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Who is killing off members of the Falconer family and why? Such is the challenge confronting highly skilled, extraordinarily intuitive Mary Wandwalker when she finds herself single, sixty and jobless. Long ago as an Oxford student with an unplanned pregnancy, Mary knew the Falconers as the family who refused to help when her fiancé, David Falconer died in a car crash. Now the baby boy she gave up for adoption is a policeman, George Jones, and he wants to meet her. Can Mary bring herself to confront her past? She must, for lost in her memory is a clue that could save her son's life.
Back in 1979, Mary wrote to the Falconers and was rejected. Now forty years later, key phrases from her letter appear in the faked suicide note of Perdita Falconer. Neither Perdita nor her killer had access to Mary's document. Too exact for coincidence, the link is the pseudonym of the drug dealer who supplied her fatal dose. He or she is known as the Kestrel.
When Mary was romanced by David Falconer in the 1970s, the Kestrel was codename for a Russian spy entertained at Falconer House. Could the resurrection of the nom de plume be connected to Viktor Solokov, the Russian oligarch renting the Falconer estate with his beautiful wife, Anna? For the Falconers have dark secrets, some centuries old.
When George Jones's wife Caroline begs Mary to save her husband from treacherous Anna, and the murderous talons of the Kestrel, Mary must act.
Former Archivist Mary Wandwalker hates bringing bad news. Nevertheless, she confirms to her alma mater that their prized medieval alchemy scroll, is, in fact, a seventeenth century copy. She learns that the original vanished to colonial Connecticut with alchemist, Robert Le More. Later the genuine scroll surfaces in Los Angeles. Given that the authentic artifact is needed for her Oxford college to survive, retrieving it is essential.
Mary agrees to get the real scroll back as part of a commission for her three-person Enquiry Agency. However, tragedy strikes in Los Angeles. Before Mary can legally obtain the scroll, a young man is murdered, and the treasure stolen.
Murder and theft are complicated by the disappearance in the UK of a witch mysteriously connected to the scroll. While Mary's colleague, Caroline, risks her sanity to go undercover in a dodgy mental hospital, her lover, Anna resorts to desperate measures. These, and Anna's silence over blackmail, threaten the survival of the Agency. Mary teams up with the victim's brother to track the killer, and the real alchemy scroll. Solving crimes on two continents will involve a rogue pharmaceutical corporation, Janet the witch, the Holywell Retreat Center near Oxford, plus the trafficked women they support, a graduate school in California, and a life-threatening mountain-consuming wildfire. Can these inexperienced detectives triumph over corrupt professors and racist attempts to rewrite history? Can they remake their fragile family? Will the extraordinary story of Robert Le More prove a source of hope for today?
CONTENTS
PROLOGUE: Oxford 1399, January, Prima Materia or
Mother Julian's Gift
CHAPTER 1: A Present Day Summons
CHAPTER 2: St Julian's College has a problem
CHAPTER 3: Who Stole the Alchemy Scroll?
CHAPTER 4: What has Been Split Must Be Reunited 3
CHAPTER 5: A Mixing of Bitter Substances
CHAPTER 6: Holywell's Vulnerable Clients
CHAPTER 7: Mary Takes Charge
CHAPTER 8: Like Treats Like
CHAPTER 9: Two Brits in Snowbound Los Angeles
CHAPTER 10: Strange Mixing
CHAPTER 11: Anna and Leni
CHAPTER 12: Into Darkness
CHAPTER 13: An Awful Lot of Blood
CHAPTER 14: They Call Him Cookie Mac
CHAPTER 15: Who's Looking for the Invisible College?
CHAPTER 16: Brother of the Victim
CHAPTER 17: Pursuit of the Scroll and the Murderer
CHAPTER 18: Stew
CHAPTER 19: Janet Holds the Key
CHAPTER 20: Janet's Story
CHAPTER 21: An Arsonist at The Old Hospital
CHAPTER 22: The Fire Between Them
CHAPTER 23: A Good meal Around the Fire
THE ALCHEMY FIRE MURDER
CHAPTER 24: Miss Wandwalker on the Trail
CHAPTER 25: The European History Foundation
CHAPTER 26: Mary and Sam
CHAPTER 27: Flying Apart
CHAPTER 28: Betrayal
CHAPTER 29: Anna with the Scroll
CHAPTER 30: Over Water, Back to Earth
CHAPTER 31: Reunion at Holywell
CHAPTER 32: Pizza After the Storm
CHAPTER 33: A Phone call to St. Julian's
CHAPTER 34: Trouble at St. Julian's
CHAPTER 35: St. Julian's in Turmoil
CHAPTER 36: Reading and Gardening
CHAPTER 37: Letters Across the Atlantic
CHAPTER 38: In the Doldrums
CHAPTER 39: Roberta Africanus
CHAPTER 40: Mercurius
CHAPTER 41: Coagulation
CHAPTER 42: Mer-Corp
CHAPTER 43: President of the Alchemy School
CHAPTER 44: Roberta Le More's Scroll
CHAPTER 45: Land of the Fire
CHAPTER 46: Confronting Demons
CHAPTER 47: Fire in the Valley
CHAPTER 48: Your host, Jez Wiseman
CHAPTER 49: Last Act in Oxford
CHAPTER 50: A Question of Trust
A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them.
