From internationally-bestselling author and journalist Andrew Smith, an immersive, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself
Throughout history, technological revolutions have been driven by the invention of machines. But today, the power of the technology transforming our world lies in an intangible and impenetrable cosmos of software: algorithmic code. So symbiotic has our relationship with this code become that we barely notice it anymore. We can't see it, are not even sure how to think about it, and yet we do almost nothing that doesn't depend on it. In a world increasingly governed by technologies that so few can comprehend, who--or what--controls the future?
Devil in the Stack follows Andrew Smith on his immersive trip into the world of coding, passing through the stories of logic, machine-learning and early computing, from Ada Lovelace to Alan Turing, and up to the present moment, behind the scenes into the lives--and minds--of the new frontiers people of the 21st century: those who write code. Smith embarks on a quest to understand this sect in what he believes to be the only way
possible: by learning to code himself.
Expansive and effervescent, Devil in the Stack delivers a portrait of code as both a vivid culture and an impending threat. How do we control a technology that most people can't understand? And are we programming ourselves out of existence? Perhaps most terrifying of all: Is there something about the way we compute - the way code works - that is innately at odds with the way humans have evolved? By turns revelatory, unsettling, and joyously funny, Devil in the Stack is an essential book for our times, of vital interest to anyone hoping to participate in the future-defining technological debates to come.
Funny, intense, complex, and brave, Grasshopper Jungle brilliantly weaves together everything from testicle-dissolving genetically modified corn to the struggles of recession-era, small-town America in this groundbreaking coming-of-age stunner.
Introducing...A Secret Way to Make a $11,547 Per Month on Airbnb...WITHOUT Owning Any Property...
If you don't want to miss out on what inc.com is saying, Airbnb has more room to grow than Uber, then keep reading...
According to the Journal of Marketing Research, Airbnb has served more than 50 million guests since it was founded in 2008 and has a market capitalization eclipsing $30 billion. Furthermore, Fortune.com states that Airbnb profits will top $3 billion by 2020. And, finally, eMarketer suggests that Airbnb will continue to grow U.S. users through 2019 and that 36.8 million adults in the United States will use Airbnb this year, an increase of 21.2% over 2016
Are the best days behind us?
Is it too saturated?
While that may be partially true.
There's still a lot of travelers, tourists, and business men/women needing short term rental services every day And, there are new properties constantly being built.
Which means those who get in now, will be in a prime position to get passive income through Airbnb and running the business in a way where you do not even physically have to be there
This is like getting in early on e-commerce.
Imagine if you'd got in on e-commerce when it was new?
Here's just a tiny fraction of what you'll discover:
and much, much more
This is not guaranteed to make you money.
But it can help you reach your financial goals faster than what you've tried before, even if you know nothing about Airbnb
Claim your copy today
Plotinus composed the widely influential Neoplatonic work On Beauty (Ennead 1.6) in the third century CE. This volume includes the Greek text of and English notes on this work, which demonstrates Plotinus's systematic argument and engaging exhortation to foster the inner self. The volume also includes the text of and notes on Plotinus's complementary statements in On Intelligible Beauty (Ennead 5.8.1-2).
Food expert and celebrated food historian Andrew F. Smith recounts--in delicious detail--the creation of contemporary American cuisine. The diet of the modern American wasn't always as corporate, conglomerated, and corn-rich as it is today, and the style of American cooking, along with the ingredients that compose it, has never been fixed. With a cast of characters including bold inventors, savvy restaurateurs, ruthless advertisers, mad scientists, adventurous entrepreneurs, celebrity chefs, and relentless health nuts, Smith pins down the truly crackerjack history behind the way America eats.
Smith's story opens with early America, an agriculturally independent nation where most citizens grew and consumed their own food. Over the next two hundred years, however, Americans would cultivate an entirely different approach to crops and consumption. Advances in food processing, transportation, regulation, nutrition, and science introduced highly complex and mechanized methods of production. The proliferation of cookbooks, cooking shows, and professionally designed kitchens made meals more commercially, politically, and culturally potent. To better understand these trends, Smith delves deeply and humorously into their creation. Ultimately he shows how, by revisiting this history, we can reclaim the independent, locally sustainable roots of American food.This book provides new empirical evidence about the ways in which social inequalities, especially those of class, shape and delimit forms of cultural reception and creative opportunity. How does it come about that, in George Orwell's words, 'the divorce between poetry and popular culture is accepted as a sort of law of nature'? Drawing on qualitative research conducted in and around Glasgow, Poetry, Class and Symbolic Violence explores how working-class readers engaged with, made sense of, and contested a sense of exclusion from, contemporary poetry. In doing so it sheds light on the symbolic enclosure of poetry, on how that enclosure takes shape in the encounter between readers and poems, but also on why poetry continues to matter. Through these conversations, and in further interviews with unpublished poets, it reflects on the creative and expressive affordances of poetry, on what can be done with poetry and what it can make possible. Sociologists have had little to say about poetry as a distinctive esthetic practice. Poetry, Class and Symbolic Violence tries to break that silence and to make a start on constructing a critical sociology of poetry for today.
This book is a sort of last will and testament of a man who has spent his life trying to discern the fundamental questions of life. It is some speculation, some fact, and some biographical.
From internationally-bestselling author and journalist Andrew Smith, an immersive, alarming, sharp-eyed journey into the bizarre world of computer code, told through his sometimes painful, often amusing attempt to become a coder himself
Throughout history, technological revolutions have been driven by the invention of machines. But today, the power of the technology transforming our world lies in an intangible and impenetrable cosmos of software: algorithmic code. So symbiotic has our relationship with this code become that we barely notice it anymore. We can't see it, are not even sure how to think about it, and yet we do almost nothing that doesn't depend on it. In a world increasingly governed by technologies that so few can comprehend, who--or what--controls the future?
Devil in the Stack follows Andrew Smith on his immersive trip into the world of coding, passing through the stories of logic, machine-learning and early computing, from Ada Lovelace to Alan Turing, and up to the present moment, behind the scenes into the lives--and minds--of the new frontiers people of the 21st century: those who write code. Smith embarks on a quest to understand this sect in what he believes to be the only way
possible: by learning to code himself.
Expansive and effervescent, Devil in the Stack delivers a portrait of code as both a vivid culture and an impending threat. How do we control a technology that most people can't understand? And are we programming ourselves out of existence? Perhaps most terrifying of all: Is there something about the way we compute - the way code works - that is innately at odds with the way humans have evolved? By turns revelatory, unsettling, and joyously funny, Devil in the Stack is an essential book for our times, of vital interest to anyone hoping to participate in the future-defining technological debates to come.
In time for the 50th anniversary of the Apollo 11 moon landing comes this edition of journalist Andrew Smith's Moondust, now updated with a new Afterword, that tells the fascinating story of twelve astronauts who ventured to space, and his interviews with nine of the surviving men.
The Apollo lunar missions of the 1960s and 1970s have been called the last optimistic acts of the twentieth century. Twelve astronauts made this greatest of all journeys and were indelibly marked by it, for better or for worse. Journalist Andrew Smith tracks down the nine surviving members of this elite group to find their answers to the question Where do you go after you've been to the Moon?
A thrilling blend of history, reportage, and memoir, Moondust rekindles the hopeful excitement of an incandescent hour in America's past when anything seemed possible as it captures the bittersweet heroism of those who risked everything to hurl themselves out of the known world--and who were never again quite able to accept its familiar bounds.
New edition of bestselling introductory text outlining the history and ways of reading Gothic literature
This revised edition includes:
A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments
An updated Bibliography of critical sources and a revised Chronology
The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.