A tender, astonishing, and richly beautiful story cycle about remembering our shared histories and repairing the world.

Each tale is a testament to never forgetting that the mountains, the sea, the rivers, animals and humans are all one. Osprey and abalone, wind and child, hummingbird and human--all unforgettable. --Susan Straight, author of Mecca

Perched atop Gravity Hill, two crow sisters--Question Woman and Answer Woman--recall stories from dawn to dusk. Question Woman cannot remember a single story except by asking to hear it again, and Answer Woman can tell all the stories but cannot think of them unless she is asked. Together they recount the journeys of the Forgetters, so that we may all remember. Unforgettable characters pass through these pages: a boy who opens the clouds in the sky, a young woman who befriends three enigmatic people who might also be animals, two village leaders who hold a storytelling contest. All are in search of a crucial lesson from the past, one that will help them repair the rifts in their own lives.

Told in the classic style of Southern Pomo and Coast Miwok creation stories, this book vaults from the sacred time before this time to the recent present and even the near future. Heralded as a a fine storyteller by Joy Harjo, Greg Sarris offers us these tales in a new genre of his own making. The Forgetters is an astonishment--comforting and startling, inspiring reveries and deepening our love of the world we share.

Now in paperback: a gently powerful memoir about deepening your relationship with your homeland.

A fascinating and evocative memoir in essays.--Kirkus Reviews, starred review

Tribal chairman and celebrated storyteller Greg Sarris--whose novels are esteemed alongside those of Louise Erdrich and Stephen Graham Jones--invites us into intimate and contemplative scenes from his own life in Becoming Story. With this memoir-in-essays he asks: What does it mean to be truly connected to the place you call home--to walk where innumerable generations of your ancestors have walked? And what does it mean when you dedicate your life to making that connection even deeper?

Moving between his childhood and the present day, Sarris creates a kaleidoscopic narrative about the forces that shaped his early years and his eventual work as a tribal leader. He considers the fathomless past, historical traumas, and possible futures of his homeland. His acclaimed storytelling skills are in top form here, and he charts his journey in prose that is humorous, searching, and profound. Described as jewellike by the San Francisco Chronicle, Becoming Story is also a gently powerful guide in the art of belonging to the place where you live.

Grand Avenue runs through the center of the Northern California town of Santa Rosa. One stretch of it is home not only to Pomo Indians making a life outside the reservation but also to Mexicans, blacks, and some Portuguese, all trying to find their way among the many obstacles in their turbulent world.

Bound together by a lone ancestor, the lives of the American Indians form the core of these stories--tales of healing cures, poison, family rituals, and a humor that allows the inhabitants of Grand Avenue to see their own foibles with a saving grace.

A teenage girl falls in love with a crippled horse marked for slaughter. An aging healer summons her strength for one final song. A father seeks a bond with his illegitimate son. A mother searches for the power to care for her cancer-stricken daughter's spirit. Here is a tapestry of lives rendered with the color, wisdom, and a quest for meaning that are characteristic of the traditional storytelling in which they are rooted, a tradition Sarris grew up hearing and learning. Vibrant with the emotions and realities of a changing world, these narratives--the basis of an HBO miniseries--are all equally stunning and from the heart.

A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard.

Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight-the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian.

Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world. Sarris's new preface, written expressly for this edition, meditates on Mabel McKay's enduring legacy and the continued importance of her teachings.

A gently powerful memoir about deepening your relationship with your homeland.

For the first time in more than twenty-five years, Greg Sarris--whose novels are esteemed alongside those of Louise Erdrich and Stephen Graham Jones--presents a book about his own life. In Becoming Story he asks: What does it mean to be truly connected to the place you call home--to walk where innumerable generations of your ancestors have walked? And what does it mean when you dedicate your life to making that connection even deeper?

Moving between his childhood and the present day, Sarris creates a kaleidoscopic narrative about the forces that shaped his early years and his eventual work as a tribal leader. He considers the deep past, historical traumas, and possible futures of his homeland. His acclaimed storytelling skills are in top form here, and he charts his journey in prose that is humorous, searching, and profound. Described as jewellike by the San Francisco Chronicle, Becoming Story is also a gently powerful guide in the art of belonging to the place where you live.

Now available in paperback In the tradition of Calvino's Italian Folktales, Greg Sarris, author of the award-winning novel Grand Avenue, turns his attention to his ancestral homeland of Sonoma Mountain in Northern California. In sixteen interconnected original stories, the twin crows Question Woman and Answer Woman take us through a world unlike yet oddly reminiscent of our own: one which blooms bright with poppies, lupines, and clover; one in which Water Bug kidnaps an entire creek; in which songs have the power to enchant; in which Rain is a beautiful woman who keeps people's memories in stones. Inspired by traditional Coast Miwok and Southern Pomo creation tales, these stories are timeless in their wisdom and beauty, and because of this timelessness their messages are vital and immediate. The figures in these stories ponder the meaning of leadership, of their place within the landscape and their community. In these stories we find a model for how we can all come home again. At once timeless and contemporary, How a Mountain Was Made is equally at home in modern letters as the ancient story cycle. Sarris infuses his stories with a prose stylist's creativity and inventiveness, moving American Indian literature in an emergent direction.

