In this gorgeous translation (The New York Times), one of our most fearless and original poets provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.

Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho's fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric--or, to use Sappho's words, as thin fire ... racing under skin.

Carson is in many ways [Sappho's] ideal translator.... Her command of language is hones to a perfect edge and her approach to the text, respectful yet imaginative, results in verse that lets Sappho shine forth. --Los Angeles Times

More or less 150 years after Homer's Iliad, Sappho lived on the island of Lesbos, west off the coast of what is present Turkey. Little remains today of her writings, which are said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them poems of invocation, desire, spite, celebration, resignation and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. This is a new translation of her surviving poetry.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Sappho (c. 630-c. 570 BC) was an Archaic Greek poet from the island of Lesbos famous for her lyric poetry. Also known by such names as the Tenth Muse and The Poetess, Sappho was a prolific poet widely regarded as one of the greatest lyric poets of ancient times. As well as an extraordinary poet, she also represents a symbol of romantic love between women, the word lesbian and sapphic originating from her name and home island. The majority of Sappho's work is lost and what remains only does so as fragments. Despite this, her work has and continues to influence that of others significantly. This pocket-sized volume contains 45 of Sappho's existing poems and fragments, translated and interpreted by John Myres O'Hara and Henry de Vere Stacpoole. Contents include: An Introduction by H. De Vere Stacpoole, Sapphics by Algernon Charles Swinburne, Poems Translated by John Myres O'hara, and Fragments Translated by Henry De Vere Stacpoole. Wine Dark Press is proudly publishing this brand new collection of classic poems, now complete with an introductory essay by Charles Swinburne.

These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct--the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.

This second, expanded edition of Josephine Balmer's classic translation of the Greek poet Sappho has new, recently-discovered fragments, including the Brothers Poem, the Kypris Song and the Cologne Fragment. In a new essay on these additions she discusses the issues raised in the translating - and in some cases retranslating - of these fragmentary and ever-shifting texts. Poems & Fragments is now the only complete, readily-available translation in English of Sappho's surviving work. Sappho was one of the greatest poets in classical literature. Her lyric poetry is among the finest ever written, and although little of her work has survived and little is known about her, she is regarded not just as one of the greatest women poets, but often as the greatest woman poet in world literature. She lived on the island of Lesbos around 600 BC, and even in her lifetime, her work was widely known and admired in the Greek world. Plato called her 'the tenth muse', and she was a major influence on other poets, from Horace and Catullus to more recent lyric poets. Yet in later centuries, speculation about her sexuality has tended to diminish her poetic reputation. One medieval pope considered her so subversive that her poems were burned. Some of her poems were written for the women she loved, but her circle of women friends and admirers was not unlike Socrates' circle of followers. She may have been a lesbian in the modern sense, or she may not, but to call her a lesbian poet is an over-simplification. What remains is her poetry, or the fragments which have survived of it, and her intense, sensuous, highly accomplished love poems are among the finest in any language. First published in 1984 and revised in 1992, Josephine Balmer's edition brings together all the extant poems and fragments of Sappho. In a comprehensive introduction, she discusses Sappho's poetry, its historical background and critical reputation, as well as aspects of contemporary Greek society, sexuality and women.

John Myers O'Hara's translation of The Poems of Sappho captures the lyrical beauty and emotional depth of the ancient Greek poet. These fragments, filled with passion, longing, and love, offer a timeless glimpse into Sappho's world, resonating across centuries with their delicate grace and profound intimacy.

Called the Tenth Muse by the ancients, Greece's greatest female lyric poet Sappho (ca. 610-580 b.c.e.) spent the majority of her life on the famed island of Lesbos. Passionate and breathtaking, Sappho's poems survive only in fragments following religious conspiracies to silence her. Sappho penned immortal verse on the intense power of the female libido; on the themes of romance, love, yearning, heartbreak, and personal relationships with women. This work retains the standard numerical order of the fragments and has been arranged in six sections. Distinguished poet and lecturer Paul Roche's translation of The Love Songs of Sappho is enhanced with his brilliant essay, Portrait of Sappho, as well as a lucid historical introduction by celebrated feminist and classicist Page duBois.

YOU BURN ME: POEMS by SAPPHO Translated by J.M. Edmonds Edited by Louise Cooper A book of poems by the ancient Greek poet Sappho, including a new gallery of images of Sappho's art (featuring Greek art and paintings).