For the so-called Reborn Celts, who run the summer school, have been infiltrated by white supremacists. Could their immersion in myth be less a symbol for psychic wholeness and more a clue of their intent to engage in terrorist violence? Who better to penetrate their secret rites than an apparently harmless woman of a certain age?
Mary agrees to spy on the Reborn Celts, then learns, to her horror, of Anna's passionate affair with the chief suspect, Joe Griffith. With Griffith also the object of Rhiannon's obsession, Mary realizes too late that that these 21st century Celts mean murder.
The Reborn Celts draw Mary and her friends into three rites to summon their gods: at an Oxford sacred well, by the Thames on the way to London, and in Celtic London, where bloodshed will restore one of the Thames' 'lost rivers.'
Before the fatal night of the summer solstice, Caroline and Anna race to London seeking Mary, who has been kidnapped. Will she end as the crone sacrifice? Or will the three women re-make their detecting family, so re-constituting a pattern of archetypal feminine compassion?
Dionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life.
Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine creativity that offers zoe, or rebirth participating in an archetype of instinctual life. This god demands to be honoured inside our knowing and being, just as he (re)joins us to wild nature.
This revealing book will be invigorating reading for Jungian analysts, psychotherapists, arts therapists and counsellors, as well as academics and students of analytical psychology, depth psychology, Jungian and post-Jungian studies, literary studies and ecological humanities.
In Jungian Literary Criticism: the essential guide, Susan Rowland demonstrates how ideas such as archetypes, the anima and animus, the unconscious and synchronicity can be applied to the analysis of literature. Jung's emphasis on creativity was central to his own work, and here Rowland illustrates how his concepts can be applied to novels, poetry, myth and epic, allowing a reader to see their personal, psychological and historical contribution.
This multidisciplinary and transdisciplinary approach challenges the notion that Jungian ideas cannot be applied to literary studies, exploring Jungian themes in canonical texts by authors including Shakespeare, Jane Austen and W. B. Yeats as well as works by twenty-first century writers, such as in digital literary art. Rowland argues that Jung's works encapsulate realities beyond narrow definitions of what a single academic discipline ought to do, and through using case studies alongside Jung's work she demonstrates how both disciplines find a home in one another. Interweaving Jungian analysis with literature, Jungian Literary Criticism explores concepts from the shadow to contemporary issues of ecocriticism and climate change in relation to literary works, and emphasises the importance of a reciprocal relationship. Each chapter concludes with key definitions, themes and further reading, and the book encourages the reader to examine how worldviews change when disciplines combine.
The accessible approach of Jungian Literary Criticism: the essential guide will appeal to academics and students of literary studies, Jungian and post-Jungian studies, literary theory, environmental humanities and ecocentrism. It will also be of interest to Jungian analysts and therapists in training and in practice.
Jung: A Feminist Revision explores the relationship between feminist theory and Jungian studies. It combines an original student-friendly introduction to Jung, his life and work, his treatment of gender and the range of post-Jungian gender theory, with new research linking Jung to deconstruction, post-Freudian feminism, postmodernism, the sublime, and the postmodern body.
Feminism has neglected Jung to its own detriment. While evaluating the reasons for this neglect, Jung: A Feminist Revision uses the diversity of feminist critical tools from historical analysis to poststructuralism. In a fresh and illuminating study, this book provides both a critique of Jung and demonstrates his positive potential for future feminisms. New theories are explored which develop relationships between the work of Jung and Jacques Lacan, Luce Irigaray, H l ne Cixous, Julia Kristeva and Judith Butler. Particular attention is paid to the growth of post-Jungian studies of gender. This includes a cogent study of the tradition of Jungian feminism that looks to 'the feminine principle' and narratives of goddesses. Jungian 'goddess' feminism's enduring appeal is re-examined in the context of postmodern re-thinking of subjectivity and gender.
