BEST PLAY OF THE YEAR -- New York Times, New Yorker, TIME, Hollywood Reporter, Newsweek, BuzzFeed, Forbes, New York Magazine, NPR, Washington Post, Entertainment Weekly, Los Angeles Times, Chicago Tribune

Finalist for the 2019 Pulitzer Prize for Drama

When she was fifteen years old, Heidi Schreck started traveling the country, taking part in constitutional debates to earn money for her college tuition.

Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States' founding principles are inextricably linked with our personal lives.

Playwright Heidi Schreck's boundary-breaking play breathes new life into our Constitution and imagines how it will shape the next generation of Americans. Fifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful and achingly human new play, she resurrects her teenage self in order to trace the profound relationship between four generations of women and the founding document that shaped their lives.

After a series of brutal layoffs at Sutton Feingold and McGrath a precocious young consultant is brought in to save a middle-aged adman's job and maybe his life. This hilarious and keenly observed world premiere takes an intimate look at how money and work shape the human heart - and what we owe to others when everything around us is falling apart.

Set in 1400s England. After being pestered by devils for more than half a year, Margery Kempe--new mother, mayor's daughter, and proprietress of a highly profitable beer business--is liberated from her torment by a vision of Jesus Christ. Should we trust the new Margery, with her fasting and her weeping and her chastity fixation, or burn her with the other heretics?

Grand Concourse is a play by playwright and two-time Obie Award-winning actor Heidi Schreck. It tells the story of Shelley. Having dedicated her life to religious service, Shelley runs a Bronx soup kitchen with unsentimental efficiency. When Emma--a rainbow-haired college dropout--arrives to volunteer, her volatile mix of generosity and self-involvement throws Shelley's life into chaos. She brings a needed jolt to the place, helping a long-time client toward a new job, but her energy also proves unsettling. Even as Emma's behavior grows steadily more erratic, Shelley still wants to believe in her, despite the mounting evidence that she shouldn't.

Shelley must finally ask herself how well she really knows the people she sees every day, how much she can trust them, and what she can and cannot forgive. With both humor and generosity Grand Concourse asks big questions about the limits of both compassion and forgiveness.