These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term Renaissance, was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

This new translation, specially commissioned for the Oxford World's Classics series, contains thirty-six of the most important lives. Fully annotated and with a brand new package, Lives of the Artists is an invaluable classic to add to your collection.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Giorgio Vasari's biographical collection The Lives of the Artists is one of the most frequently cited art history books since the 16th century. It is also the first comprehensive book on art history ever created. In the work, Vasari brings together facts, knowledge, and sometimes gossip about almost 200 Renaissance artists. Most of the biographies are focused on Florentines and Romans, though Vasari also wrote about other European artists. The Lives of Artists not only discusses the importance of the artists, but it also serves as a book of art criticism. Vasari looked at the artists' paintings in minute detail, describing the positive and negative aspects of the artistry as well as the quality of the work. The Lives of the Artists has not escaped criticism, though. Many scholars and historians realize that Vasari's information was not always completely accurate; with the lesser-known artists, he flubs dates and other minor information. Vasari also sometimes invented some information and gossip about the artists. However, many have argued that the false information, or gossip, is truthful in spirit, even if the actual events did not happen. Regardless, The Lives of Artists is still one of the best art criticism and art history books in the genre, and it provides a valuable look at how the leading artists of the Renaissance helped to shape and redefine the art of their time. Contained here is a selection of thirty-three of the most important biographies from Vasari's expansive work is a single volume which follows the translation of Gaston du. C. de Vere and is printed on premium acid-free paper.

An instant success upon its publication in the mid-16th century, Giorgio Vasari's Lives of the Artists remains one of the principal resources for study of the art and artists of the Italian Renaissance. Nothing of the scope and magnitude of this work had ever been conceived; the first complete history of modern art, it is widely regarded as the most influential art history book ever written.
The Lives' colorful and detailed portraits of the most representative figures of Italian painting and sculpture trace the flowering of the Renaissance across three centuries. This single-volume edition of selections from Vasari's immense work features eight of the book's most noteworthy artists: Giotto, Masaccio, Fra Filippo Lippi, Botticelli, Leonardo da Vinci, Raphael, Michelangelo, and Titian. It also includes an introduction, notes, and glossary; as well as woodcut portraits of each artist by Vasari himself. Students, teachers, and art enthusiasts will find this convenient edition an indispensable resource.

A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship.
Spanning the period from the thirteenth century to Vasari's own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael, Michelangelo, and Titian. This Modern Library edition, abridged from the original text with notes drawn from earlier commentaries, as well as current research, reminds us why The Lives of the Most Excellent Painters, Sculptors, and Architects is indispensable to any student interested in Renaissance art.

A heroic long-term project to reunite panels of allegorical figures made for the ceiling of a Renaissance palace's grand room

Published to coincide with their extraordinary reassembly, this volume recounts the intricate story of the reconstruction and remounting of ceiling panels painted by the celebrated Italian Renaissance painter, architect, art historian and biographer Giorgio Vasari (1511-74) for Venice's Palazzo Corner Spinelli. Realized in a 1542 commission, Vasari completed a series of panels of allegorical figures for the ceiling of the palace's grand room. Various elements of the decorative structure were removed from their original location over the course of the 18th century, and by the 19th century the works were completely dispersed. This lavishly illustrated publication retraces the critical fortunes and history of the panels up until their reunion and mounting in their current location, explores the restoration of the work, discusses the iconological interpretation of the ceiling and takes a close look at the preparatory drawings of the panels.

Giorgio Vasari, Florentine painter and architect, friend of Michelangelo and intimate of the Medici, is best known for his Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and in an enlarged edition in 1568. With more than two hundred biographies, it has for centuries been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance.

It is to Vasari that we owe much of our knowledge of Raphael (1483-1520), who in his day was considered perhaps the greatest painter of all time. Rich in colorful anecdotes, TheLife of Raphael is important for its sustained attention to the range of Raphael's art, whose chronology and development Vasari describes in detail, together with the painter's ample love life and spectacular social career. It also pays attention, unprecedented for its time, to theoretical issues.

