Anthony Thwaite (1930-2021) was one of the most formidable voices in postwar English letters. Deeply esteemed by fellow poets and critics for his original and technically controlled poetry, Thwaite composed in traditional forms, with orderly stanzas, rhyme schemes, and metrical lines that scan. His voice was highly personal, cautiously intimate, and often witty, and he wrote with a gratifying clarity and freedom from abstraction, making him among the most accessible of modern poets.

At the Garden's Dark Edge is a collection of a hundred of Thwaite's poems, selected from a span of more than sixty years, exploring his major themes and recurring topics--among them, the consolations of domestic life, the pleasures of language and creativity, and the many humans and other animals in his life. He was inspired by travel and life abroad--most notably Libya, Japan, and the American South--and his poems deeply engage the individuals and cultures he encountered. A lifelong archaeologist, Thwaite also explored the ruins of the past and what we may recover by exploring it. Intriguingly, his work also faces life's most vexing questions from the perspective of a serious Christian faith.

This volume contains several poems that have never been reprinted or collected, and one that has never before been published. By making his work more accessible than ever before, At the Garden's Dark Edge aims to introduce Anthony Thwaite to a new generation of readers and preserve his legacy for future generations. A preface by playwright and novelist Michael Frayn accompanies an editor's introduction.

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This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is the most authoritative and up to date survey of contemporary British poetry 1960-1995. It is the third version but second edition published by Longman of a successful survey that first appeared 30 years ago, and provides a succinct and accessible overview of British poets, movements and themes, ideal for English courses and the general reader alike.

This is the most authoritative and up to date survey of contemporary British poetry 1960-1995. It is the third version but second edition published by Longman of a successful survey that first appeared 30 years ago, and provides a succinct and accessible overview of British poets, movements and themes, ideal for English courses and the general reader alike.