This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just what things seem to be. Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down?

Sarris maintains that cultural practices can be understood only in their living, changing contexts. Central to his approach is an understanding of storytelling, a practice that embodies all the indeterminateness, structural looseness, multivalence, and richness of culture itself. He describes encounters between his Indian aunts and Euro-American students and the challenge of reading in a reservation classroom; he brings the reports of earlier ethnographers out of museums into the light of contemporary literary and anthropological theory.

Sarris's perspective is exceptional: son of a Coast Miwok/Pomo father and a Jewish mother, he was raised by Mabel McKay-a renowned Cache Creek Pomo basketweaver and medicine woman-and by others, Indian and non-Indian, in Santa Rosa, California. Educated at Stanford, he is now a university professor and recently became Chairman of the Federated Coast Miwok tribe. His own story is woven into these essays and provides valuable insights for anyone interested in cross-cultural communication, including educators, theorists of language and culture, and general readers.

In Watermelon Nights, Greg Sarris tells a powerful tale about the love and forgiveness that keep a modern Native American family together in Santa Rosa, California. Told from the points of view of a twenty-year-old Pomo man named Johnny Severe, his grandmother Elba, and his mother, Iris, this intergenerational saga uncovers the secrets-and traumatic events-that inform each of these characters' extraordinary powers of perception. First published in 1998, Watermelon Nights remains one of the few works of fiction to illuminate the experiences of urban Native Americans and is the only one to depict the historical conditions that shape a tribe's rural-to-urban migration.

As the novel opens, Johnny is trying to organize the remaining members of his displaced California tribe. At the same time, he is struggling with his own sexuality and thinking about leaving his grandmother's home for the big city. As the novel shifts perspective, tracing the controversial history of the Pomo people, we learn how the tragic events of Elba's childhood, as well as Iris's attempts to separate herself from her cultural roots, make Johnny's dilemma all the more difficult. In the end, what binds both family and tribe together is a respect-albeit at times reluctant-for the traditions that have withstood so many challenges.

This new edition of the novel features a revised preface by the author and an afterword by Reginald Dyck, who identifies broader contexts important to our understanding of the novel, including tribal sovereignty, federal Indian policy, and the effects of historical trauma. Gritty yet rich in emotion, Watermelon Nights stands beside the works of Louise Erdrich, Stephen Graham Jones, and Tommy Orange.

ReVision is dedicated to the exploration of issues that assert and value the transmotional and interconnected sovereignty of people before any institutions. Sovereignty and self-determination as foundations of peace require our human imagination as part of a sustainable world of stories and cultural practices in a particular place or ecology.

This volume seeks to enrich teachers' and students' understanding of the fictional world Louise Erdrich creates and to address the challenges of teaching her novels and poetry. The first part of the book provides background readings that establish a context for teaching Erdrich and acquaint teachers with Native American traditions, history, customs, and culture--especially those of the Ojibwe, or Chippewa. In the second section, experienced teachers of Erdrich discuss the strategies they use to engage students in a sometimes unfamiliar world. Essays provide information on Erdrich's tribe, the Turtle Mountain Chippewa of North Dakota, and an overview of tribal history for the past 150 years; sort through Erdrich's large cast of fictional characters, with their complicated family ties and clan relationships; examine her collaborative relationship with her late husband, Michael Dorris; and offer analysis, cultural references, and approaches to teaching Erdrich's most widely anthologized poems.

This volume seeks to enrich teachers' and students' understanding of the fictional world Louise Erdrich creates and to address the challenges of teaching her novels and poetry. The first part of the book provides background readings that establish a context for teaching Erdrich and acquaint teachers with Native American traditions, history, customs, and culture--especially those of the Ojibwe, or Chippewa. In the second section, experienced teachers of Erdrich discuss the strategies they use to engage students in a sometimes unfamiliar world. Essays provide information on Erdrich's tribe, the Turtle Mountain Chippewa of North Dakota, and an overview of tribal history for the past 150 years; sort through Erdrich's large cast of fictional characters, with their complicated family ties and clan relationships; examine her collaborative relationship with her late husband, Michael Dorris; and offer analysis, cultural references, and approaches to teaching Erdrich's most widely anthologized poems.

In this anthology of poetry and fiction, ten Native Americans of California Indian ancestry illuminate aspects of their respective native cultures in works characterized by a profound love of place and people, as well as by anger over political oppression and social problems