No writer has better understood the mix of fear and possibility, peril and exuberance that's marked this new millennium.
--Bill McKibben

An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.
--The New Yorker

A book as powerful and influential as Rebecca Solnit's Men Explain Things to Me, her Hope in the Dark was written to counter the despair of radicals at a moment when they were focused on their losses and had turned their back to the victories behind them and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argued that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of 2016 in an unforgettable new edition of this classic book.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

A New York Times Notable Book

Chosen as a Best Book of the Year by the New York Times, Los Angeles Times, New Yorker, San Francisco Chronicle, Washington Post, and Chicago Tribune

A landmark book that gives impassioned challenge to the social meaning of disasters --The New York Times Book Review

Solnit argues that disasters are opportunities as well as oppressions, each one a summons to rediscover the powerful engagement and joy of genuine altruism, civic life, grassroots community, and meaningful work. --San Francisco Chronicle

A stirring investigation into what happens in the aftermath of disaster, from the author of Orwell's Roses

The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of what society could become-one that is less authoritarian and fearful, more collaborative and local.

In her comic, scathing essay Men Explain Things to Me, Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don't, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.
She ends on a serious note-- because the ultimate problem is the silencing of women who have something to say, including those saying things like, He's trying to kill me!
This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf 's embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

An energizing case for hope about the climate, from Rebecca Solnit (the voice of the resistance--New York Times), climate activist Thelma Young Lutunatabua, and a chorus of voices calling on us to rise to the moment.

Not Too Late is the book for anyone who is despondent, defeatist, or unsure about climate change and seeking answers. As the contributors to this volume make clear, the future will be decided by whether we act in the present--and we must act to counter institutional inertia, fossil fuel interests, and political obduracy.
These dispatches from the climate movement around the world feature the voices of organizers like Guam-based lawyer and writer Julian Aguon; climate scientists like Dr. Jacquelyn Gill and Dr. Edward Carr; poets like Marshall Islands activist Kathy Jetnil-Kijner; and longtime organizers like The Tyranny of Oil author Antonia Juhasz. Guided by Rebecca Solnit's typical clear-eyed wisdom and enriched by photographs and quotes, Not Too Late leads readers from discouragement to possibilities, from climate despair to climate hope.

An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism. --Los Angeles Times

From the award-winning author of Orwell's Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown

Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit's life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.

A passionate, thought-provoking exploration of walking as a political and cultural activity, from the author of Orwell's Roses

Drawing together many histories--of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores--Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most significant walkers in history and fiction--from Wordsworth to Gary Snyder, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja--finding a profound relationship between walking and thinking and walking and culture. Solnit argues for the necessity of preserving the time and space in which to walk in our ever more car-dependent and accelerated world.

Finalist for the National Book Critics Circle Award for Nonfiction
Finalist for the PEN/Jacqueline Bograd Weld Award for Biography

An exhilarating romp through Orwell's life and times and also through the life and times of roses. --Margaret Atwood

A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker. --Claire Messud, Harper's

Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way. --Vogue

A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world

In the spring of 1936, a writer planted roses. So be-gins Rebecca Solnit's new book, a reflection on George Orwell's passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power.

Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit's account of this overlooked aspect of Orwell's life journeys through his writing and his actions--from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism.

Through Solnit's celebrated ability to draw unexpected connections, readers are drawn onward from Orwell's own work as a writer and gardener to encounter photographer Tina Modotti's roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell's slave-owning ancestors in Jamaica, Jamaica Kincaid's examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit's portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

In the spirit of her bestselling book Hope in the Dark, Rebecca Solnit explores how our actions can shape the future and the liberatory possibilities of embracing uncertainty.

Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with on about a prisoner dreaming of seeing the ocean, No Straight Road Takes You There deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead. In her latest essay collection, the award-winning author explores climate change, feminism, democracy, hope, and power and its abuse. Throughout she asks us to heed the stories we tell or have been told, and the ways those stories can be, or should be changed. Solnit offers a reappraisal of the value of indirect consequences, an embrace of unpredictability, slowness, and imperfection in the politics of how to change the world.

I've tried to find other ways of seeing and to prize the migratory routes ideas take, Solnit writes in the introduction, the way that hope is most often grounded in memory, because you can't see the future but you can understand the patterns and possibilities if you know the past.

What makes a place? Infinite City, Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically--connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of Vertigo. Across an urban grid of just seven by seven miles, she finds seemingly unlimited landmarks and treasures--butterfly habitats, queer sites, murders, World War II shipyards, blues clubs, Zen Buddhist centers. She roams the political terrain, both progressive and conservative, and details the cultural geographies of the Mission District, the culture wars of the Fillmore, the South of Market world being devoured by redevelopment, and much, much more. Breathtakingly original, this atlas of the imagination invites us to search out the layers of San Francisco that carry meaning for us--or to discover our own infinite city, be it Cleveland, Toulouse, or Shanghai.

