries to examine how life has changed for her, as a writer, a poet, and a mother over the years. RaceBrave is a masterwork that covers multiple topics and captures every mood: today, my heart stopped is both dolorous and heartbreaking as it examines what happens when black men demand the right to be seen and to be able to breathe, while the birth of your activism examines the days leading up the Baltimore Uprising as Whitehead's sons chose to march for ten days straight for justice, for Freddie Grey, and ultimately in search of the world that they are hoping to co-create. Going back into her archives, comfedderate flag memories highlights Whitehead's feelings about the confederate flag in both 1980 and in 2015 while speaking my truth, finally reveals a story that she has been trying to write about for twenty-five years. In the section, Black Love is Black Wealth, Whitehead celebrates the many aspects of love with we are gathered, a poem in memory of her favorite uncle; a regenerative descant, in celebration of the retirement of a Marine after thirty-years of service; and, soulmates and soulfood (kuro ai), five short playful tender poems about being brave enough to fall and remain in love. At once personal and political, poignant and apoplectic, these forty-five poems evoke a society where all voices are heard, all perspectives are respected, and everyone has the courage to be RaceBrave.

Passionate, edgy, unapologetic... RaceBrave: new and selected works provides another glimpse into Karsonya Wise Whitehead's work to document her experience raising two black boys in a post-racial America. On July 7, 2014, the day Eric Garner was murdered, Whitehead set out to write about what was happening across America to unarmed black people, in doing so she explores the feelings of hopelessness and helplessness that resonate with parents around the country-sometimes with humor, sometimes with sadness, but always with an ear that bends toward the truth. In marking these moments, Whitehead also reached back into her childhood diaries to examine how life has changed for her, as a writer, a poet, and a mother over the years. RaceBrave is a masterwork that covers multiple topics and captures every mood: today, my heart stopped is both dolorous and heartbreaking as it examines what happens when black men demand the right to be seen and to be able to breathe, while the birth of your activism examines the days leading up the Baltimore Uprising as Whitehead's sons chose to march for ten days straight for justice, for Freddie Grey, and ultimately in search of the world that they are hoping to co-create. Going back into her archives, comfedderate flag memories highlights Whitehead's feelings about the confederate flag in both 1980 and in 2015 while speaking my truth, finally reveals a story that she has been trying to write about for twenty-five years. In the section, Black Love is Black Wealth, Whitehead celebrates the many aspects of love with we are gathered, a poem in memory of her favorite uncle; a regenerative descant, in celebration of the retirement of a Marine after thirty-years of service; and, soulmates and soulfood (kuro ai), five short playful tender poems about being brave enough to fall and remain in love. At once personal and political, poignant and apoplectic, these forty-five poems evoke a society where all voices are heard, all perspectives are respected, and everyone has the courage to be RaceBrave.

The Rethinking Emilie Frances Davis companion reader is a supplemental curriculum guide that expands the work on Emilie Davis that was started in the award-winning book Notes from a Colored Girl: The Civil War Pocket Diaries of Emilie Frances Davis (USC Press, May 2014) written by Karsonya Wise Whitehead. Curriculum designers from a range of content areas and grade levels offer common core aligned lesson plan sets for middle, high school, and college students that outline the scope and sequence and frame the organization of activities and assignments in a coherent fashion. Edited by Whitehead and Conra Gist, the reader includes Whitehead's article-Forensic Herstor-ical Investigation: Redefining Emilie-which analyzes Whitehead's method of active engagement, close reading, and archival research; and, Gist's article-A Black Feminist Interpretation: Reading Life, Pedagogy, and Emilie-that uses a black feminist lens to explore the life of Emilie Davis. The user-friendly design of the book allows Davis's life to be viewed through a transdisciplinary lens enabling teachers to work both across disciplines and beyond their own discipline to help students connect to the life of a 19th century free black woman.

A rare glimpse into the thoughts and experiences of a free Black American young woman in the nineteenth century

In Notes from a Colored Girl, Karsonya Wise Whitehead examines the life and experiences of Emilie Frances Davis, a freeborn twenty-one-year-old mulatto woman, through a close reading of three pocket diaries she kept from 1863 to 1865. Whitehead explores Davis's worldviews and politics, her perceptions of both public and private events, her personal relationships, and her place in Philadelphia's free black community in the nineteenth century.

Although Davis's daily entries are sparse, brief snapshots of her life, Whitehead interprets them in ways that situate Davis in historical and literary contexts that illuminate nineteenth-century black American women's experiences. Whitehead's contribution of edited text and original narrative fills a void in scholarly documentation of women who dwelled in spaces between white elites, black entrepreneurs, and urban dwellers of every race and class.

Notes from a Colored Girl is a unique offering to the fields of history and documentary editing as the book includes both a six-chapter historical reconstruction of Davis's life and a full, heavily annotated edition of her Civil War-era pocket diaries. Drawing on scholarly traditions from history, literature, feminist studies, and sociolinguistics, Whitehead investigates Davis's diary both as a complete literary artifact and in terms of her specific daily entries.

From a historical perspective, Whitehead re-creates the narrative of Davis's life for those three years and analyzes the black community where she lived and worked. From a literary perspective, Whitehead examines Davis's diary as a socially, racially, and gendered nonfiction text. From a feminist studies perspective, she examines Davis's agency and identity, grounded in theories elaborated by black feminist scholars. And, from linguistic and rhetorical perspectives, she studies Davis's discourse about her interpersonal relationships, her work, and external events in her life in an effort to understand how she used language to construct her social, racial, and gendered identities.

Since there are few primary sources written by black women during this time in history, Davis's diary--though ordinary in its content--is rendered extraordinary simply because it has survived to be included in this very small class of resources. Whitehead's extensive analysis illuminates the lives of many through the simple words of one.