The critically acclaimed Fitts and Fitzgerald translation of Sophocles' Oedipus Cycle that chronicles the tragic downfall of the royal family of Thebes.

The ancient myth of Oedipus, which still reverberates to this day, provided Sophocles with material for three great tragedies--Oedipus Rex, Oedipus at Colonus, and Antigone--that together recount the downfall of Oedipus, king of Thebes, his death in exile, and the heroic, defiant stand made by his daughter Antigone.

Written for a modern audience, these English translations of Sophocles' trilogy aim to capture the directness, simplicity, and concentrated richness of Sophocles' plays in clear, credible English verse that is both readable and actable.

One of the greatest, most moving of all tragedies, Antigone continues to have meaning for us because of its depiction of the struggle between individual conscience and state policy, and its delicate probing of the nature of human suffering. Mr. Rudall's splendid translation brings a new power and speakability to Sophocles' prose.

Sophocles, along with Aeschylus and Euripides, is considered one of three important ancient Greek tragedians. Writing during the 5th century BC, Sophocles created some one hundred and twenty three plays during his lifetime, of which only seven have survived in their entirety. In this edition are included the three Theban plays, which are widely considered his most important works. This collection of dramas includes Antigone the story of its title character, a strong heroine whose complete commitment to familial duty brings her to challenge the will of her king; Oedipus the King, the legend of Oedipus who is exiled as an infant by his royal father because of a prophesy of patricide and incest; and Oedipus at Colonus, a drama which finds Oedipus at the end of his life caught between the warring kings of Athens and Thebes who each desire that Oedipus's final resting place be in their respective lands. These tragedies are some of the finest examples from classical antiquity and their influence on the development of modern drama cannot be overstated. This edition is printed on premium acid-free paper, follows the translations of Francis Storr, and includes introductions by R. C. Jebb.

This volume of Antigone, Oedipus the King, Electra contains three masterpieces by the Greek playwright Sophocles, widely regarded since antiquity as the greatest of all the tragic poets. The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. With this edition, readers are not only offered the most influential and famous of Sophocles' works in one volume, but they are presented with two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The series seeks to recover the entire extant corpus of Greek tragedy, quite as though the ancient tragedians wrote in the English of our own time. Under the editorship of Peter Burian and Alan Shapiro, each of these volumes includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.

This finely-tuned translation of Sophocles' Antigone by Richard Emil Braun, both a distinguished poet and a professional scholar-critic, offers, in lean, sinewy verse and lyrics of unusual intensity, an interpretation informed by exemplary scholarship and critical insight. Braun presents an Antigone not marred by excessive sentimentality or pietistic attitudes.

His translation underscores the extraordinary structural symmetry and beauty of Sophocles' design by focusing on the balanced and harmonious view of tragically opposed wills that makes the play so moving. Unlike the traditionally gentle and pious protagonist opposed to a brutal and villainous Creon, Braun's Antigone emerges as a true Sophoclean heroine--with all the harshness and even hubris, as well as pathos and beauty, that Sophoclean heroism requires. Braun also reveals a Creon as stubbornly principled as Antigone, instead of simply the arrogant tyrant of conventional interpretations.

The gods never move faster than when punishing men with the consequences of their own actions.

Desperate to gain control over a city ravaged by civil war, Creon refuses to bury the body of Antigone's rebellious brother. Outraged, she defies his edict. Creon condemns the young woman, his niece, to be buried alive. The people daren't object but the prophet Teiresias warns that this tyranny will anger the gods: the rotting corpse is polluting the city. Creon hesitates and his fate is sealed.

Sophocles' great tragic play dramatises the clash between the family and the city and, with high poetry and deep tragedy, presents an irreconcilable but equally balanced conflict. Sophoclean heroine Antigone has become a cultural archetype, the symbol of personal integrity and an icon of political freedom, whilst her coprotagonist Creon can be interpreted as either a civic saviour or a ruthless tyrant.

This translation by Don Taylor, accurate yet poetic, was made for a BBC TV production of the Theban Plays in 1986, which he directed.

The famed Athenian tragedy in which Oedipus's own faults contribute to his tragic downfall.

