THE TIKTOK SENSATION FROM THE UK HAS COME TO NORTH AMERICA!

This premium hardcover features a gorgeous, shimmering jacket with effects and beautifully illustrated endpapers.

Magical, murderous, romantic romp through a fantasy world as colorful as it is captivating. Thea Guanzon, New York Times bestselling author of THE HURRICANE WARS

A mind-blowing murder mystery on a ship full of magical passengers. If Agatha Christie wrote fantasy, this would be it!

For a thousand years, Concordia has maintained peace between its provinces. To mark this incredible feat, the emperor's ship embarks upon a twelve-day voyage to the sacred Goddess's Mountain. Aboard are the twelve heirs of the provinces of Concordia, each graced with a unique and secret magical ability known as a Blessing.

All except one: Ganymedes Piscero--class clown, slacker and all-around disappointment.

When a beloved heir is murdered, everyone is a suspect. Stuck at sea and surrounded by powerful people and without a Blessing to protect him, Ganymedes's odds of survival are slim.

But as the bodies pile higher, Ganymedes must become the hero he was not born to be. Can he unmask the killer and their secret Blessing before this bloody crusade reaches the shores of Concordia?

Or will the empire as he knows it fall?

Hilarious and full of heart. --A.S. Webb, author of Daughter of Chaos

Twelve magical Blessings.

Twelve days at sea.

One chance to stop a killer

and save the world...

For a thousand years, Concordia has maintained peace between its provinces. To mark this incredible feat, the emperor's ship embarks upon a twelve-day voyage to the sacred Goddess's Mountain. Aboard are the twelve heirs of the provinces of Concordia, each graced with a unique and secret magical ability known as a Blessing.

All except one: Ganymedes Piscero--class clown, slacker and all-around disappointment.

When a beloved heir is murdered, everyone is a suspect. Stuck at sea and surrounded by powerful people and without a Blessing to protect him, Ganymedes's odds of survival are slim.

But as the bodies pile higher, Ganymedes must become the hero he was not born to be. Can he unmask the killer and their secret Blessing before this bloody crusade reaches the shores of Concordia?

Or will the empire as he knows it fall?

This exploration of the crucially important role played by remorse in Iris Murdoch's philosophical, theological, and political thinking identifies it as a critical concept in her moral psychology and a recurrent theme in her art. Through engagement with Simone Weil, current theories of remorse, trauma theory and Holocaust studies, it offers fresh perspectives on Murdoch's fiction - particularly the late novels, her radio play The One Alone, and her monograph Heidegger.

He only wanted the family he lost at the age of ten. His young bride wanted to be a star. So, when opportunity knocked, this young chauffeur took his wife out of Deadwood and headed for Los Angeles to make their dreams come true. Only after a few short months on the road Robert learned his wife Violet has turned her head toward a Vaudeville agent, who promised her fame, fortune, and expensive gifts, turning his dreams into a nightmare. This is not just a genealogist's tale, but the untold story of love, betrayal and murder of the vermin who would destroy everything. Now, a.k.a. Zane R. Southern has to fight not only for his wife, but also for his life. However, facing the gallows doesn't seem as hard as the thought of losing her. This story is based on the real life of Robert Lawrence Victor Smith, and the events that led to his journey back from the end of the world.

Frances White's many interests are revealed in this fine collection: the natural world, childhood, music, poetry, family and friends, religious faith, the wider world. Her achingly moving late poems underline her ability to be bracingly honest. Readers will be drawn to her evocations of childhood in Mountain Mist, 'We thought clouds were soft shape-shifters' and of adolescence in Dandelion Child, 'a lull/before hot summers/the rush of freedom/music in the air/wild flowers in our hair/and then the longing/for red roses'

This exploration of the crucially important role played by remorse in Iris Murdoch's philosophical, theological, and political thinking identifies it as a critical concept in her moral psychology and a recurrent theme in her art. Through engagement with Simone Weil, current theories of remorse, trauma theory and Holocaust studies, it offers fresh perspectives on Murdoch's fiction - particularly the late novels, her radio play The One Alone, and her monograph Heidegger.