From the giant cedar of the rainforest came a wealth of raw materials vital to the way of life, art and culture of the early First Nations people of the Northwest Coast.

All parts of the cedar tree had many uses. From the wood, skilled men made ocean-going canoes, massive post-and- beam houses, monumental carved poles that declared history, rights and lineage, and powerful dance masks. Women dextrously wove the inner bark into mats and baskets, plied it into ocordage and netting or processed it into soft, warn, water-repellent clothing. They also made the strong withes into heavy-duty rope and wove the roots into watertight baskets.

Hilary Stewart explains, through her vivid descriptions, 550 detailed drawings and 50 photographs, the tools and techniques used, as well as the superbly crafted objects and their uses--all in the context of daily and ceremonial life. Anecdotes, oral history and the accounts of early explorers, traders, missionaries and native elders highlight the text.

Magnificent and haunting, the tall cedar sculptures called totem poles have become a distinctive symbol of the native people of the Northwest Coast. The powerful carvings of the vital and extraordinary beings such as Sea Bear, Thunderbird and Cedar Man are impressive and intriguing.

Looking at Totem Poles is an indispensable guide to 110 poles in easily acessible outdoor locations in coastal British Columbia and Alaska. In clear and lively prose, Hilary Stewart describes the various types of poles, their purpose, and how they were carved and raised. She also identifies and explains frequently depicted figures and objects.

Each pole, shown in a beautifully detailed drawing, is accompanied by a text that points out the crests, figures and objects carved on it. Historical and cultural background are given, legends are recounted and often the carver's comments or anecdotes enrich the pole's story. Photographs put some of the poles into context or show their carving and raising.

This book is a companion volume to Hilary Stewart's enormously successful Looking at Indian Art of the Northwest Coast.

Bold, inventive and highly graphic, the indigenous art of the Northwest Coast is distinguished by its sophistication and complexity. It is also composed of basically simple elements, which, guided by a rich mythology, create images of striking power. This indispensable and beautifully illustrated book is the first to introduce everyone, from the casual observer to the serious collector of Northwest Coast prints, to the forms, cultural background and structures of this highly imaginative art. The elements of style are introduced; the myths and legends which shape the motifs are interpreted; the stylistic differences between the major cultural groupings are defined and illustrated. Raven, Thunderbird, Killer Whale, Bear: all the traditional forms are here, deftly analyzed by a professional writer and artist who has a deep understanding of this powerful culture.

First published in 1977 and unavailable for several years, Indian Fishing is more than a sterile account of the technology of fishing; it considers the momentous role of fish and fishing in the lives of the Northwest Coast peoples. A classic, thoroughly researched and informative text, it examines fishing techniques of the peoples who have lived on the coast for over nine thousand years, revealing their rich and complex culture.

Hilary Stewart gathered material from museum archives, fish camps, and coastal village elders to document the Native heritage of handmade hooks, lines, sinkers, lures, floats, clubs, spears, harpoons, nets, traps, rakes, gaffs, and more. With more than 300 clear and detailed drawings, she illustrated how these tools were made and used. She twisted cedar bark and nettle fibers into cod fishing lines, and steam-bent a stem of yew into a halibut hook. Here, reprinted in full, is her original work, covering everything from how the catch was butchered, cooked, and preserved, to the prayers and ceremonies in gratitude to the fish, as well as customs and taboos that demonstrated the peoples' respect for this life-giving resource. Though there have been transformations in knowledge and scholarship since its first publication, Stewart's benchmark work, with its usefulness, artistry, and appreciation of Native culture, will be welcomed back into print.