Winner of the National Book Award
Winner of the California Book Award
Winner of Tournament of Books

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

ONE OF THE NEW YORK TIMES 100 BEST BOOKS OF THE 21^ST CENTURY

The critically acclaimed debut from the National Book Award-winning author of Blackouts.

In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become.

A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver's or Jeffrey Eugenides's voice did when we first heard it.--The Washington Post

Three brothers tear their way through childhood-- smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn--he's Puerto Rican, she's white--and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another.

From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.

We the Animals is a dark jewel of a book. It's heartbreaking. It's beautiful. It resembles no other book I've read.--Michael Cunningham

A fiery ode to boyhood . . . A welterweight champ of a book.--NPR, Weekend Edition

Winner of the National Book Award
Winner of the California Book Award
Winner of Tournament of Books

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling--its legacies, dangers, delights, and potential for change--and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made--a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

Un debut aclamado por la crítica americana.

La vida de la familia Torres es un caos. El padre, puertorriqueño «Paps , y la madre, nacida en Brooklyn «Ma , deciden tener tres hijos pese a su precaria situación laboral. Les darán una educación peculiar que se desarrollará entre trabajos basura, problemas en el barrio y anécdotas familiares íntimas y divertidas.

En ese marco, solo el cariño y el amor entre ellos harán posible que sobrevivan en esa jungla que es la ciudad. Pero la principal jungla de la historia es la de la infancia, porque los tres niños, los verdaderos protagonistas de la novela, se comportarán como pequeños animales en continuo aprendizaje: travesuras, extrañas conversaciones con los adultos, juegos, inocencia y destellos de esa inteligencia tan lúcida y en ocasiones impropia de los niños pequeños.

El componente autobiográfico hace aún más interesante este relato, pues retrata a la perfección la vida en las afueras de Nueva York a finales de los ochenta y las oportunidades que esta ciudad ofrecía a los habitantes del colectivo latino.

Este libro presenta un universo en el que el lector se siente cómodo, ya que es cercano y está cargado de imágenes de gran belleza y lirismo, y consigue hablar del amor y del cariño en la familia sin utilizar el discurso cursi o manido al que estamos acostumbrados.

ENGLISH DESCRIPTION

One of the New York Times's 100 Best Books of the 21st Century

The critically acclaimed debut from the National Book Award-winning author of Blackouts.

In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become.

A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver's or Jeffrey Eugenides's voice did when we first heard it.--The Washington Post

Three brothers tear their way through childhood-- smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn--he's Puerto Rican, she's white--and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another.

From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.

We the Animals is a dark jewel of a book. It's heartbreaking. It's beautiful. It resembles no other book I've read.--Michael Cunningham

A fiery ode to boyhood . . . A welterweight champ of a book.--NPR, Weekend Edition

NOW A MAJOR MOTION PICTURE BY JEREMIAH ZAGAR

A novel so honest, poetic, and tough that it makes you reexamine what it means to love and to hurt. -- O, The Oprah Magazine

The communal howl of three young brothers sustains this sprint of a novel . . . A kind of incantation. -- The New Yorker

This fiery ode to boyhood (Scott Simon, NPR) tracks three brothers as they tear their way through childhood, growing up in the shadow of Paps and Ma and learning a kind of love that is serious, dangerous, unshakeable, glorious. A stunning exploration of how we are formed by our earliest bonds, We the Animals bears witness to Justin Torres's serious talent and heralds him as a brilliant, ferocious new voice (Michael Cunningham).

A miracle in concentrated pages, you are going to read it again and again. -- Dorothy Allison

Rumbles with lyric dynamite . . . Torres is a savage new talent. -- Benjamin Percy, Esquire

Galardonada con el National Book Award 2023, una novela deslumbrante que desentierra un episodio fundacional de la comunidad queer y explora los orígenes de su patologización.

«Se difuminan los límites de la Historia, la autobiografía y la ficción con el arte. Hermoso . -Sam Sacks, The Wall Street Journal

En un remoto asilo en el desierto, un hombre joven acompaña a un moribundo. Han pasado diez años desde que coincidieran brevemente en una institución psiquiátrica. Ahora, el que está punto de morir le pide al otro que termine el proyecto al que ha dedicado su vida: la reconstrucción de la singular historia de Jan Gay. Esta investigadora, escritora y activista queer de principios del siglo XX dedicó su vida a documentar las vidas lesbianas y la cultura nudista en Estados Unidos y Europa, y sin embargo su trabajo fue el origen de un manual sobre la homosexualidad como perversión titulado Desviaciones sexuales: un estudio de los patrones homosexuales.

La lectura de las misteriosas páginas tachadas de dicho manual infame acompañará las vigilias diurnas que siguen a las calurosas noches de insomnio de aquellos dos hombres. En las horas de oscuridad mantendrán una larga conversación sobre sus vidas y las de Jan Gay y los sujetos que participaron en la truncada investigación.

En este atmosférico relato de amor, que es a la vez un collage documental y un homenaje a Pedro Páramo y El beso de la mujer araña, Justin Torres desentierra un episodio borrado de la historia estadounidense para explorar los orígenes de la patologización de la comunidad queer; una bella e imaginativa novela que ha sido merecedora del National Book Award.

ENGLISH DESCRIPTION

Amazon Best Books of 2024 So Far

Finalist of the Lambda Award in Gay Fiction 2024
Winner of the National Book Award
Winner of the California Book Award
Winner of Tournament of Books

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?

A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres's Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.