A great masterpiece on which Aristotle based his aesthetic theory of drama in the Poetics and from which Freud derived the Oedipus complex, King Oedipus puts out a sentence on the unknown murderer of his father Laius. By a gradual unfolding of incidents, Oedipus learns that he was the assassin and that Jocasta, his wife, is also his mother.

This Enriched Classic Edition includes:
-A concise introduction that gives readers important background information
-Timelines of significant events in Greek history and theater that provide the book's historical context
-An outline of key themes and plot points to help readers form their own interpretations
-Detailed explanatory notes
-Critical analysis and modern perspectives on the work
-Discussion questions to promote lively classroom and book group interaction
-A list of recommended related books and films to broaden the reader's experience

Enriched Classics offers readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

Series edited by Cynthia Brantley Johnson

Sophocles I contains the plays Antigone, translated by Elizabeth Wyckoff; Oedipus the King, translated by David Grene; and Oedipus at Colonus, translated by Robert Fitzgerald. Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated Greek tragedies, the Greek Tragedy in New Translation series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.
Brought boldly to life by Herbert Golder and Richard Pevear's translation and contextualized by Herbert Golder's eloquent introduction, this early Sophoclean tragedy tells the story of the Homeric hero better known as Ajax, who was second only to Achilles among the Greek warriors. In Greek tradition, Aias figures as the archaic warrior who dies in shame after his betrayal by the Greeks. Sophocles turns tradition inside out, portraying Aias' suicide not as a disgrace but as heroism. He endows Aias suicide with a meaning radically different from previous versions of the Aias myth--Aias is not the hero whom time has passed by, but rather the man who steps beyond time. Most previous versions and interpretations have equivocated over Sophocles' bold vision. This edition of Aias translates precisely that transformation of the hero from the bygone figure to the man who transcends time.

The most celebrated plays of ancient Athens--Sophocles's seven surviving works--in vivid and dynamic new translations. ANTIGONE, translated by award-winning poet Robert Bagg, is one of seven plays Harper Perennial has published as beautifully designed, stand-alone editions.

Powerfully portraying the clash between civic and familial duty--between morality and obedience--Antigone brings the Oedipus Cycle to a conclusion with the story of the tragic hero's eldest daughter Antigone, who courts her own death by defying the edict of Thebes's new ruler, her uncle Kreon, which forbids giving her dishonored brother a proper burial. This is Sophocles, vibrant and alive, for a new generation.

Oedipus, the former ruler of Thebes, has died. Now, when his young daughter Antigone defies her uncle, Kreon, the new ruler, because he has prohibited the burial of her dead brother, she and he enact a primal conflict between young and old, woman and man, individual and ruler, family and state, courageous and self-sacrificing reverence for the gods of the earth and perhaps self-serving allegiance to the gods of the sky.
Echoing through western culture for more than two millennia, Sophocles' Antigone has been a touchstone of thinking about human conflict and human tragedy, the role of the divine in human life, and the degree to which men and women are the creators of their own destiny. This exciting translation of the play is extremely faithful to the Greek, eminently playable, and poetically powerful.
For readers, actors, students, teachers, and theatrical directors, this affordable paperback edition of one of the greatest plays in the history of the western world provides the best combination of contemporary, powerful language, along with superb background and notes on meaning, interpretation, and ancient beliefs, attitudes, and contexts.

Sophocles' text is inexhaustibly actual. It is also, at many points, challenging and remote from us. The Gibbons-Segal translation, with its rich annotations, conveys both the difficulties and the formidable immediacy. The choral odes, so vital to Sophocles' purpose, have never been rendered with finer energy and insight. Across more than two thousand years, a great dark music sounds for us.
--George Steiner, Churchill College, Cambridge

Produces a language that is easy to read and easy to speak.... Enthusiastically recommended.--Library Journal [Starred Review]

Available here as an independent work, F. Storr's excellent translation of Oedipus the King turns Sophocles' drama into clear and poetic English for all scholars to enjoy. For centuries, the Three Theban Plays have been the first choice of millions of readers in their libraries and classrooms. This new, stand-alone edition of Sophocles' glorious tale of jealousy, rage, and revenge brings the dark drama to a new generation of scholars.

