That's right sir. We can't get divers down to the Titanic. Which leaves us with only one choice. We don't go to the mountain. The mountain comes to us.
Dirk Pitt (Richard Jordan)
It was claimed to be the Big One for the 1980s; a film adventure to rival the James Bond franchise and the movie that would make Great Britain's entertainment mogul Lord Lew Grade a threat to the Hollywood film studios. Titanic historian Jonathan Smith chronicles the ups and downs of the production of Raise the Titanic; the $35m big-screen adaptation of Clive Cussler's 1976 bestselling novel.
Raise the Titanic: The Making of the Movie delves deep into the interesting and often puzzling production woes that went on to haunt Grade and his acclaimed film and television companies of ITC and Marble Arch Productions. With the use of rare and previously unpublished original production material, author Jonathan Smith takes the reader on an adventure that has been 40 years in the making, guiding you behind the scenes of the cult movie to reveal how they achieved the unthinkable and raised the unsinkable.
Raise the Titanic: The Making of the Movie Vol. 1 includes in depth chapters that look into the concept art; the films original and replacement directors; Clive Cussler, the author of the novel that inspired the film; the first ever reveal of the building of the huge Titanic film model; the salvage fleet tasked to raise the Titanic; the casting of the films characters; adapting the novel; the construction of the world's largest water tank in Malta that became the North Atlantic's black abyss; a look behind the scenes of the filming of the deleted 1912 prologue; the search for the full size stand-in ship and how they converted her to look like the salvaged Titanic.
Lavishly illustrated with over 1700 images over both volumes, Raise the Titanic: The Making of the Movie is a must-have book for any Titanic and shipping enthusiasts, film fans of classic and cult cinema and those who have interests in movie miniatures and special effects.
The books foreword is written by award winning actor David Selby (Dr Gene Seagram in the movie) and Oscar-winning special effects stalwart John Richardson.
This is Volume One of Two
That's right sir. We can't get divers down to the Titanic. Which leaves us with only one choice. We don't go to the mountain. The mountain comes to us.
Dirk Pitt (Richard Jordan)
It was claimed to be the Big One for the 1980s; a film adventure to rival the James Bond franchise and the movie that would make Great Britain's entertainment mogul Lord Lew Grade a threat to the Hollywood film studios. Titanic historian Jonathan Smith chronicles the ups and downs of the production of Raise the Titanic; the $35m big-screen adaptation of Clive Cussler's 1976 bestselling novel.
Raise the Titanic: The Making of the Movie delves deep into the interesting and often puzzling production woes that went on to haunt Grade and his acclaimed film and television companies of ITC and Marble Arch Productions. With the use of rare and previously unpublished original production material, author Jonathan Smith takes the reader on an adventure that has been 40 years in the making, guiding you behind the scenes of the cult movie to reveal how they achieved the unthinkable and raised the unsinkable.
Raise the Titanic: The Making of the Movie Vol. 2 includes in depth chapters that look into the many filming locations around the world; go behind the camera as nature tries to put a stop to filming; see how they turned the Titanic model into a long lost wreck; go into the recording studio as John Barry and Nic Raine create musical masterpieces; discover how film experts and marine biologists perceived Titanic to have looked during filming; take a dive in the Malta film tanks to see how they filmed the models underwater; be present at the World Premiere and special screenings of the movie; learn about the many deleted scenes; read about the artists behind the publicity artworks and posters; be at the boardroom table at the film offices as box office takings slump; be part of a 40 year journey to see what became of the movie models; see the first phase of Project Titanic, the exciting challenge as the Titanic model remains undergo preservation; and, of course, this making of book would not be complete without the most important chapter as the raising of the ship is revealed in great detail for the very first time.
Lavishly illustrated with over 1700 images over both volumes, Raise the Titanic: The Making of the Movie is a must-have book for any Titanic and shipping enthusiasts, film fans of classic and cult cinema and those who have interests in movie miniatures and special effects.
This is Volume Two of Two
That's right sir. We can't get divers down to the Titanic. Which leaves us with only one choice. We don't go to the mountain. The mountain comes to us.
Dirk Pitt (Richard Jordan)
It was claimed to be the Big One for the 1980s; a film adventure to rival the James Bond franchise and the movie that would make Great Britain's entertainment mogul Lord Lew Grade a threat to the Hollywood film studios. Titanic historian Jonathan Smith chronicles the ups and downs of the production of Raise the Titanic; the $35m big-screen adaptation of Clive Cussler's 1976 bestselling novel.
