In a natural follow-up to her national bestseller Front Row at the White House, the dean of the White House press corps presents a vivid and personal chronicle of the American presidency. Currently a columnist for Hearst and a former White House bureau chief for UPI, Helen Thomas has covered an astounding nine presidential administrations -- from Kennedy through George W. Bush -- endearing herself with her trademark Thank you, Mr. President at the conclusion of White House press conferences. Here, in a riveting chapter for each administration she has covered, Thomas delights, informs, spins yarns, and offers opinions on the commanders in chief and their families. She tells about Kennedy's love of sparring with the press, the memorable invitation LBJ extended to Hubert Humphrey to become his running mate, and Reagan's down-home ways of avoiding the press's tougher questions. As entertaining and compelling as Helen Thomas herself, Thanks for the Memories, Mr. President is a unique glimpse into presidential history.

An elegant presentation of stunning and inspiring architectural drawings from antiquity to the present day

Throughout history, architects have relied on drawings both to develop their ideas and communicate their vision to the world.

This gorgeous collection brings together more than 250 of the finest architectural drawings of all time, revealing each architect's process and personality as never before. Creatively paired to stimulate the imagination, the illustrations span the centuries and range from sketches to renderings, simple to intricate, built projects to a utopian ideal, famous to rarely seen - a true celebration of the art of architecture.

Visually paired images draw connections and contrasts between architecture from different times, styles, and places. From Michelangelo to Frank Gehry, Louise Bourgeois to Tadao Ando, B.V. Doshi to Zaha Hadid, and Grafton to Luis Barrag n, the book shows the incredible variety and beauty of architectural drawings.

Drawing Architecture is ideal for art and architecture lovers alike, as well as anyone interested in the intersection of creativity and history.

From the publisher of Exhibit A: Exhibitions that Transformed Architecture, 1948-2000.

Thank You, Mr. President.
From the woman who has reported on every president from Kennedy to Clinton comes a privileged glimpse into the White House -- and a telling record of the ever-changing relationship between the presidency and the press.
Helen Thomas wanted to be a reporter from her earliest years. She turned a copy-aide job at the Washington Daily News into a powerful and successful career spanning thirty-seven years and eight U.S. presidents. Assigned to the White House press corps in 1961. Thomas was the first woman to close a press conference with Thank you. Mr. President. She was also the first female president of the White House Correspondents Association and the first woman member, later president, of the Gridiron Club.
In this revealing memoir, which includes hundreds of anecdotes, observations, and personal details. Thomas looks back on a career spent with presidents at home and abroad, on the ground and in the air. Providing a unique view of the past four decades of presidential history. Front Row at the White House offers a seasoned study of the relationship between the chief executive officer and the press -- a relationship that is sometimes uneasy, sometimes playful, yet always integral to the democratic process.

In the course of more than sixty years spent covering Washington politics, Helen Thomas has witnessed firsthand a raft of fundamental changes in the way news is gathered and reported. Today, she sees a growing -- and alarming -- reluctance among reporters to question government spokesmen and probe for the truth. The result has been a wholesale failure by journalists to fulfill what is arguably their most vital role in contemporary American life -- to be the watchdogs of democracy.

Here, the legendary journalist and bestselling author delivers a hard-hitting manifesto on the precipitous decline in the quality and ethics of political reportage -- and issues a clarion call for change. Thomas confronts some of the most significant issues of the day and provides readers with rich historical perspective on the roots of American journalism, the circumstances attending the rise and fall of its golden age, and the nature and consequences of its current shortcomings. The book is a powerful, eye-opening discourse on the state of political reportage -- as well as a welcome and inspiring demand for meaningful and lasting reform.

Gertrude Jekyll Dreams is the first full anthology by new poet Helen Thomas. Helen writes about love, life and death and everything inbetween in a moving, often wry way. As a breast cancer survivor, Helen captures the intense experience of being alive; the joy in love and nature and how we celebrate those we have lost. Helen studied literature with Oxford University Continuing Education and is also a painter and gardener.

