Named in many surveys as Britain's best-loved work of fiction, Pride and Prejudice is now a global brand, with film and television adaptations making Elizabeth Bennet and Mr Darcy household names. With a combination of original readings and factual background information, this Companion investigates some of the sources of the novel's power. It explores key themes and topics in detail: money, land, characters and style. The history of the book's composition and first publication is set out, both in individual essays and in the section of chronology. Chapters on the critical reception, adaptations and cult of the novel reveal why it has become an enduing classic with a unique and timeless appeal.

Mary Wollstonecraft is widely recognized as a social and political thinker of major significance and as one of the most important and influential of the early feminists. Some of her works, such as A Vindication of the Rights of Woman, have become central texts of feminist thought. Written in the eighteenth century, her social commentary challenged the other eminent thinkers of the day, including Edmund Burke and Jean-Jacques Rousseau, and confronted the major events of the period, such as the French Revolution. Wollstonecraft was a persuasive writer and thinker who never felt compelled to separate her female experience from her writing.

A Wollstonecraft Anthology brings together the well-known and lesser-known texts: A Vindication of the Rights of Men, The French Revolution, her early educational writings, her letters to Gilbert Imlay and William Godwin, and her reviews of fiction. This volume provides a comprehensive overview of Wollstonecraft's work and includes a biographic introduction by Janet Todd.

They were known as the Ascendancy, the dashing aristocratic elite that controlled Irish politics and society at the end of the eighteenth century--and at their pinnacle stood Caroline and Robert King, Lord and Lady Kingsborough of Mitchelstown Castle. Heirs to ancient estates and a vast fortune, Lord and Lady Kingsborough appeared to be blessed with everything but marital love--which only made the scandal that tore through their family more shocking. In 1798, at the height of a rebellion that was setting Ireland ablaze, Robert King was tried for the murder of his wife's cousin--a crime born of passion that proved to have extraordinary political implications. In her brilliant new book, Janet Todd unfolds the fascinating story of how this powerful Anglo-Irish family became entwined with the downfall not only of their class, but of their very way of life.

Like Amanda Foreman's bestselling Georgiana, Daughters of Ireland brings to life the world of a glittering elite in an age of international revolution. When her daughters, Margaret and Mary, were at their most impressionable, Lady Kingsborough hired the firebrand feminist Mary Wollstonecraft to be their governess, little realizing how radically this would alter both girls' beliefs and characters. The tall, striking Margaret went on to provide crucial support to the United Irishmen in the days leading up to the Rebellion of 1798, while soft, pleasing Mary indulged in an illicit, and all but incestuous love affair that precipitated multiple tragedies.

As the Kingsboroughs imploded, the most powerful and colorful figures of the day were swept up in their drama--the dashing aristocrat turned revolutionary Lord Edward Fitzgerald; the liberal, cultivated Countess of Moira, a terrible snob despite her support of Irish revolutionaires; the notorious philanderer Colonel George King, whose sexual debauchery was matched only by his appalling cruelty; Britain's cold calculating prime minister William Pitt and its mad ruler King George III.

With irresistible narrative drive and richly intimate historic detail, Daughters of Ireland an absolutely spellbinding work of history, biography, passion, and rebellion.

Examining the writing of Aphra Behn, Frances Sheridan, Ann Radcliffe and Fanny Burney among others, this study describes the entry of women into literature as a profession in the 17th century. It describes how the fictional genre became the main vehicle for female self-expression.

Covering many aspects of Jane Austen's life, works and historical context, this collection of essays provides the most complete one volume introduction to her life and times. The generously illustrated collection of concise contributions is arranged alphabetically, and covers topics ranging from biography to portraits, critical responses to translations, agriculture to transport. An essay on the reception of Austen's work is also included, showing how criticism of Austen has responded to literary movements and fashions.

Jane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.

Strange and haunting, a gothic novel with a modern consciousness. Philippa Gregory

A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory. Sarah Dunant

'A mesmerizing story of love and obsession in nineteenth century Venice: dark and utterly compelling.
Natasha Solomons

Intriguing and entertaining; a clever, beguiling debut.Todd knows her Venice backwards.
Salley Vickers

Revealing, surprising, compelling, gripping. Miriam Margolyes, actress

A Man of Genius portrays a psychological journey from safety into obsession and secrecy. It mirrors a physical passage from flamboyant Regency England through a Europe conquered by Napoleon.

Ann, a successful writer of cheap Gothic novels, becomes obsessed with Robert James, regarded by many, including himself, as a genius, with his ideas, his talk, and his band of male followers. However, their relationship becomes tortuous, as Robert descends into violence and madness.

The pair leaves London for occupied Venice, where Ann tries to cope with the monstrous ego of her lover. Forced to flee with a stranger, she delves into her past, to be jolted by a series of revelations--about her lover, her parentage, the stranger, and herself.