The book proposes a re-orientation of Jungian studies in its relationship to feminism. The result is an accessible text that introduces Jung and sets out his relevance to contemporary feminisms.
This book will be essential reading for undergraduates and postgraduates studying feminist theory, psychoanalytical theory, literature and psychology.
The Ecocritical Psyche unites literary studies, ecocriticism, Jungian ideas, mythology and complexity evolution theory for the first time, developing the aesthetic aspect of psychology and science as deeply as it explores evolution in Shakespeare and Jane Austen.
In this book, Susan Rowland scrutinizes literature to understand how we came to treat 'nature' as separate from ourselves and encourages us to re-think what we call 'human.' By digging into symbolic, mythological and evolutionary fertility in texts such as The Secret Garden, The Tempest, Wuthering Heights and The Lion, the Witch and the Wardrobe, the book argues that literature is where the imagination, estranged from nature in modernity, is rooted in the non-human other.
The Ecocritical Psyche is unique in its interdisciplinary expansion of literature, psyche, science and myth. It develops Jungian aesthetics to show how Jung's symbols correlate with natural signifying, providing analytical psychology with a natural home in ecocritical literary theory. The book is therefore essential reading for seasoned analysts and those in training as well as academics involved in literary studies and Jungian psychology.
A simple job turns deadly when Mary Wandwalker, novice detective, is hired to chaperone a young American, Rhiannon, to the Oxford University Summer School on the ancient Celts. Worried by a rhetoric of blood sacrifice, Mary and her operatives, Caroline, and Anna, attend a sacrifice at a sacred well. They discover that those who fail to individuate their gods become possessed by them.
For the so-called Reborn Celts, who run the summer school, have been infiltrated by white supremacists. Could their immersion in myth be less a symbol for psychic wholeness and more a clue of their intent to engage in terrorist violence? Who better to penetrate their secret rites than an apparently harmless woman of a certain age?
Mary agrees to spy on the Reborn Celts, then learns, to her horror, of Anna's passionate affair with the chief suspect, Joe Griffith. With Griffith also the object of Rhiannon's obsession, Mary realizes too late that that these 21st century Celts mean murder.
The Reborn Celts draw Mary and her friends into three rites to summon their gods: at an Oxford sacred well, by the Thames on the way to London, and in Celtic London, where bloodshed will restore one of the Thames' 'lost rivers.'
Before the fatal night of the summer solstice, Caroline and Anna race to London seeking Mary, who has been kidnapped. Will she end as the crone sacrifice? Or will the three women re-make their detecting family, so re-constituting a pattern of archetypal feminine compassion?
This highly-readable book addresses how to teach effective communication in science. The first part of the book provides accessible context and theory about communicating science well, and is written by experts. The second part focuses on the practice of teaching communication in science, with 'nuts and bolts' lesson plans direct from the pens of practitioners.
The book includes over 50 practice chapters, each focusing on one or more short teaching activities to target a specific aspect of communication, such as writing, speaking and listening. Implementing the activities is made easy with class run sheets, tips and tricks for instructors, signposts to related exercises and theory chapters, and further resources.
Theory chapters help build instructor confidence and knowledge on the topic of communicating science. The teaching exercises can be used with science students at all levels of education in any discipline and curriculum - the only limitation is a wish to learn to communicate better!
Targeted at science faculty members, this book aims to improve and enrich communication teaching within the science curriculum, so that science graduates can communicate better as professionals in their discipline and future workplace.
Former Archivist Mary Wandwalker hates bringing bad news. Nevertheless, she confirms to her alma mater that their prized medieval alchemy scroll, is, in fact, a seventeenth century copy. She learns that the original vanished to colonial Connecticut with alchemist, Robert Le More. Later the genuine scroll surfaces in Los Angeles. Given that the authentic artifact is needed for her Oxford college to survive, retrieving it is essential.
Mary agrees to get the real scroll back as part of a commission for her three-person Enquiry Agency. However, tragedy strikes in Los Angeles. Before Mary can legally obtain the scroll, a young man is murdered, and the treasure stolen.