Sappho has become one of the touchstones of Western poetry, an icon and heroine for poets of any gender. For the simple reason that her poetry is very, very good. Well, not just good, it's genius, the real thing. Sappho has been cited by many many poets, including Lord Byron, Sir Philip Sidney, John Donne, Alexander Pope, John Addison, Dante Gabriel Rossetti, Samuel Taylor Coleridge, Alfred Tennyson, Christina Rossetti, Algernon Swinburne, Thomas Hardy, William Carlos Williams, Allen Tate, Robert Lowell, Lawrence Durrell, Robert Graves, Amy Lowell, Ezra Pound, Edna St Vincent Millay, and many contemporary poets. Sappho has become an icon for lesbian, gay and queer poets and writers. She has been the subject of much critical debate; in the 19th and early 20th centuries, questions of authorship were prominent; in the Eighties and Nineties, Sappho's poetry was absorbed into lesbian and queer theory and poetics.

Aside from the poem to Aphrodite, the rest of Sappho's work is in fragments, sometimes nothing more than a word or a phrase. Sometimes not even the words are complete. Yet her poetic voice shines through the fragments: very sensuous, ironic, self-deprecating, passionate, very lyrical. Her vocabulary is direct and simple, and sometimes colloquial. Edgar Lobel, one of Sappho's celebrated translators, said that her language was 'non-literary'. Her metaphors are powerful, sometimes lush - such as the ecstasy of love being compared to the wind in the oak trees on a mountainside.

The imagery in her poetry is of the natural world, in all its beauty and simplicity, its violence and cruelty. There are images of trees, mountains, streams, the sun and moon, stars, orchards, flowers, breezes, grass, nights, dawns, and the Pleiades. In her poetry one finds evocations of paradisal worlds, with streams, springs, apple trees, sunshine, roses, incense and gardens. Sappho's is a synaesthetic poetry, one which sets alive all the senses, as most of the best poetry does.

Includes a new, revised gallery of art featuring Sappho and art based on her works, an introduction and a bibliography.

Available as an E-book.

www.crmoon.com

Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of the little that survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems, fragments, single words - and, notably, five stanzas of a poem that came to light in 2014. Also included are new additions to five fragments from the latest discovery, and a nearly complete poem published in 2004. The power of Sappho s poetry - her direct style, rich imagery, and passion - is apparent even in these remnants. Diane Rayor s translations of Greek poetry are graceful and poetic, modern in diction yet faithful to the originals. The full range of Sappho s voice is heard in these poems about desire, friendship, rivalry, family, and passion for the light of life. In the introduction and notes, internationally respected Sappho scholar Andre Lardinois presents plausible reconstructions of Sappho s life and work, the importance of the recent discoveries in understanding the performance of her songs, and the story of how these fragments survived.

Sappho - Love Songs & Other Fragments Public Domain Poets #15 Publicdomainpoets.com Sappho (c. 630-570 B.C.) was born into a wealthy family from the island of Lesbos, and is said to have had 3 brothers. She probably took up poetry early in life, and would go on to be one of the most highly regarded lyric poets of her time. This collection brings together a generous helping of her surviving fragments, translated by James Easby-Smith (1891) & Edward Storer (1919), alongside a selection of others from various sources (1885-1924), with a 'Foreword' by Edward Storer. New edition designed and edited by Dick Whyte. The moon has set and the Pleiades Have gone. It is midnight; the hours pass; and I Sleep alone. Sappho was exiled to Sicily around 600 BC, but continued to write until around 570 BC. While known to be a prolific poet, much of her work was later destroyed by the Church, in large part because her love poetry was addressed to women: - some 10,000 lines reduced to fragments. It was translations of these incomplete verses, and specifcally their (unintentional) fragmentation, which would go on to influence early 'free verse' and Imagist poets, including Edward Storer, H.D., Amy Lowell, Marie Tudor Garland (et al.). Love shakes my soul. So do the oak-trees on the mountain Shake the wind. Storer, a founding member of one of the earliest English-language 'free verse' circles, went on to publish his own translations of Sappho's fragments in 1915, seemingly drawing on English-language versions of Japanese tanka and haikai as models. Other well-known translations at the time included Henry Wharton (1885), James Easby-Smith (1891), J.R. Tutin (1903), etc. Divine shell, Your song. Public Domain Press is dedicated to producing new editions of out-of-print poetry, particularly with regard to compressed & fragmented 'free verse' from the late-1800s & early-1900s. All poems start as facsimiles - to preserve original fonts - which are cleaned up, edited, and spaciously laid-out, adorned with illustrations, and ornaments from the books and magazines they originally appeared in. These are not simply reprints of previously existing books, but newly crafted collections, lovingly edited from public domain material, for the serious poetry lover.

Sapho / traduction nouvelle avec le texte grec [par] Renée Vivien
Date de l'édition originale: 1903

Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.
HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.
Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.
Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.
Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.

