On January 14, 1968, 51-year-old Buford Lolley was brutally murdered in Enteprise, Alabama. It took nearly nine years to arrest a suspect, who was later acquitted of the murder charges. After more than a half-century, the Lolley murder remains a stone cold case. This book represents an opportunity to reexamine this terrible, unsolved crime and its aftermath under an objective light. Both the murder victim and David Hutto, the man who was almost certainly falsely accused of murder, deserve the opportunity to have their stories told. At the same time, the author remembers a simpler and more innocent time which was ultimately disrupted by evil.
The 25-Day Vice-President: Alabama's William Rufus de Vane King documents the life and times of an often overlooked 19th Century statesman. Born to wealth and privilege in North Carolina, King grew up to become an attorney and was elected by Tarheel voters to serve in the State Legislator and U.S. Congress.
In 1819, after serving in Europe as Legation Secretary for the American Foreign Minister to the Two Sicilies and Russia, King migrated to the Alabama Territory. He quickly became a prominent member of the territory's rapidly growing, slaveholding, planter-class aristocracy. As an established community leader, King helped construct a new city near his plantation home. Furthermore, he was credited with naming the community Selmz, in honor of a favorite Ossian poem.
After Alabama was admitted to the Union, King was elected as one of the 22nd state's first U.S. Senators. For nearly three decades, he served in the Senate representing his adopted home state. As a slaveholder, King believed perpetuation of the barbaric institution was a Constitutional right. Nonetheless, he never joined forces with the so-called fire-eaters, rabid secessionists who advocated disunion if the federal government threatened to abolish slavery.
As a Moderate Democrat, King was a political conciliator rather than agitator. While serving in the U.S. Senate, he facilitated compromises between pro- and anti-slavery forces, temporarily forestalling inevitable secession and the bloody American Civil War. As a conciliator and compromiser, King was a political anomaly in the Deep South.
King died in March 1853, just 25 days after he was sworn into office as the 13th Vice-President of the United States, and eight years before the onset of the Civil War. Inaugurated while he was seeking treatment for terminal tuberculosis in the island nation of Cuba, King remains the first and only American President or Vice-President to take the oath of office on foreign soil.
King was no doubt an enigmatic figure. He was a respected statesman who vainly sought to save America from disunion. In his later years, he resigned from Congress to serve as Foreign Minister to France where he convinced the European power to refrain from interfering with America's Manifest Destiny expansionist agenda.
While mild-mannered and chivalrous, King was never a shrinking violet. On at least three separate occasions, he accepted challenges to participate in potentially deadly duels when his honor was called into question. As a lifelong bachelor, King was the target of unsubstantiated rumors and innuendo concerning his sexual orientation. Political enemies repeatedly proclaimed King was gay, derisively nicknaming him Miss Fancy.
The 25-Day Vice-President is a compelling narrative. Much of William R. King's life journey unfolded during America's tumultuous Antebellum-era, when the nation was not yet a century-old. While slavery proved to be the most divisive issue, other controversies led to bitter disagreements and the formation of rival political parties.
Given the taboo nature of same-sex relationships in the 19th Century, King's private life is explored under a detailed and objective light. Readers will be challenged to judge whether individuals' personal and private choices detract from their accomplishments or meaningfully alter the historical record.
Undoubtedly, King is one of many lesser-known public figures who helped weave America's complex political and social fabric.
Implement evidence-based feedback practices that move learners forward
Feedback is essential to successful instruction and improved student performance, but learners often dread and dismiss feedback and its effectiveness can vary. Thus, sharing intentions, clarifying success criteria, knowing what type of feedback to provide and when, and activating students as owners of their learning are essential feedback functions.
Instructional Feedback presents a comprehensive summary of the most recent research on instructional feedback and describes its successful implementation. With a focus on evidence-based approaches adapted to specific contexts, the authors use common classroom situations to demystify feedback and place it within a broad instructional context, along with definitions, characteristics, and precautions about its effect on students' emotions and behaviors. Inside you'll find:
Engaging and concise, Instructional Feedback discusses why feedback is so powerful, how it is promising, and what it looks like in practice.
Just because the art is beautiful doesn't mean the artist was a saint . . .
Scoundrels, Cads, and Other Great Artists examines the lives of nine great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, Why do we like magnificent art from artists who were awful human beings? For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a duel. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of Native Americans on the trail on horseback give no hint of Remington's enmity toward them and other ethnic groups in America. Jackson Pollock? His irascibility and petulance were compounded by a lifelong battle with alcoholism, ultimately leading to a fatal automobile accident. Whistler and Courbet were philanderers and libertines. Scoundrels introduces people to great art by showing the more salacious side of the personal lives of great artists over time. This book not only tells the stories of a dozen artists, but explores how to look at art and the separation between art and artist. This lively narrative is enhanced by over 100 full-color reproductions of great paintings and details from them.