Murder and theft are complicated by the disappearance in the UK of a witch mysteriously connected to the scroll. While Mary's colleague, Caroline, risks her sanity to go undercover in a dodgy mental hospital, her lover, Anna resorts to desperate measures. These, and Anna's silence over blackmail, threaten the survival of the Agency. Mary teams up with the victim's brother to track the killer, and the real alchemy scroll. Solving crimes on two continents will involve a rogue pharmaceutical corporation, Janet the witch, the Holywell Retreat Center near Oxford, plus the trafficked women they support, a graduate school in California, and a life-threatening mountain-consuming wildfire. Can these inexperienced detectives triumph over corrupt professors and racist attempts to rewrite history? Can they remake their fragile family? Will the extraordinary story of Robert Le More prove a source of hope for today?
CONTENTS
PROLOGUE: Oxford 1399, January, Prima Materia or
Mother Julian's Gift
CHAPTER 1: A Present Day Summons
CHAPTER 2: St Julian's College has a problem
CHAPTER 3: Who Stole the Alchemy Scroll?
CHAPTER 4: What has Been Split Must Be Reunited 3
CHAPTER 5: A Mixing of Bitter Substances
CHAPTER 6: Holywell's Vulnerable Clients
CHAPTER 7: Mary Takes Charge
CHAPTER 8: Like Treats Like
CHAPTER 9: Two Brits in Snowbound Los Angeles
CHAPTER 10: Strange Mixing
CHAPTER 11: Anna and Leni
CHAPTER 12: Into Darkness
CHAPTER 13: An Awful Lot of Blood
CHAPTER 14: They Call Him Cookie Mac
CHAPTER 15: Who's Looking for the Invisible College?
CHAPTER 16: Brother of the Victim
CHAPTER 17: Pursuit of the Scroll and the Murderer
CHAPTER 18: Stew
CHAPTER 19: Janet Holds the Key
CHAPTER 20: Janet's Story
CHAPTER 21: An Arsonist at The Old Hospital
CHAPTER 22: The Fire Between Them
CHAPTER 23: A Good meal Around the Fire
THE ALCHEMY FIRE MURDER
CHAPTER 24: Miss Wandwalker on the Trail
CHAPTER 25: The European History Foundation
CHAPTER 26: Mary and Sam
CHAPTER 27: Flying Apart
CHAPTER 28: Betrayal
CHAPTER 29: Anna with the Scroll
CHAPTER 30: Over Water, Back to Earth
CHAPTER 31: Reunion at Holywell
CHAPTER 32: Pizza After the Storm
CHAPTER 33: A Phone call to St. Julian's
CHAPTER 34: Trouble at St. Julian's
CHAPTER 35: St. Julian's in Turmoil
CHAPTER 36: Reading and Gardening
CHAPTER 37: Letters Across the Atlantic
CHAPTER 38: In the Doldrums
CHAPTER 39: Roberta Africanus
CHAPTER 40: Mercurius
CHAPTER 41: Coagulation
CHAPTER 42: Mer-Corp
CHAPTER 43: President of the Alchemy School
CHAPTER 44: Roberta Le More's Scroll
CHAPTER 45: Land of the Fire
CHAPTER 46: Confronting Demons
CHAPTER 47: Fire in the Valley
CHAPTER 48: Your host, Jez Wiseman
CHAPTER 49: Last Act in Oxford
CHAPTER 50: A Question of Trust
This book demonstrates for the first time the significance of Jung's work to the humanities, and to those areas where the humanities and sciences share borders. More radically, it shows that Jung was a writer of myth, alchemy, narrative, and poetics, as well as on them.
Jung's core concepts are introduced, their ongoing relevance is championed. The book also addresses Jung's sometimes questionable judgment on politics and gender, and previews contemporary extensions of Jungian theory.
By privileging the creative psyche and exploring the connections between individual, natural environment, and social/psychological collective, Jung anticipates the new holism, offering the promise of reconciling the sciences with the arts, humanity with nature.
Jungian Arts-Based Research and The Nuclear Enchantment of New Mexico provides clear, accessible and in-depth guidance both for arts-based researchers using Jung's ideas and for Jungian scholars undertaking arts-based research. The book provides a central extended example which applies the techniques described to the full text of Joel Weishaus' prose poem The Nuclear Enchantment of New Mexico, published here for the first time.
Designed as a how-to book, Jungian Arts-Based Research and The Nuclear Enchantment of New Mexico explores how Jung contributes to the new arts-based paradigm in psychic functions such as intuition, by providing an epistemology of symbols that includes the unconscious, and research strategies such as active imagination. Rowland examines Jung's The Red Book as an early example of Jungian arts-based research and demonstrates how this practice challenges the convention of the detached researcher by providing holistic knowing. Arts-based researchers will find here a psychic dimension that also manifests in transdisciplinarity, while those familiar with Jung's work will find in arts-based research ways to foster diversity for a decolonized academy.