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Poems By Sappho is a collection of poems written by the ancient Greek poet Sappho, who is widely regarded as one of the greatest lyric poets of all time. The book includes a selection of her surviving works, which were originally composed on the island of Lesbos in the 6th century BCE.Sappho's poetry explores themes of love, desire, beauty, and the natural world, and is characterized by its emotional intensity, vivid imagery, and musicality. Her poems often depict the experiences and perspectives of women, and are notable for their frankness and sensuality.The book includes a variety of poetic forms, including lyric poetry, elegies, and hymns, and is arranged thematically to showcase the breadth of Sappho's work. The translations are by various authors, including Anne Carson, Mary Barnard, and Willis Barnstone, and aim to capture the nuances and beauty of Sappho's original Greek.Overall, Poems By Sappho is a must-read for anyone interested in ancient Greek literature, poetry, or women's history, and offers a fascinating glimpse into the mind and artistry of one of the most influential poets of all time.It was you, Atthis, who said Sappho, if you will not get up and let us look at you I shall never love you again!This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Perhaps the most perilous and the most alluring venture in the whole field of poetry is that which Mr. Carman has undertaken in attempting to give us in English verse those lost poems of Sappho of which fragments have survived. The task is obviously not one of translation or of paraphrasing, but of imaginative and, at the same time, interpretive construction. It is as if a sculptor of to-day were to set himself, with reverence, and trained craftsmanship, and studious familiarity with the spirit, technique, and atmosphere of his subject, to restore some statues of Polyclitus or Praxiteles of which he had but a broken arm, a foot, a knee, a finger upon which to build. Mr. Carman's method, apparently, has been to imagine each lost lyric as discovered, and then to translate it; for the indefinable flavour of the translation is maintained throughout, though accompanied by the fluidity and freedom of purely original work.

A lovely collection of poetry. -- Book Scrounger

In this soul-stirring collection of timeless verse, five legendary female poets address life's pains and sorrows as well as its joys and renewals. The poems appeal to the heart, providing companionship on the rugged path that all must tread. The roster features writers from ancient to modern times: Sappho, Emily Dickinson, Amy Lowell, Sara Teasdale, and Edna St. Vincent Millay.
As instapoets continue to make poetry more accessible and popular, they build on the tradition of intimate, confessional works built by earlier generations. No one is more prominent at this heritage than the mysterious, evocative fragments of Sappho, which inspired an earlier generation of female poets to let loose their own talent. From idiosyncratic Dickinson to the passionate, Pulitzer Prize-winning Lowell, the romanticism of Teasdale, and the intense art of St. Vincent Millay -- yet another Pulitzer winner -- these writers were early trailblazers in speaking their emotional truth through their craft.
This handsome volume features original illustrations by Claire Whitmore, a Foreword by poet and novelist Lisa Locascio, and brief biographies of all five poets.

The foreword is amazing. A lovely little anthology with some beautiful poetry by some very talented women. -- From the Inside

The nine lyric poets were a canon of ancient Greek composers esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. The most famous of which is probably Sappho, who was born sometime between 630 and 612 BC on the Greek island of Lesbos. The famous Library of Alexandria collected Sappho's poems into nine books, unfortunately these editions have been lost. Today only fragments of the poetess' work remains. These fragments are collected together here in this volume of The Poems of Sappho and Others along with fragments of the other Greek monodist lyric poets contemporary to Sappho. Altogether we find the poetry of Alcaeus, Pythermus, Anacreon, Anacreontea, Corrina, Telesilla, Praxilla, Erinna as well as Sappho in this volume of poetry translated by Walter Petersen. This edition is printed on premium acid-free paper.

Sappho, um 600 v. Chr. auf der Insel Lesbos geboren, gilt als die bedeutendste griechische Lyrikerin. Früh schon rankten sich Gerüchte um den Kreis der Freundinnen, den sie um sich scharte. Sapphos Liebesgedichte, grö tenteils nur in Fragmenten erhalten, zeugen von gro er Intimität und Empfindungstiefe, verbunden mit homoerotischen Untertönen. In ihrer Sprache verbinden sich Ausdruckskraft und musikalische Schönheit. Der Band enthält auch das 2004 erstmals veröffentlichte Kölner Papyrusfragment, eine lyrische Klage über das Alter.

The object of this book is to provide with a popular and a comprehensive edition of Sappho, containing all that is so far known of her unique personality and her incompatible poems

Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. Sappho is rated as the supreme poetess and is regarded in the same vein as Shakespeare and Homer the supreme poets.

Poésies de Sapho, suivies de différentes poésies dans le même genre
Date de l'édition originale: 1781

Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.
HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.
Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.
Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.
Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.
Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.