Janet Todd is known for her works about Mary Wollstonecraft, Aphra Behn, the Shelley circle, and Jane Austen. Born in Wales, her wandering childhood in the United Kingdom, Bermuda, and Sri Lanka led to work as an academic in Ghana, the United States, and United Kingdom. Her passion has been for women writers, the largely unknown and the famous. A former president of Lucy Cavendish College, University of Cambridge, she lives in Cambridge and Venice.

A must-read for any devotee of Jane Austen, Janet Todd's 'naughty-Austen' reimagining of the epistolary novel Lady Susan will capture your literary imagination and get your heart racing.

Austen's only anti-heroine, Lady Susan, is a beautiful, charming widow who has found herself, after the death of her husband, in a position of financial instability and saddled with an unmarried, clumsy and over-sensitive daughter. Faced with the unpalatable prospect of having to spend her widowed life in the countryside, Lady Susan embarks on a serious of manipulative games to ensure she can stay in town with her first passion - the card tables. Scandal inevitably ensues as she negotiates the politics of her late husband's family, the identity of a mysterious benefactor and a passionate affair with a married man.

Accurate and true to Jane Austen's style, as befits Todd's position as a leading Austen scholar, this second coming of Lady Susan is as shocking, manipulative and hilarious as when Jane Austen first imagined her.

Strange and haunting, a gothic novel with a modern consciousness. --Philippa Gregory

A haunting, sophisticated story about a woman discovering the truth about herself and the elusive, possibly illusive, nature of genius. --Sunday Times

Mesmerizing, haunting, imbued with a complete sense of historical verisimilitude --Times Literary Supplement

A psychologically haunting and disturbing tale as full of mystery, exotic foreign places, and questions of parentage as any penned by her protagonist. --Library Journal

Thrilling and heartbreaking, a gothic novel with emotional heart and depth. --Foreword Reviews

A darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory. --Sarah Dunant

A mesmerizing story of love and obsession in nineteenth-century Venice: dark and utterly compelling. --Natasha Solomons

Set in bustling Regency England and decaying Venice, A Man of Genius portrays a psychological journey from safety into secrecy and obsession. After a troubled childhood, Ann achieves independence earning her living as an author of Gothic novels. Within a group of male writers, she meets and is enthralled by the supposed poetic genius, Robert James. They become uneasy lovers. Ann and Robert travel from London through a Europe exhausted by the Napoleonic Wars. They arrive in a Venice of spies and intrigue, where their relationship becomes tortuous and Robert descends into near madness. Forced to flee with a stranger, Ann delves into her past to be jolted by a series of revelations about her lover, her parentage, the stranger, and herself.

The life, work and history of Aphra Behn: seventeenth -century dramatist, poet of the erotic and bisexual, novelist, political propagandist, spy.

Praise for the first hardback edition:

Fascinating scholarship. Todd conveys Behn's vivacious character and the mores of the time. --the New York Times

Ground-breaking--it reads quickly and lightly. Even Todd's throwaway lines are steeped in learning and observation. --Ruth Perry, MIT, Women's Review of Books

A major biography; of interest to everyone who cares about women as writers. --Times Higher Education Supplement

Fascinating, a page-turner and a delight, an astonishingly thorough book. --Emma Donoghue

All women together ought to let flowers fall on the tomb of Aphra Behn. . . . For it was she who earned them the right to speak their minds. --Virginia Woolf

Aphra Behn, a spy in the Netherlands and the Americas, was the first professional woman writer. The most prolific dramatist of her age, innovative novelist, translator, lyrical and erotic poet, she expresses a frank sexuality addressing impotence, orgasm and bisexuality, whilst serving as political propagandist for the monarch.

This revised biography of the extraordinary, ground-breaking writer, who is emblematic of the Restoration period, a time of masks and self-fashioning, is set in conflict-ridden England, Europe, and in the mismanaged slave colonies, following the Puritan republic in 1660.

Janet Todd, novelist and internationally renowned scholar, was President of Lucy Cavendish College, Cambridge, and a Professor at Rutgers, NJ. An expert on women's writing and feminism, she has published on many writers, including Jane Austen, the Shelley Circle, Mary Wollstonecraft, and Aphra Behn.

Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the sixteenth and eighteenth centuries Behn was denigrated for her unwomanly subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as a leading dramatist of the Restoration and a founder of the English novel. This collection forms an important resource for those studying seventeenth century English literature and drama, and for those interested in the development of women's writing.

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Eccentric Fran wants a second chance. Thanks to her intimacy with Jane Austen, and the poet Shelley, she finds one.