By examining the development of modern dance in the USA in the inter-war period, Thomas develops a framework for analysing dance from a sociological perspective. She applies her approach to, among others, St Denis, Ted Shawn, and Martha Graham.

This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. It highlights a diversity of dance forms and styles that can be witnessed in and around contemporary urban spaces: from dance halls to raves and the club striptease; from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows; from the ballet class, to fitness aerobics; and 'art' dance which situates itself in a dynamic relation to the city.

This book takes its point of departure from the overwhelming interest in theories of the body and performativity in sociology and cultural studies in recent years. It explores a variety of ways of looking at dance as a social and artistic (bodily) practice as a means of generating insights into the politics of identity and difference as they are situated and traced through representations of the body and bodily practices. These issues are addressed through a series of case studies.

Under Storm's Wing collects all that Helen Thomas (1877-1967) wrote about the poet Edward Thomas (1878-1917): the celebrated volumes As It Was and World Without End, her letters to Edward, and separate memoirs of her meetings with W.H. Davies, D.H.Lawrence, Ivor Gurney, Eleanor Farjeon, Robert Frost and W.H.Hudson. The book has been assembled by Myfanwy, Edward's and Helen's youngest daughter. She includes her own enchanted account of childhood with her father, and the tragedy of his death at the Battle of Arras in 1917. She adds an appendix of six letters from Robert Frost to Edward Thomas. Helen wrote As It Was, the story of her courtship and early marriage, shortly after Edward's death, and World Without End a few years later. In the original editions and later reprints fictitious names were used for the protagonists. In this edition the actual names are restored. The book provides a brilliant, lasting evocation of one of Britain's best-loved poets.

Helen Thomas examines the ways in which Caryl Phillips responds both creatively and critically to the psychological effects of cultural dispersal, racism and economic exploitation in the black Atlantic. Highlighting the continuing negotiations between Britain and its previous colonies, this study demonstrates the ways in which Phillips's fictional and non-fictional work reformulates contemporary and historical traumatic crises and corresponding agents of survival. Phillips's work is discussed not only in terms of critical emphasis upon past events, but also in terms of its vision of a more expansive dimension of collective experience.

'...full credit to Thomas and Macmillan for embarking on such a worthwhile venture - Dance Research I have already found the Thomas edition of enormous value in teaching both undergraduates and postgraduates, from the perspectives of dance anthropology, ethnography and theatre dance analysis - Theresa Buckland, Department of Dance Studies, University of Surrey This unique collection of papers, written specially for this volume, explores the aspects of the ways in which dance and gender intersect in a variety of cultural contexts, from social and disco dance to performance dance, to the Hollywood musical and dances from different cultures. The contributors come from a broad range of disciplines, such as cultural studies, anthropology, sociology, dance studies, film studies, and journalism. They bring to the book a wide body of ideas and approaches, including feminism, psychoanalysis, ethnography and subcultural theory. List of Plates - Preface to the 1995 Reprint - Notes on the Contributors - Introduction - PART 1: CULTURAL STUDIES - Dance, Gender and Culture; T.Polhumus - Dancing in the Dark: Rationalism and the Neglect of Social Dance; A.Ward - Ballet, Gender and Cultural Power; C.J.Novack - 'I Seem to Find the Happiness I Seek': Heterosexuality and Dance in the Musical; R.Dyer - PART 2: ETHNOGRAPHY - An-Other Voice: Young Women Dancing and Talking; H.Thomas - Gender Interchangeability among the Tiwi; A.Grau - 'Saturday Night Fever': An Ethnography of Disco Dancing; D.Walsh - Classical Indian Dance and Women's Status; J.L.Hanna - PART 3: THEORY/CRITICISM - Dance, Feminism and the Critique of the Visual; R.Copeland - 'You put your left foot in, then you shake it all about ...': Excursions and Incursions into Feminism and Bausch's Tanztheater; A.Sanchez-Colberg - 'She might pirouette on a daisy and it would not bend': Images of Femininity and Dance Appreciation; L-A.Sayers - Still Dancing Downwards and Talking Back; Z.Oyortey - The Anxiety of Dance Performance; V.Rimmer - Index

A little book of poems written in grief, dedicated to Tom Ronan and all of us who have lost loved ones.

