A boisterous collection of surreal, darkly humorous short stories that will delight fans of George Saunders and Alice Munro
From John Elizabeth Stintzi, the mind that created the daringly bizarre novel My Volcano, comes an electrifying collection of strange and dark tales.
In the surreal, often precarious realities of Bad Houses, a doctor discovers a double-edged cure for the Ebola virus, a college student loses a different body part each time they return home for the summer, Midas's hairdresser strives to keep his secrets, and a young girl develops a fascination with the trolls who harvest her father's pumpkin patch. At once humorous and horrifying, these stories will inevitably take residence in your mind.
Present throughout Bad Houses is a deep and abiding sense of humanity sprinkled with a dash of alienation, guilt, and instability. Filtered through a fabulist lens, these stories contemplate the struggles of modern existence. Each character lives their own haunted life, trying to navigate the path from bad houses to good homes.
Featuring Stintzi's own expressive ink illustrations, Bad Houses is a book that feels like it was penned by a trans Alice Munro mixed with a bubblier Franz Kafka. Enter if you dare.
* Winner of the Sator New Works Award.
* New York Public Library's Best Books of 2022
* Kirkus Reviews' Best Fiction Books of 2022
* 2022 Brooklyn Public Library Book Prize, Longlist.
* A Most Anticipated Book --Lambda Literary, Vol. 1 Brooklyn, Tor.com, The Chicago Review of Books, LGBTQReads, Ms. Magazine, The Mary Sue
My Volcano is a kaleidoscopic portrait of a menagerie of characters, as they each undergo personal eruptions, while the Earth itself is constantly shifting. Parable, myth, science-fiction, eco-horror, My Volcano is a radical work of literary art, emerging as a subversive, intoxicating artistic statement by John Elizabeth Stintzi.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it's nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.
From award-winning author John Elizabeth Stintzi, Junebat is a form- and gender-disrupting debut collection that grapples with the pain of uncertainty on the path towards becoming.
John Elizabeth Stintzi's unforgettable debut collection, Junebat, grapples with the pain of uncertainty on the path towards becoming. Set during the year Stintzi lived in deep isolation in Jersey City, NJ, these poems map the depression the poet struggled with as they questioned and came to grips with their gender identity. Through the invention of the Junebat -- a contradictory, evolving, ever-perplexing creature -- Stintzi is able to create a self-defined space within the poems where they can reside comfortably, beyond the firm boundaries of the gender binary or the plethora of identities gathered under the queer umbrella.
As the speaker of the poems begins to emerge from their depression, the second wing of the book tracks their falling in love with a young woman surfacing from the end of her marriage. Challenging, heartbreaking, soaring, and powerfully new, the poems in Junebat demolish false walls and pull the reader to the dark edges of the mind, showing us how identity doesn't have to be rigid or static but can be defined by confusion and contradiction, possibility and a metamorphosis that never ends.