Treating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including suggestions for discussion and analysis. In addition, numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Oedipus Tyrannus is suitable for students of both Classical Civilisation and Drama. Useful features include full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Oedipus Tyrannus is aimed primarily at A-level and undergraduate students in the UK, and college students in North America.

This Greek tragedy tells the story of Antigone, who sets out to bury her brother against the orders of the king. The play explores themes of duty, family, and the conflict between the laws of mortals and the laws of the gods. Sophocles' writing remains powerful and moving today, making this a must-read for fans of classical literature.

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The Theban Trilogy consists of Oedipus the King, Oedipus at Colonus, and Antigone - together these tell the tragic story of Oedipus the king of Thebes, and his daughter Antigone. Oedipus the King (in Latin Oedipus Rex) sees the youthful Oedipus consults the Oracle at Delphi, wherein it predicts that he will Mate with [his] own mother, and shed/With [his] own hands the blood of [his] own sire. Oedipus at Colonus has the elderly Oedipus, by now ostracised and distrusted by society at large for his earlier, unintended wrongdoing. Blind after gouging out his own eyes in reaction to the revelations of the first play, it is his daughter/sister Antigone who escorts him to King Theseus. The final play in the Trilogy is Antigone - this title sees Oedipus offspring navigate the drama of a Civil War in Thebes. All three compositions are superb examples of Greek drama; owing to their revelatory contents and narrative twists, Sophocles' Theban plays remain popular to this day.

Award-winning poet and playwright Robert Bagg offers a set of exciting and authentic new translations of Oedipus the King, Oedipus at Kolonos, and Antigone--together known as The Oedipus Cycle.

One of the unquestionable acmes of world literature, Sophocles's immortal series of plays centers upon the royal family of Thebes, whose struggles for nobility and greatness lead paradoxically to their own tragic downfalls. Portraying humankind at its worst and most fallible even while exploring the heights of virtue and honor, the plays shine a searing light upon questions of fate and free will, destiny and responsibility, hubris and humility, honor and obligation, and more. Robert Bagg's timely translations allow the power and depth of Sophocles's masterpieces to shine through clearly to readers today.

When her dead brother is decreed a traitor, his body left unburied beyond the city walls, Antigone refuses to accept this most severe of punishments. Defying her uncle who governs, she dares to say 'No'. Forging ahead with a funeral alone, she places personal allegiance before politics, a tenacious act that will trigger a cycle of destruction.

Renowned for the revelatory nature of his work, Ivo van Hove first enthralled London audiences with his ground-breaking Roman Tragediesseen at the Barbican in 2009. Drawing on his 'ability to break open texts calcified by tradition' (Guardian), the director now turns to a classic Greek masterpiece.

Antigone...
Date de l'edition originale: 1843

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Thought to be Sophocles' earliest surviving play, Ajax is a study in archaic values. After the death of Achilles, Telamonian Ajax stands above the other Greeks as the greatest warrior, but the Greek chiefs award Achilles' armour to the wily Odysseus. Stung by this dishonour, Ajax, our dread lord of rugged might, now lies stricken with a storm that darkens the soul, and the play moves to its gut-wrenching climax with all the fatalism of the best Greek tragedy.

In prizing honour above all and repaying insult with bloody vengeance, the character of Ajax becomes the pattern of archaic man, just as Odysseus becomes the pattern of the new man of Greece-cunning, clever, silver-tongued-with the choice of the Greeks revealing something of the new values that were to prevail in the classical age. Sophocles' work is second to none, not even to Homer, in holding up the shame culture that so characterizes traditional social orders.

Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. His plays are deeply disturbing and unpredictable, unrelenting and open-ended, refusing to present firm answers to the questions of human existence, or to provide a redemptive justification of the ways of gods to men or women. These three tragedies portray the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action.

Antigone's obsession with the dead, Creon's crushing inflexibility, Deianeira's jealous desperation, the injustice of the gods witnessed by Hyllus, Electra's obsessive vindictiveness, the threatening of insoluble dynastic contamination... Such are the pains and distortions and instabilities of Sophoclean tragedy. And yet they do not deteriorate into cacophony or disgust or incoherence or silence: they face the music, and through that the suffering is itself turned into the coherence of music and poetry. These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.