This edition, introduced by the scholar Jill Burke, includes thirty pages of color illustrations covering the entire span of Raphael's oeuvre.

Giovanni Bellini (ca. 1435-1516), widely considered the greatest Venetian artist of his time, was born into the most influential artistic family in Venice. He received his training in the studio of his father, Jacopo, along with his brother, Gentile, and through a long and fruitful career played a leading role in defining the Renaissance style in Venice. His workshop, one of the most important of the period, counted Giorgione and Titian among its pupils.

The first account of his life, by Giorgio Vasari, also portrays the family artistic enterprise; it appeared in Vasari's seminal Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and revised and expanded in 1568. A century later Carlo Ridolfi, who sought to rectify Vasari's emphasis on Florentine painters, provides a fuller portrayal of Bellini in his 1648 work The Marvels of Art, or theLives of the Famous Painters of Venice and Its State. These two narratives are complemented in this book by Marco Boschini's poetic homage to the artist and by correspondence between the renowned Renaissance patron of the arts Isabella d'Este, Bellini, and others regarding the commission of a painting for her celebrated studiolo in Mantua. Ridolfi's biography, Boschini's poem, and the Isabella d'Este correspondence appear here in English for the first time. Full-page color illustrations throughout the book represent the full sweep of Bellini's career.

The fame and influence of Michelangelo Buonarroti (1475-1564) were as immediate as they were unprecedented. It is not surprising, therefore, that he was the only living artist Giorgio Vasari included in the first edition of Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550. Revised and expanded in 1568, Vasari's monumental work comprises more than two hundred biographies; for centuries it has been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance.

Vasari's biography of Michelangelo, the longest in his Lives, presents Michelangelo's oeuvre as the culminating achievement of Renaissance painting, sculpture, and architecture. He tells the grand story of the artist's expansive career, profiling his working habits; describing the creation of countless masterpieces, from the David to the Sistine Chapel ceiling; and illuminating his relationships with popes and other illustrious patrons. A lifelong friend, Vasari also quotes generously from the correspondence between the two men; the narrative is further enhanced by an abundance of colorful anecdotes. The volume's forty-two illustrations convey the range and richness of Michelangelo's art.

An introduction by the scholar David Hemsoll traces the textual development of Vasari's Lives and situates his biography of Michelangelo in the broader context of Renaissance art history.

Biographical accounts by several of Titian's contemporaries, including Giorgio Vasari and Pietro Aretino, trace the fascinating and prolific life of this master of the Italian Renaissance. As the most important member of the sixteenth-century Venetian school, Titian (ca. 1488-1576) reached a level of professional success rivaled only by Raphael, Michelangelo, and, later, Rubens.

Giorgio Vasari (1511-1574) war ein italienischer Architekt, Hofmaler der Medici und Biograph italienischer K nstler, darunter Leonardo da Vinci, Raffael und Michelangelo. Er gilt durch seine Schriften ber das Leben und Werk zeitgen ssischer Meister als einer der ersten Kunsthistoriker. In seinen Beschreibungen der italienischen K nstler verwendete Vasari 1550 zudem als Erster das Wort Renaissance. Vasari bedachte viele italienische K nstler mit Biographien. Seine Biographischen Kunstlexika gelten trotz ihrer historischen ''Ungenauigkeiten'' f r Interpretationen der Renaissance als unerl sslich. Inhalt: - Giovanni Cimabue - Niccolo und Giovanni Pisani - Giotto - Jacopo della Quercia - Luca della Robbia - Lorenzo Ghiberti - Masaccio - Filippo Brunelleschi - Donatello - Fra Giovanni da Fiesole (Fra Angelico) - Antonello da Messina - Fra Filippo Lippi - Jacopo, Giovanni und Gentile Bellini - Domenico Ghirlandaio - Sandor Botticelli - Andrea del Verocchio - Andrea Mantegna - Filippino Lippi - Pietro Perugino - Luca Signorelli - Leonardo da Vinci - Giorgione von Castelfranco - Antonio da Correggio - Fra Bartolommeo di San Marco - Bramante von Urbino - Raffael von Urbino - Sebastiano del Piombo - Michelangelo Buonarroti - Tizian von Cadore

Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects (1550 and 1568) is a classic of cultural history. In his monumental assembly of artists' lives, no life is more vivid than that of Leonardo da Vinci, a near-contemporary of Vasari. Illustrated with the works of art discussed by Vasari, and including a selection of Da Vinci's studies of science and technology, The Life of Leonardo da Vinci paints an intriguing picture of the progress of art in the hands of the master. Succinct notes also provide new insights in light of modern knowledge of Da Vinci's career.

This beautiful gift edition offers a literary translation by eminent scholar Martin Kemp that respects the sixteenth-century Italian, transposing Vasari's vocabulary into its modern equivalent. Translated in partnership with Lucy Russell, the text will be the first to integrate the 1550 edition and the expanded version of 1568. This fascinating and accessible read coincides with the five hundredth anniversary of Da Vinci's death.

Born Jacopo Comin, Tintoretto (ca. 1519-1594) was one of the great painters of the late Renaissance. This book presents the first biographies of Tintoretto, by Giorgio Vasari and Carlo Ridolfi, as well as accounts from individuals who knew the artist personally. This volume also includes a translation of the marginal notes El Greco wrote in his copy of Vasari's Life of Tintoretto, which have never before been published.

Great craftsman and biographer s full, readable discussions of architecture orders, pavements, planning and design, etc.; sculpture modelling in wax and clay, tools and materials used in marble carving, reliefs, bronze figures, etc.; painting foreshortening, coloring, fresco,

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In his Lives of the Artists of the Italian Renaissance, Vasari demonstrated a literary talent that outshone even his outstanding abilities as a painter and architect. Through character sketches and anecdotes he depicts Piero di Cosimo shut away in his derelict house, living only to paint; Giulio Romano's startling painting of Jove striking down the giants; and his friend Francesco Salviati, whose biography also tells us much about Vasari's own early career. Vasari's original and soaring vision plus his acute aesthetic judgements have made him one of the most influential art historians of all time.

Giorgio Vasari's The Lives of the Most Eminent Painters, Sculptors and Architects, written in 1550 and 1568, is a classic text of cultural history. This monumental assembly of artists' lives from Giotto to Michelangelo paints a vivid picture of the progression of art in the hands of individual masters.

This illustrated stand-alone edition of Vasari's Life of Raphael offers a new translation of this rich and remarkable life, elegantly rendering Vasari's literary text in modern terms. A work of authoritative skill and precision, this new translation preserves Vasari's exciting narrative, alongside beautifully reproduced color illustrations. Editors Paul Joannides and Rick Scorza bring together the original and expanded Italian editions from 1550 and 1568 with succinct commentary drawing upon their expert knowledge of Raphael's career. This fascinating and accessible read is published in the five hundredth anniversary year of Raphael's death.

Lives Of The Most Eminent Painters, Sculptors & Architects; Volume - Iv has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

A new title in the successful Lives of the Artists series, which offers illuminating, and often intimate, accounts of iconic artists as viewed by their contemporaries.

Coinciding with the five hundredth anniversary of the death of Leonardo (1452-1519), Lives of Leonardo da Vinci brings together important early biographies of the polymath by Giorgio Vasari, Paolo Giovio, and anonymous authors. This illustrated volume also features recollections by the humanist scholar Sabba di Castiglione; Matteo Bandello's eyewitness account of the artist creating one of his most famous works, The Last Supper; and letters written by a variety of contemporary authors, including Isabella d'Este, Antonio de Beatis, Francesco Melzi, Fra Pietro da Novellara and Leonardo himself. Includes a fold out with detail and notes on The Last Supper.

Giorgio Vasari's classic work on the lives of Renaissance artists remains a valuable reference for art historians and enthusiasts. With detailed biographies of some of the most celebrated painters, sculptors, and architects of the 16th century, this book offers a fascinating glimpse into the world of Italian art during the Renaissance.

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