This unique project will be essential reading for Jungian and post-Jungian academics and scholars, arts-based researchers of all backgrounds and readers interested in transdisciplinarity.
Who is killing off members of the Falconer family and why? Such is the challenge confronting highly skilled, extraordinarily intuitive Mary Wandwalker when she finds herself single, sixty and jobless. Long ago as an Oxford student with an unplanned pregnancy, Mary knew the Falconers as the family who refused to help when her fiancé, David Falconer died in a car crash. Now the baby boy she gave up for adoption is a policeman, George Jones, and he wants to meet her. Can Mary bring herself to confront her past? She must, for lost in her memory is a clue that could save her son's life.
Back in 1979, Mary wrote to the Falconers and was rejected. Now forty years later, key phrases from her letter appear in the faked suicide note of Perdita Falconer. Neither Perdita nor her killer had access to Mary's document. Too exact for coincidence, the link is the pseudonym of the drug dealer who supplied her fatal dose. He or she is known as the Kestrel.
When Mary was romanced by David Falconer in the 1970s, the Kestrel was codename for a Russian spy entertained at Falconer House. Could the resurrection of the nom de plume be connected to Viktor Solokov, the Russian oligarch renting the Falconer estate with his beautiful wife, Anna? For the Falconers have dark secrets, some centuries old.
When George Jones's wife Caroline begs Mary to save her husband from treacherous Anna, and the murderous talons of the Kestrel, Mary must act.
Does art connect the individual psyche to history and culture?
Psyche and the Arts challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form.
Divided into three sections - Getting into Art, Challenging the Critical Space and Interpreting Art in the World - the text shows how Jungian ideas can work with the arts to illuminate both psychological theory and aesthetic response. Psyche and the Arts offers new critical visions of literature, film, music, architecture and painting, as something alive in the experience of creators and audiences challenging previous Jungian criticism. This approach demonstrates Jung's own belief that art is a healing response to collective cultural norms.
This diverse yet focused collection from international contributors invites the reader to seek personal and cultural value in the arts, and will be essential reading for Jungian analysts, trainees and those more generally interested in the arts.
Jungian Arts-Based Research and The Nuclear Enchantment of New Mexico provides clear, accessible and in-depth guidance both for arts-based researchers using Jung's ideas and for Jungian scholars undertaking arts-based research. The book provides a central extended example which applies the techniques described to the full text of Joel Weishaus' prose poem The Nuclear Enchantment of New Mexico, published here for the first time.
Designed as a how-to book, Jungian Arts-Based Research and The Nuclear Enchantment of New Mexico explores how Jung contributes to the new arts-based paradigm in psychic functions such as intuition, by providing an epistemology of symbols that includes the unconscious, and research strategies such as active imagination. Rowland examines Jung's The Red Book as an early example of Jungian arts-based research and demonstrates how this practice challenges the convention of the detached researcher by providing holistic knowing. Arts-based researchers will find here a psychic dimension that also manifests in transdisciplinarity, while those familiar with Jung's work will find in arts-based research ways to foster diversity for a decolonized academy.
This unique project will be essential reading for Jungian and post-Jungian academics and scholars, arts-based researchers of all backgrounds and readers interested in transdisciplinarity.
Jung as a Writer traces a relationship between Jung and literature by analysing his texts using the methodology of literary theory. This investigation serves to illuminate the literary nature of Jung's writing in order to shed new light on his psychology and its relationship with literature as a cultural practice.
Jung employed literary devices throughout his writing, including direct and indirect argument, anecdote, fantasy, myth, epic, textual analysis and metaphor. Susan Rowland examines Jung's use of literary techniques in several of his works, including Anima and Animus, On the Nature of the Psyche, Psychology and Alchemy and Synchronicity and describes Jung's need for literature in order to capture in writing his ideas about the unconscious. Jung as a Writer succeeds in demonstrating Jung's contribution to literary and cultural theory in autobiography, gender studies, postmodernism, feminism, deconstruction and hermeneutics and concludes by giving a new culturally-orientated Jungian criticism.
The application of literary theory to Jung's works provides a new perspective on Jungian Psychology that will be of interest to anyone involved in the study of Jung, Psychoanalysis, literary theory and cultural studies.