CONTRIBUTORS:

Cartographers: Ben Pease and Shizue Seigel

Designer: Lia Tjandra

Artists: Sandow Birk, Mona Caron, Jaime Cortez, Hugh D'Andrade, Robert Dawson, Paz de la Calzada, Jim Herrington, Ira Nowinski, Alison Pebworth, Michael Rauner, Gent Sturgeon, Sunaura Taylor

Writers and researchers: Summer Brenner, Adriana Camarena, Chris Carlsson, Lisa Conrad, Guillermo G mez-Pe a, Joshua Jelly-Schapiro, Paul La Farge, Genine Lentine, Stella Lochman, Aaron Shurin, Heather Smith, Richard Walker

Additional cartography: Darin Jensen; Robin Grossinger and Ruth Askevold, San Francisco Estuary Institute

Shortlisted for the James Tait Black Prize for Biography
Longlisted for The Orwell Prize for Political Writing

An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell's Roses

In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.

Beyond being a memoir, Solnit's book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

A New York Times Notable Book

Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology

A panoramic vision of cultural change --The New York Times

Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation

The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit's new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge--who in 1872 succeeded in capturing high-speed motion photographically--becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post-Civil War California led directly to the two industries--Hollywood and Silicon Valley--that have most powerfully defined contemporary society.

Like the bestselling Infinite City: A San Francisco Atlas, this book is a brilliant reinvention of the traditional atlas, one that provides a vivid, complex look at the multi-faceted nature of New Orleans, a city replete with contradictions. More than twenty essays assemble a chorus of vibrant voices, including geographers, scholars of sugar and bananas, the city's remarkable musicians, prison activists, environmentalists, Arab and Native voices, and local experts, as well as the coauthors' compelling contributions. Featuring 22 full-color two-page-spread maps, Unfathomable City plumbs the depths of this major tourist destination, pivotal scene of American history and culture and, most recently, site of monumental disasters such as Hurricane Katrina and the BP oil spill.



The innovative maps' precision and specificity shift our notions of the Mississippi, the Caribbean, Mardi Gras, jazz, soils and trees, generational roots, and many other subjects, and expand our ideas of how any city is imagined and experienced. Together with the inspired texts, they show New Orleans as both an imperiled city--by erosion, crime, corruption, and sea level rise--and an ageless city that lives in music as a form of cultural resistance. Compact, lively, and completely original, Unfathomable City takes readers on a tour that will forever change the way they think about place.

A New York Times Notable Book

Finalist for the National Book Critics Circle Award

A personal, lyrical narrative about storytelling and empathy, from the author of Orwell's Roses

Apricots. Her mother's disintegrating memory. An invitation to Iceland. Illness. These are Rebecca Solnit's raw materials, but The Faraway Nearby goes beyond her own life, as she spirals out into the stories she heard and read--from fairy tales to Mary Shelley's Frankenstein--that helped her navigate her difficult passge. Solnit takes us into the lives of others--an arctic cannibal, the young Che Guevara among the leprosy afflicted, a blues musician, an Icelandic artist and her labyrinth--to understand warmth and coldness, kindness and imagination, decay and transformation, making art and making self. This captivating, exquisitely written exploration of the forces that connect us and the way we tell our stories is a tour de force of association, a marvelous Russian doll of a book that is a fitting companion to Solnit's much-loved A Field Guide to Getting Lost.

This is a reminder of hope and possibility, of kindness and compassion, and--perhaps most salient--imagination and liberty. Through the imaginations of our childhoods, can we find our true selves liberated in adulthood?

--Chelsea Handler

In her debut children's book, Rebecca Solnit reimagines a classic fairytale with a fresh, feminist Cinderella and new plot twists that will inspire young readers to change the world, featuring gorgeous silhouettes from Arthur Rackham on each page.

In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.

Rebecca Solnit is the author of more than twenty books including Men Explain Things to Me, Call Them by Their True Names, Hope in the Dark, and The Mother of All Questions.

Arthur Rackham (1867-1939) was a prominent British illustrator of many classic children's books from The Fairy Tales of the Brothers Grimm to Sleeping Beauty. His watercolor silhouettes were featured in the original edition of Cinderella.