Raise the Titanic: The Making of the Movie delves deep into the interesting and often puzzling production woes that went on to haunt Grade and his acclaimed film and television companies of ITC and Marble Arch Productions. With the use of rare and previously unpublished original production material, author Jonathan Smith takes the reader on an adventure that has been 40 years in the making, guiding you behind the scenes of the cult movie to reveal how they achieved the unthinkable and raised the unsinkable.
Raise the Titanic: The Making of the Movie Vol. 2 includes in depth chapters that look into the many filming locations around the world; go behind the camera as nature tries to put a stop to filming; see how they turned the Titanic model into a long lost wreck; go into the recording studio as John Barry and Nic Raine create musical masterpieces; discover how film experts and marine biologists perceived Titanic to have looked during filming; take a dive in the Malta film tanks to see how they filmed the models underwater; be present at the World Premiere and special screenings of the movie; learn about the many deleted scenes; read about the artists behind the publicity artworks and posters; be at the boardroom table at the film offices as box office takings slump; be part of a 40 year journey to see what became of the movie models; see the first phase of Project Titanic, the exciting challenge as the Titanic model remains undergo preservation; and, of course, this making of book would not be complete without the most important chapter as the raising of the ship is revealed in great detail for the very first time.
Lavishly illustrated with over 1700 images over both volumes, Raise the Titanic: The Making of the Movie is a must-have book for any Titanic and shipping enthusiasts, film fans of classic and cult cinema and those who have interests in movie miniatures and special effects.
This is Volume Two of Two
That's right sir. We can't get divers down to the Titanic. Which leaves us with only one choice. We don't go to the mountain. The mountain comes to us.
Dirk Pitt (Richard Jordan)
It was claimed to be the Big One for the 1980s; a film adventure to rival the James Bond franchise and the movie that would make Great Britain's entertainment mogul Lord Lew Grade a threat to the Hollywood film studios. Titanic historian Jonathan Smith chronicles the ups and downs of the production of Raise the Titanic; the $35m big-screen adaptation of Clive Cussler's 1976 bestselling novel.
Raise the Titanic: The Making of the Movie delves deep into the interesting and often puzzling production woes that went on to haunt Grade and his acclaimed film and television companies of ITC and Marble Arch Productions. With the use of rare and previously unpublished original production material, author Jonathan Smith takes the reader on an adventure that has been 40 years in the making, guiding you behind the scenes of the cult movie to reveal how they achieved the unthinkable and raised the unsinkable.
Raise the Titanic: The Making of the Movie Vol. 1 includes in depth chapters that look into the concept art; the films original and replacement directors; Clive Cussler, the author of the novel that inspired the film; the first ever reveal of the building of the huge Titanic film model; the salvage fleet tasked to raise the Titanic; the casting of the films characters; adapting the novel; the construction of the world's largest water tank in Malta that became the North Atlantic's black abyss; a look behind the scenes of the filming of the deleted 1912 prologue; the search for the full size stand-in ship and how they converted her to look like the salvaged Titanic.
Lavishly illustrated with over 1700 images over both volumes, Raise the Titanic: The Making of the Movie is a must-have book for any Titanic and shipping enthusiasts, film fans of classic and cult cinema and those who have interests in movie miniatures and special effects.
The books foreword is written by award winning actor David Selby (Dr Gene Seagram in the movie) and Oscar-winning special effects stalwart John Richardson.
This is Volume One of Two
Fishing the Great Lakes is a sweeping history of the destruction of the once-abundant fisheries of the great inland seas that lie between the United States and Canada. Though lake trout, whitefish, freshwater herring, and sturgeon were still teeming as late as 1850, Margaret Bogue documents here how overfishing, pollution, political squabbling, poor public policies, and commercial exploitation combined to damage the fish populations even before the voracious sea lamprey invaded the lakes and decimated the lake trout population in the 1940s.
From the earliest records of fishing by native peoples, through the era of European exploration and settlement, to the growth and collapse of the commercial fishing industry, Fishing the Great Lakes traces the changing relationships between the fish resources and the people of the Great Lakes region. Bogue focuses in particular on the period from 1783, when Great Britain and the United States first politically severed the geographic unity of the Great Lakes, through 1933, when the commercial fishing industry had passed from its heyday in the late nineteenth century into very serious decline. She shows how fishermen, entrepreneurial fish dealers, the monopolistic A. Booth and Company (which distributed and marketed much of the Great Lakes catch), and policy makers at all levels of government played their parts in the debacle. So, too, did underfunded scientists and early conservationists unable to spark the interest of an indifferent public. Concern with the quality of lake habitat and the abundance of fish increasingly took a backseat to the interests of agriculture, lumbering, mining, commerce, manufacturing, and urban development in the Great Lakes region. Offering more than a regional history, Bogue also places the problems of Great Lakes fishing in the context of past and current worldwide fishery concerns.
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