The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments.

It locates these features both historically--within dance in particular social and cultural contexts--and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging.

Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

How many racehorse trainers are Australian household names? There's Bart, of course; the Master. And First Lady Gai. And then there's Moods - Peter Moody. Respected news journalist, broadcaster and veteran racing writer Helen Thomas travelled far and wide to discover what drives Peter Moody. With Moody's full cooperation, and extraordinary access to his family, friends and foes, Thomas traces Moody's career - from Charleville and his time with turf legends T.J. Smith and Colin Hayes, through to the day he first noticed the bay filly that grew up to become Black Caviar. Moods: The Peter Moody Saga also examines the recent cobalt scandal, which led the trainer to announce that he was quitting racing forever. Articulate yet reticent, tough enough to try to bluff his way out of any stoush with racing officials, yet sensitive to the point that some close to him fear he is depressive, Moody is an intriguing character. For the first time ever, here is an insight into the man many will always remember as Black Caviar's trainer, and a true Aussie legend.

SUMMER IN MELBOURNE,1977. TWO YOUNG WOMEN ARE VICIOUSLY MURDERED. THE KILLER HAS NEVER BEEN FOUND.

Forty-five years ago, Suzanne Armstrong and Susan Bartlett were fatally stabbed in their home on Easey Street, Collingwood, while Suzanne's toddler slept in his cot. Their murder remains one of the most infamous unsolved cold cases in Australia.

Helen Thomas was a young journalist at The Age when the murders were committed and saw how deeply they affected the city. More than four decades later, she's still looking at the case - chasing down new leads and talking, again, to the women's families, friends and neighbours. What emerges is a portrait of a crime rife with ambiguities and contradictions, which took place at a fascinating time in the city's history, in one of its most notorious suburbs.

Why has the Easey Street murderer never been found, despite the million-dollar reward for information leading to an arrest? Did the women know their killer, or were their deaths due to a random, frenzied attack? Could the murderer have killed again? This gripping and updated account addresses these questions and more as it sheds new light on one of Australia's most disturbing and compelling criminal mysteries.

Architecture through Drawing examines how drawing - as both action and object - encapsulates complex ideas relating to culture, technology, space and the built environment. Bringing together an array of beautiful and rarely seen drawings dating from the sixteenth century to the present day, all representing different geographical locations, techniques, methodologies and purposes, the book defines a new field for the subject of the drawing in architecture. It reveals the motives for architectural drawing beyond the requirement to document the processes that underpin the realisation of the architectural object.
This book asks, fundamentally, whether drawings can illuminate new interpretations of architectural experimentation. Examples range from initial sketches by architects to analytical and construction drawings, perspectives and schematics, collage and more complex presentations and paintings often carried out in association with others.
Dialogues include Fabrizio Ballabio on Filippo Juvarra's Ottoboni Theatre; Desley Luscombe on Ludwig Mies van der Rohe; Mark Dorrian on Michael Webb; Nicholas Olsberg on Victorian architects William Butterfield, Norman Shaw and GE Street; Charles Rice on James Gowan; Laurent Stalder on perspective in postwar housing; Helen Thomas on the covers of San Rocco; John Macarthur on clouds; Markus Lähteenmaäki on Superstudio; and Erik Wegerhoff on the Viennese Auto-Expander. The volume is rounded off with an epilogue, 'The Limits of Drawing', by Adrian Forty and Sophie Read.