Jane Austen is such a presence in Fran's life that she seems to share her cottage and garden, becoming an imaginary friend.

Fran's conversations with Jane Austen guide and chide her - but Fran is ready for change after years of teaching, reading and gardening. An encounter with a long-standing English friend, and an American writer, leads to new possibilities. Adrift, the three women bond through a love of books and a quest for the idealist poet Shelley at two pivotal moments of his life: in Wales and Venice. His otherworldly longing and yearning for utopian communities lead the women to interrogate their own past as well as motherhood, feminism, the resurgence of childhood memory in old age, the tensions and attractions between generations. Despite the appeal of solitude, the women open themselves social to ways of living - outside partnership and family. Jane Austen, as always, has plenty of comments to offer.

The novel is a (light) meditation on age, mortality, friendship, hope, and the excitement of change.

Coming to PBS Masterpiece Classic soon Gorgeous, profound, delightful, useful, original, this fully illustrated, informative volume combines Jane Austen's Sanditon novel and Janet Todd's ground-breaking essay.

I so enjoyed Janet Todd's beautifully produced book. Andrew Davies, screenwriter.

Sanditon is Jane Austen's last novel, left unfinished when she died. A comedy, it continues the strain of burlesque and caricature she wrote as a teenager and in private throughout her life. This beautifully illustrated volume combines the full novel and Todd's ground-breaking essay, where she contextualizes Austen's life and work, Sanditon's connection with Northanger Abbey (1818) and the Austen family's speculation in England and the West Indies. She examines the moral and social problems of capitalism, entrepreneurship, and whether wealth trickles down to benefit the place it is made. In explaining the early nineteenth-century culture of self: the exploitation of hypochondria, health fads, seaside resorts, cures, she contends that Sanditon is an innovative, ebullient study of human beings' vagaries - rather than using common sense, Sanditon's characters follow intuition and bodily signs believing that desire can be translated into physical facts and speech can transform fantasy into reality. Todd shows Austen's themes to be akin to contemporary concerns: the mistakes of the self-deluded reveal the inevitable, ridiculous gap between how we think of ourselves and how we appear and sound to others.

The Second World War is over. England is losing its empire, world status and old elite values. The Empire strikes back with mass immigration, while the government soothes its people with welfare, the NHS, televisions and refrigerators. At the centre of the novel is the contemptuous Joan Kite, at odds with all the changes imposed on the country in the post war period. Shut up in a house with her only daughter, she refuses to compromise and adapt, pouring vitriol on anyone who seeks to enter their lives. After years of frugality, patriotism, service and excitement, she is angry at the contracted existence she's been delivered and at the manner in which her aspirations to upper-middle-class culture have been thwarted. When her daughter is threatened, she begins a diary to investigate her past before and during the war. In it she gives rein to a flamboyant imaginary life and to an energetic loathing for the reality of a diminished England. During the freak hot summer of 1976, as water is rationed and ladybirds invade their home, the intimacy of mother and daughter intensifies. Their lives unravel within the claustrophobia of their semi-detached house behind closed velvet curtains.

After a life of reading and writing, what does it feel like to be deprived of both, to be thrown back only on what's in your head? The literary snippets that emerge into Todd's consciousness during a month of radiation are sometimes apt, often ludicrous. They draw her back into childhood in Wales, Bermuda, Ceylon when literature functioned as friend and escape, to her unquiet past in sixties Ghana, then America at the dawn of the rights movements.
Her father, nearing 100, is caught in the same 'hospital-land' both learn the selfishness of sickness and both respond by telling stories.

This is the first study of the posthumous life of Aphra Behn, the extraordinary vicissitudes of her critical reception, and the personal vilifications of her reputation through three centuries. Beginning with the reception of Behn's work during her lifetime, which she herself helped to orchestrate by performing herself as a seductive woman, a beleaguered lady writer, and a serious intellectual, among other roles, the work ends with the late 20th-century reception of Behn, when the interest in gender, race, and class has made of her almost a postmodern writer. In the 17th century she was seen as a playwright of sexy and propagandist comedies, and attacked by those who disapproved her supposedly unfeminine stance and her royalist politics. Later, as the Restoration period itself fell into disrepute, Behn's plays were denigrated along with those of her fellow men, but greater opprobrium fell on her as a woman, because in the 19th century it was felt that a female writer should have higher morals than a man. During this period, Behn's reputation was exceedingly low, while her short story Oroonoko gained acclaim, freed from any association with its author or her supposedly squalid times. In the 18th and 19th centuries Oroonoko moved from being viewed as political commentary and heroic romance to a sentimental tale of doomed love and then an abolitionist text. In the early twentieth century it was hailed as one of the earliest realist texts, part of the great English ascent into the novel.
JANET TODD is professor of English at the University of East Anglia

Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.

Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.