In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its scarlet glare fixed on the trembling crescent, to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television.
Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:
The cowboy grins through the terrible din,
***
And in the Ninth, a choking woman wails
Look like this country done left us for dead.
An unforgettable reminder that poetry can still be news that stays news, Blood Dazzler is a necessary step toward national healing.
Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation's blog. Visit her website at www.wordwoman.ws.
An award-winning author presents a portrait of Black America in the nineteenth century
Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time.Unshuttered is a vessel for the voices of their incendiary and critical era. Smith's searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives:
We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners'
hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us.
The poet's unrivaled dexterity with dramatic monologue and poetic form reanimates these countenances, staring back from such yesterdays, and the stories they may have told. This is one of American literature's finest wordsmiths doing what she does best--unreeling history to find its fierce and formidable lyric.
Winner, 2017 Los Angeles Times Book Prize
Finalist, 2018 Pulitzer Prize for Poetry
Winner, NAACP Image Award for Outstanding Literary Work in the Poetry category
Winner, 2018 Kingsley Tufts Poetry Award
Winner, 2018 BCALA Best Poetry Award
Winner, Abel Meeropol Award for Social Justice
Finalist, Neustadt International Prize for Literature
Winner, 2021 Ruth Lilly Poetry Prize
Winner of 2013 Wheatley Book Award in Poetry
Finalist for 2013 William Carlos Williams Award
Winner of 2014 Bobbitt National Prize for Poetry
Patricia Smith is writing some of the best poetry in America today. Ms Smith's new book, Shoulda Been Jimi Savannah, is just beautiful--and like the America she embodies and represents--dangerously beautiful. Shoulda Been Jimi Savannah is a stunning and transcendent work of art, despite, and perhaps because of, its pain. This book shines. --Sapphire
One of the best poets around and has been for a long time. --Terrance HayesSmith's work is direct, colloquial, inclusive, adventuresome. --Gwendolyn Brooks
In her newest collection, Patricia Smith explores the second wave of the Great Migration. Shifting from spoken word to free verse to traditional forms, she reveals that soul beneath the vinyl.
Patricia Smith is the author of five volumes of poetry, including Blood Dazzler, a finalist for the 2008 National Book Award, and Teahouse of the Almighty, a National Poetry Series selection. She lives in New Jersey.
Leafy sea dragons may look like a plant and swim like a sea horse, but they aren't a plant or a sea horse (or a dragon). Pictures of these unique beautiful creatures will captivate the reader as they learn about where leafy sea dragons live, how they reproduce, what they eat, how they use camouflage, and how to protect their habitat.
This beautifully written book includes pictures of leafy sea dragons, maps, and information on the Great Barrier Reef.
A National Poetry Series winner, chosen by Edward Sanders.
What power. Smith's poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.--Marvin Bell
I was weeping for the beauty of poetry when I reached the end of the final poem.--Edward Sanders, National Poetry Series judge
From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation's premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade--a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry's liberating power.
Leafy sea dragons may look like a plant and swim like a sea horse, but they aren't a plant or a sea horse (or a dragon). Pictures of these unique beautiful creatures will captivate the reader as they learn about where leafy sea dragons live, how they reproduce, what they eat, how they use camouflage, and how to protect their habitat.
This beautifully written book includes pictures of leafy sea dragons, maps, and information on the Great Barrier Reef.
Staten Island is the forgotten borough, lacking a subway system, left out of Jay-Z's songs, known for organized crime, bad accents, fake tans, and garbage--which makes it a rich setting for Akashic's noir series . . . In a thrilling tilt-a-whirl of crime and drama, editor Patricia Smith has carefully chosen writers concerned with the true nature of the small suburban borough. --Electric Literature's The Outlet
Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.
Brand-new stories by: Bill Loehfelm, S.J. Rozan, Ted Anthony, Todd Craig, Ashley Dawson, Bruce DeSilva, Louisa Ermelino, Binnie Kirshenbaum, Michael Largo, Michael Penncavage, Linda Nieves-Powell, Eddie Joyce, Shay Youngblood, and Patricia Smith.
From the introduction by Patricia Smith:
There's crime here. Good crime. Mystery. Dark, scary stuff. Big crime. The noir kind, without a good guy in sight. Just scan the headlines: Skeleton in Staten Island Basement Points to Unsolved Murder; Staten Island Man Commits Murder after Victim Had Spit in Wife's Face. Then there's the haunted Kreischer mansion on Arthur Kill Road. Mob Wives, for Chrissakes, with all that squalling, hair-pulling, and Botox. A recent spate of hate crimes against blacks, Mexicans, Muslims. Mist-shrouded abandoned psychiatric hospitals. Guys named Eddie. Underground caverns. Willowbrook. The ghostly ship graveyard. The legend of Cropsey. That rolling landfill and all those secrets buried beneath it. Even the one movie that was named after the borough got it exactly right. Here's the synopsis: A Staten Island mob boss Parmie is robbed by septic tank cleaner Sully who has a pal Jasper, a deaf deli employee moonlighting as a corpse chopper . . . That's a damned sunshiny day on the island.
I'm not sure why Staten Island is the borough bringing up the rear in Akashic Books' Noir Series, but here we are, as rotten, vengeful, unforgiving, and badass as any one of its quartet of brothers.