National Book Award Longlist
Winner of the Kirkus Prize for Nonfiction
Winner of the Foreword INDIE Editor's Choice Prize for Nonfiction

Rebecca Solnit is essential feminist reading. --The New Republic

Solnit's exquisite essays move between the political and the personal, the intellectual and the earthy. --Elle

Rebecca Solnit is the author of more than twenty books, including the international bestseller Men Explain Things to Me. Called the voice of the resistance by the New York Times, she has emerged as an essential guide to our times, through her incisive commentary on feminism, violence, ecology, hope, and everything in between.
In this powerful and wide-ranging collection, Solnit turns her attention to battles over meaning, place, language, and belonging at the heart of the defining crises of our time. She explores the way emotions shape political life, electoral politics, police shootings and gentrification, the life of an extraordinary man on death row, the pipeline protest at Standing Rock, and the existential threat posed by climate change.
The work of changing the world sometimes requires changing the story, the names, and inventing or popularizing new names and terms and phrases. Calling things by their true names can also cut through the lies that excuse, disguise, avoid, or encourage inaction, indifference, obliviousness in the face of injustice and violence.

In the spirit of her bestselling book, Hope in the Dark, Rebecca Solnit explores how our actions can shape the future and the liberatory possibilities of embracing uncertainty.
In her latest essay collection, the award-winning author explores climate change, feminism, democracy, hope, and power and its abuse. Throughout she asks us to heed the stories we tell or have been told, and the ways those stories can be, or should be changed.
Solnit offers a reappraisal of the value of indirect consequences, an embrace of unpredictability, slowness, and imperfection in the politics of how to change the world.
Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with an essay about ice in seven long sentences, No Straight Road Takes You There deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead.
I've tried to find other ways of seeing and to prize the migratory routes ideas take, Solnit writes in the introduction, the way that hope is most often grounded in memory, because you can't see the future but you can understand the patterns and possibilities if you know the past.

No writer has better understood the mix of fear and possibility, peril and exuberance that's marked this new millennium.
--Bill McKibben

An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.
--The New Yorker

A book as powerful and influential as Rebecca Solnit's Men Explain Things to Me, her Hope in the Dark was written to counter the despair of radicals at a moment when they were focused on their losses and had turned their back to the victories behind them and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argued that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of 2016 in an unforgettable new edition of this classic book.

Writer, historian, and activist Rebecca Solnit is the author of eighteen or so books on feminism, western and indigenous history, popular power, social change and insurrection, wandering and walking, hope and disaster, including the books Men Explain Things to Me and Hope in the Dark, both also with Haymarket; a trilogy of atlases of American cities; The Faraway Nearby; A Paradise Built in Hell: The Extraordinary Communities that Arise in Disaster; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows, Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, the National Book Critics Circle Award in criticism, and the Lannan Literary Award). A product of the California public education system from kindergarten to graduate school, she is a columnist at Harper's and a regular contributor to the Guardian.

A beautiful, absorbing, tragic book.--Larry McMurtry

In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later-in 1951-and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin.

In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.

In a timely follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers indispensable commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more.

In characteristic style, Solnit mixes humor, keen analysis, and powerful insight in these essays.

Winner of the 2017 Brendan Gill Prize from the Municipal Arts Society of New York

The maps themselves are things of beauty . . . A document of its time, of our time.
--Sadie Stein, New York Times

One is invited to fathom the many New Yorks hidden from history's eye.
--Maria Popova, Brain Pickings

Nonstop Metropolis, the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts--from linguists to music historians, ethnographers, urbanists, and environmental journalists--amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan's playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island. The contributors to this exquisitely designed and gorgeously illustrated volume celebrate New York City's unique vitality, its incubation of the avant-garde, and its literary history, but they also critique its racial and economic inequality, environmental impact, and erasure of its past. Nonstop Metropolis allows us to excavate New York's buried layers, to scrutinize its political heft, and to discover the unexpected in one of the most iconic cities in the world. It is both a challenge and homage to how New Yorkers think of their city, and how the world sees this capital of capitalism, culture, immigration, and more.
Contributors: Sheerly Avni, Gaiutra Bahadur, Marshall Berman, Joe Boyd, Will Butler, Garnette Cadogan, Thomas J. Campanella, Daniel Aldana Cohen, Teju Cole, Joel Dinerstein, Paul La Farge, Francisco Goldman, Margo Jefferson, Lucy R. Lippard, Barry Lopez, Valeria Luiselli, Suketu Mehta, Emily Raboteau, Molly Roy, Sharifa Rhodes-Pitts, Luc Sante, Heather Smith, Jonathan Tarleton, Astra Taylor, Alexandra T. Vazquez, Christina Zanfagna
Interviews with: Valerie Capers, Peter Coyote, Grandmaster Caz, Grand Wizzard Theodore, Melle Mel, RZA