From the Edgar Award-winning author of The Haunting of Alma Fielding, the tale of two journalists competing to solve the notorious Christie murders in postwar London

In March 1953, London police discovered the bodies of three young women hidden in a wall at 10 Rillington Place, a dingy rowhouse in Notting Hill. On searching the building, they found another body beneath the floorboards, then an array of human bones in the garden. They launched a nationwide manhunt for the tenant of the ground-floor apartment, a softly spoken former policeman named Reg Christie. But they had already investigated a double murder at 10 Rillington Place three years before, and the killer was hanged. Did they get the wrong man?

The story was an instant sensation. The star reporter Harry Procter chased after the scoop on Christie. The eminent crime writer Fryn Tennyson Jesse begged her editor to let her cover the case. To Harry and Fryn, Christie seemed a new kind of murderer: he was vacant, impersonal, a creature of a brutish postwar world. Christie liked to watch women, they discovered, and he liked to kill them. They realized that he might also have engineered a terrible miscarriage of justice.

In this riveting true story, Kate Summerscale mines the archives to uncover the lives of Christie's victims, the tabloid frenzy that their deaths inspired, and the truth about what happened inside the house. What she finds sheds fascinating light on the origins of our fixation with true crime--and suggests a new solution to one of the most notorious cases of the century.

Shortlisted for the 2020 Baillie Gifford Prize * A New York Times Book Review Editors' Choice * A New York Times Book Review Paperback Row Selection

Prepare not to see much broad daylight, literal or metaphorical, for days if you read this.... The atmosphere evoked is something I will never forget.--The Times (London)

London, 1938. In the suburbs of the city, a young housewife has become the eye in a storm of chaos. In Alma Fielding's modest home, china flies off the shelves and eggs fly through the air; stolen jewelry appears on her fingers, white mice crawl out of her handbag, beetles appear from under her gloves; in the middle of a car journey, a turtle materializes on her lap. The culprit is incorporeal. As Alma cannot call the police, she calls the papers instead.

After the sensational story headlines the news, Nandor Fodor, a Hungarian ghost hunter for the International Institute for Psychical Research, arrives to investigate the poltergeist. But when he embarks on his scrupulous investigation, he discovers that the case is even stranger than it seems.

By unravelling Alma's peculiar history, Fodor finds a different and darker type of haunting, a tale of trauma, alienation, loss and revenge. He comes to believe that Alma's past has bled into her present, her mind into her body. There are no words for processing her experience, so it comes to possess her. As the threat of a world war looms, and as Fodor's obsession with the case deepens, Alma becomes ever more disturbed.

With characteristic rigor and insight, Kate Summerscale brilliantly captures the rich atmosphere of a haunting that transforms into a very modern battle between the supernatural and the subconscious.

The Book of Phobias and Manias is a thrilling compendium of 99 obsessions that have shaped us all, the rare and the familiar, from ablutophobia (a horror of washing) to syllogomania (a compulsion to hoard) to zoophobia (a fear of animals).

Phobias and manias are deeply personal experiences, and among the most common anxiety disorders of our time, but they are also clues to our shared past. The award-winning author Kate Summerscale uses rich and riveting case studies to trace the origins of our obsessions, unearthing a history of human strangeness, from the middle ages to the present day, and a wealth of explanations for some of our most powerful aversions and desires.

From the internationally bestselling author, a deeply researched and atmospheric murder mystery of late Victorian-era London

In the summer of 1895, Robert Coombes (age 13) and his brother Nattie (age 12) were seen spending lavishly around the docklands of East London -- for ten days in July, they ate out at coffee houses and took trips to the seaside and the theater. The boys told neighbors they had been left home alone while their mother visited family in Liverpool, but their aunt was suspicious. When she eventually forced the brothers to open the house to her, she found the badly decomposed body of their mother in a bedroom upstairs. Robert and Nattie were arrested for matricide and sent for trial at the Old Bailey.

Robert confessed to having stabbed his mother, but his lawyers argued that he was insane. Nattie struck a plea and gave evidence against his brother. The court heard testimony about Robert's severe headaches, his fascination with violent criminals and his passion for 'penny dreadfuls', the pulp fiction of the day. He seemed to feel no remorse for what he had done, and neither the prosecution nor the defense could find a motive for the murder. The judge sentenced the thirteen-year-old to detention in Broadmoor, the most infamous criminal lunatic asylum in the land. Yet Broadmoor turned out to be the beginning of a new life for Robert--one that would have profoundly shocked anyone who thought they understood the Wicked Boy.

At a time of great tumult and uncertainty, Robert Coombes's case crystallized contemporary anxieties about the education of the working classes, the dangers of pulp fiction, and evolving theories of criminality, childhood, and insanity. With riveting detail and rich atmosphere, Kate Summerscale recreates this terrible crime and its aftermath, uncovering an extraordinary story of man's capacity to overcome the past.

In June of 1860 three-year-old Saville Kent was found at the bottom of an outdoor privy with his throat slit. The crime horrified all England and led to a national obsession with detection, ironically destroying, in the process, the career of perhaps the greatest detective in the land.

At the time, the detective was a relatively new invention; there were only eight detectives in all of England and rarely were they called out of London, but this crime was so shocking, as Kate Summerscale relates in her scintillating new book, that Scotland Yard sent its best man to investigate, Inspector Jonathan Whicher.

Whicher quickly believed the unbelievable-that someone within the family was responsible for the murder of young Saville Kent. Without sufficient evidence or a confession, though, his case was circumstantial and he returned to London a broken man. Though he would be vindicated five years later, the real legacy of Jonathan Whicher lives on in fiction: the tough, quirky, knowing, and all-seeing detective that we know and love today...from the cryptic Sgt. Cuff in Wilkie Collins's The Moonstone to Dashiell Hammett's Sam Spade.

The Suspicions of Mr. Whicher is a provocative work of nonfiction that reads like a Victorian thriller, and in it kate Summerscale has fashioned a brilliant, multilayered narrative that is as cleverly constructed as it is beautifully written.

Summer 1860, an elegant country house, a young boy is found dead in an outside privy. All clues point towards the murderer being a member of the grieving household.

Called to the scene is the most celebrated detective of his day, Jonathan Whicher from Scotland Yard. But this case challenges him in ways he's never been challenged before.

Over twenty years later, still haunted by the case, Whicher visits the murderer. As they replay the past, they start to question the nature of truth, the desire for certainty and the possibility of redemption.

This compelling stage adaptation of Kate Summerscale's gripping bestseller opened at The Watermill Theatre, Newbury, in May 2023.

This ensemble piece provides rich opportunities for companies looking to intrigue their audiences with a fresh take on a dark Victorian mystery.