Cambodian Author and Opera Librettist Releases Memoir.

Groundbreaking memoir by Cambodian author Sokunthary Svay. An unconventional collection of essays and photographs, PUT IT ON RECORD: A MEMOIR-ARCHIVE explores the past present and future of Cambodian literature.

Sokunthary Svay's PUT IT ON RECORD surveys a wide breadth of form and expression. The collection speaks to the multiplicities of selves that each of us embodies, yet it is also a window into one artist's deeply personal experience. It is suffused with echoes of the longing and struggle that resonate through the Cambodian diaspora.--VADDEY RATNER, New York Times bestselling author of In the Shadow of the Banyan and Music of the Ghosts

Not your typical memoir, PUT IT ON RECORD is a journey meandering stories of shared ordeal of womanhood and uprooted tales told in a captivating and well written verses and poetry. It is impossible to put the books down as Svay's uncanny ability to bring us into her world, more than just the immigrant experience but a shared humanity of being and existing. We are changed after reading her book either by connecting through her vulnerability or simply by having a glimpse into the Cambodian American world.--LinDa Saphan, PhD. Anthropologist, author of Faded Reels, Associate Producer of Don't Think I've Forgotten and Fulbright Scholar

In this collection of essays and musings, artist Sokunthary Svay offers vignettes of a life lived attuned to the ways the body leads us toward truths stored within our corpuscles. We are more than past traumas that bend our bodies toward survival impulses, as Svay posits in powerful prose; our bodies have the intellect and capacity for self-healing, and the chosen outlet for Svay is through song. We are all so lucky to hear the music of her heart. --Putsata Reang, author of Ma & Me (Farrar, Straus and Giroux)

Literary Nonfiction. Essay. Asian & Asian American Studies.

Poetry collection by Sokunthary Svay, Khmer writer and musician from the Bronx, New York. She and her family were refugees from Cambodia who survived the genocidal Khmer Rouge regime.

Sokunthary Svay's Apsara in New York is truly like no other poetry collection I've read. Transnational and pan-ethnic in scope, the book begins in a refugee camp in Thailand, settles in the Bronx and, driven by memory and desire, returns to the Cambodian cities of Phnom Penh, Battambang, and Takeo. The poet is both fierce and tender, street-smart and thoughtful, maternal and filial, political and haunted. With No Others, Svay emerges as a powerful new voice in Cambodian-American poetry.

Bunkong Tuon, author of Gruel and associate professor of English, Union College