Statuomania overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962, these monuments took on different meaning and some were repatriated to France, legally or clandestinely. Today, in both Algeria and France, people are moving and removing, vandalizing and preserving this contested, yet shared monumental heritage.

Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork in both countries and interviews with French and Algerian heritage actors and artists, she analyzes the colonial nostalgia, dissonant heritage, and ongoing decolonization and iconoclasm of these works of art. Monuments emerge here as objects with a soul, offering visual records of the colonized Algerian native, the European settler colonizer, and the contemporary efforts to engage with a dark colonial past. Richly illustrated with more than 100 color images, Monuments Decolonized offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories.

There was a village in Palestine called Ein Houd, whose people traced their ancestry back to one of Saladin's generals who was granted the territory as a reward for his prowess in battle. By the end of the 1948 Arab-Israeli War, all the inhabitants of Ein Houd had been dispersed or exiled or had gone into hiding, although their old stone homes were not destroyed.

In 1953 the Israeli government established an artists' cooperative community in the houses of the village, now renamed Ein Hod. In the meantime, the Arab inhabitants of Ein Houd moved two kilometers up a neighboring mountain and illegally built a new village. They could not afford to build in stone, and the mountainous terrain prevented them from using the layout of traditional Palestinian villages. That seemed unimportant at the time, because the Palestinians considered it to be only temporary, a place to live until they could go home.

The Palestinians have not gone home. The two villages--Jewish Ein Hod and the new Arab Ein Houd--continue to exist in complex and dynamic opposition. The Object of Memory explores the ways in which the people of Ein Houd and Ein Hod remember and reconstruct their past in light of their present--and their present in light of their past.

Honorable Mention, 1999 Perkins Book Prize, Society for the Study of Narrative

Since independence in 1956, large numbers of Moroccans have been forcibly disappeared, tortured, and imprisoned. Morocco's uncovering and acknowledging of these past human rights abuses are complicated and revealing processes. A community of human rights activists, many of them survivors of human rights violations, are attempting to reconstruct the past and explain what truly happened.

What are the difficulties in presenting any event whose central content is individual pain when any corroborating police or governmental documentation is denied or absent? Susan Slyomovics argues that funerals, eulogies, mock trials, vigils and sit-ins, public testimony and witnessing, storytelling and poetry recitals are performances of human rights and strategies for opening public space in Morocco.

The Performance of Human Rights in Morocco is a unique distillation of politics, anthropology, and performance studies, offering both a clear picture of the present state of human rights and a vision of a possible future for public protest and dissidence in Morocco.

In a landmark process that transformed global reparations after the Holocaust, Germany created the largest sustained redress program in history, amounting to more than $60 billion. When human rights violations are presented primarily in material terms, acknowledging an indemnity claim becomes one way for a victim to be recognized. At the same time, indemnifications provoke a number of difficult questions about how suffering and loss can be measured: How much is an individual life worth? How much or what kind of violence merits compensation? What is financial pain, and what does it mean to monetize concentration camp survivor syndrome?

Susan Slyomovics explores this and other compensation programs, both those past and those that might exist in the future, through the lens of anthropological and human rights discourse. How to account for variation in German reparations and French restitution directed solely at Algerian Jewry for Vichy-era losses? Do crimes of colonialism merit reparations? How might reparations models apply to the modern-day conflict in Israel and Palestine? The author points to the examples of her grandmother and mother, Czechoslovakian Jews who survived the Auschwitz, Plaszow, and Markkleeberg camps together but disagreed about applying for the post-World War II Wiedergutmachung (to make good again) reparation programs. Slyomovics maintains that we can use the legacies of German reparations to reconsider approaches to reparations in the future, and the result is an investigation of practical implications, complicated by the difficult legal, ethnographic, and personal questions that reparations inevitably prompt.

Between 1963 and 1986, eminent American anthropologists Clifford and Hildred Geertz - together and alone - conducted ethnographic fieldwork for varying periods in Sefrou, a town situated in north-central Morocco, south of Fez. This book considers Geertz's contributions to sociocultural theory and symbolic anthropology.

Clifford Geertz made an immense impact on the American academy: his interpretative and symbolic approaches reoriented anthropology analytically away from classic social science presuppositions, while his publications profoundly influenced both North American and Maghribi researchers alike. After his death at the age of 80 on October 30, 2006, scholars from local, national, and international universities gathered at the University of California, Los Angeles, to analyze his contributions to sociocultural theory and symbolic anthropology in relation to Islam; ideas of the sacred; Morocco's cityscapes (notably Sefrou's bazaar or suq); colonialism and post-independence economic development; gender, and political structures at the household and village levels.

This book looks back to a specific era of American anthropology beginning in the 1960s as it unfolded in Morocco; and at the same time, the contributions examine new lines of enquiry that opened up after key texts by Geertz were translated into French and introduced to generations of francophone Maghribi researchers who sustain lively and inventive meditations on his Morocco writings.

This book was published as a special issue of Journal of North African Studies.

Statuomania overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962, these monuments took on different meaning and some were repatriated to France, legally or clandestinely. Today, in both Algeria and France, people are moving and removing, vandalizing and preserving this contested, yet shared monumental heritage.

Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork in both countries and interviews with French and Algerian heritage actors and artists, she analyzes the colonial nostalgia, dissonant heritage, and ongoing decolonization and iconoclasm of these works of art. Monuments emerge here as objects with a soul, offering visual records of the colonized Algerian native, the European settler colonizer, and the contemporary efforts to engage with a dark colonial past. Richly illustrated with more than 100 color images, Monuments Decolonized offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories.

A volume of original essays by 10 preeminent scholars invited to think through a rich corpus on cities, empires, images, and archaeological sites produced by the distinguished architectural historian Zeynep Çelik. Awarded the prestigious 2019 Giorgio Della Vida medal for excellence in Islamic studies by the University of California, the occasion allowed researchers from various universities, countries and disciplines to reflect on her rich body of work. Inspired by Çelik's works, chapters travel between Muslim and Christian Spain, the Ottoman Empire and France, Europe and its overseas empire in North Africa, and more. Combining social, cultural and urban history as well as visual studies and collective political memory, scholars from Turkey, France, Algeria and the US chart detailed studies of Muslim-Christian art, Ottoman music, art and literature, and cross-Mediterranean sites of containment such as the prison, the asylum, the nuclear site.

Between 1963 and 1986, eminent American anthropologists Clifford and Hildred Geertz - together and alone - conducted ethnographic fieldwork for varying periods in Sefrou, a town situated in north-central Morocco, south of Fez. This book considers Geertz's contributions to sociocultural theory and symbolic anthropology.

Clifford Geertz made an immense impact on the American academy: his interpretative and symbolic approaches reoriented anthropology analytically away from classic social science presuppositions, while his publications profoundly influenced both North American and Maghribi researchers alike. After his death at the age of 80 on October 30, 2006, scholars from local, national, and international universities gathered at the University of California, Los Angeles, to analyze his contributions to sociocultural theory and symbolic anthropology in relation to Islam; ideas of the sacred; Morocco's cityscapes (notably Sefrou's bazaar or suq); colonialism and post-independence economic development; gender, and political structures at the household and village levels.

This book looks back to a specific era of American anthropology beginning in the 1960s as it unfolded in Morocco; and at the same time, the contributions examine new lines of enquiry that opened up after key texts by Geertz were translated into French and introduced to generations of francophone Maghribi researchers who sustain lively and inventive meditations on his Morocco writings.

This book was published as a special issue of Journal of North African Studies.