Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).
Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.

Born at St. Petersburg in 1874, Nicholas Roerich was a precocious polymath, excelling at painting, poetry, archaeology, anthropology and botany. In adulthood, Roerich began a life-long fascination with eastern mysticism, founding (with his wife Helena) his own school of 'Agni Yoga' in 1920, and embarking, six year's later on an epic five-year expedition through Chinese Turkestan, Altai, Mongolia and Tibet, to study the religions and culture of the region and to search for the fabled city of Shambhala.

Hidden between towering, snow-covered peaks, Shambhala is said to be earth's central chakra, a point of balance between this world and the invisible realms, a place where adepts and ascended masters watch over the evolution of humanity and chart its future course. By the end of his expedition, having faced countless dangers and privations, Roerich was certain that he had found clear proof of Shambhala's existence. As he himself said We know the greatness of Shambhala. We know the reality of this indescribable realm on earth... Shambhala is connected with the heavenly one. And in this link, the two worlds are unified.

In Shambhala Roerich has recorded the way of his journey through Central Asia and Tibet in the terms of spirit. It is a record of legends, of parables, of notes--the very substance of which the larger reality is composed, and all revealing different facets of the theme of Shambhala. In this book--as in his other books, Altai-Himalaya and Heart of Asia, one realizes that Roerich's vision is manifold. Traveling on his way, he discerns all the beauty of the natural spectacle through which he passes. And in his works--as in his paintings--he records this panorama in successive sparks which flow into a continuous pageantry. But in addition, Roerich perceives also that subtler manifestation of the countries and peoples through which he journeys. He discerns their thoughts; he perceives the pulsating, throbbing hopes and beliefs that sweep like winds across space. And it is this record--so little visible to the many of us--that becomes the vital force of Roerich's message.
One must remark the style of Roerich--it has the unrepeatable quality and synthesis of life. He transmits to us the essentials and we discern that these fragments of seeming fantasy are weaving themselves into a pattern of essential truth and essential beauty.
Roerich has named this book, Shambhala advisedly. Reading it, one realizes that Roerich has woven a wreath which he has offered in full reverence to the great Principle which is Shambhala, the New Era; for truly it is the salutary wind of people's thought and faith which will aid the fires of Shambhala. And once again, as in all the deeds of his inexhaustible creative fervor, Roerich's Shambhala pronounces the evocation of the fires of new human achievement and a new human destiny.

An inspiring record of the Roerich Central Asiatic Expedition (1924-1928) to India, Sikkim, Little Tibet, Chinese Turkestan, Mongolia and Tibet.
Nicholas Roerich (1874-1947) is known first and foremost as a painter.His paintings, of which there are thousands around the world, explorethe mythic origins, the natural beauty, and the spiritual strivings ofhumanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).
Many of these writings have been unavailable for decades. They willtherefore be new to many readers. It is our hope that bringing thesevolumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and culturalhistory.

Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).
Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.

Nicholas Roerich was fond of saying, Blessed be the obstacles--through them we grow. He was well qualified to know, for obstacles were a constant in his life. A superficial glance at his life would reveal only creativity and adventure, far more than is generally allotted to any one person in a lifetime. But beneath that surface lay ever-present difficulty.
It is hard to know why certain people are given greater portions of trouble than others. Roerich came from privileged people, and his life could have been easy. But he never chose the smooth path and seemed even to seek out life's obstacles as if he found nourishment in them.
He was an indefatigable climber: he climbed mountains, and he also climbed life. Another saying that he liked to repeat, also related to obstacles, was, It is easier to climb a rocky slope than a smooth one. The rocks provide steps on which one can find the force to move upward. And so it is in life. This book is about a life that was precisely devoted to climbing, to finding the rocks on which to gain a foothold, and to exploration and creative activity.
Roerich ranged through Central Asia with the full force of the curious and subjected it to the eye of the scientist, the adventurer, the artist, and the spiritual seeker. Everything was there to be explored, to be dug up, to be recorded on paper and canvas. For him, Central Asia was the repository of the wisdom of the ages, the heart of the planet, the place to which one returns and from which one emerges reborn.
Roerich devoted himself to the search for the seed of Good on Earth. He wanted to learn how this seed can be made to flourish, how it can be used to solve humanity's vast array of problems in order to reach the goal of peace and planetary harmony. This search took him to many parts of the world, but Central Asia--the Heart of Asia--was for him the true source, the field in which this seed of Good could be found. Shambhala was a reality to Roerich, an unquestioned fact, the heart of the planet, the place to which we owe our existence, our spiritual survival, and our knowledge. The search for Shambhala is the search for the solution to the problems of existence, for the vanquishing of obstacles, and for the discovery of the great freedom that lies beyond difficulty, tragedy, and destruction.
Of course, Heart of Asia can be read as metaphor. Few of us can climb these high passes or search for the great Shambhala, except in our hearts. And therein lies the value of such a book. It is not just a guidebook to the countries traversed. It is a guidebook for our hearts, one in which we can explore just as Roerich did and find everything that he found: the obstacles, troubles, and tragedies, yes, but also the victory and the liberation.

In Shambhala Roerich has recorded the way of his journey through Central Asia and Tibet in the terms of spirit. It is a record of legends, of parables, of notes--the very substance of which the larger reality is composed, and all revealing different facets of the theme of Shambhala. In this book--as in his other books, Altai-Himalaya and Heart of Asia, one realizes that Roerich's vision is manifold. Traveling on his way, he discerns all the beauty of the natural spectacle through which he passes. And in his works--as in his paintings--he records this panorama in successive sparks which flow into a continuous pageantry. But in addition, Roerich perceives also that subtler manifestation of the countries and peoples through which he journeys. He discerns their thoughts; he perceives the pulsating, throbbing hopes and beliefs that sweep like winds across space. And it is this record--so little visible to the many of us--that becomes the vital force of Roerich's message.
One must remark the style of Roerich--it has the unrepeatable quality and synthesis of life. He transmits to us the essentials and we discern that these fragments of seeming fantasy are weaving themselves into a pattern of essential truth and essential beauty.
Roerich has named this book, Shambhala advisedly. Reading it, one realizes that Roerich has woven a wreath which he has offered in full reverence to the great Principle which is Shambhala, the New Era; for truly it is the salutary wind of people's thought and faith which will aid the fires of Shambhala. And once again, as in all the deeds of his inexhaustible creative fervor, Roerich's Shambhala pronounces the evocation of the fires of new human achievement and a new human destiny.

An inspiring record of the Roerich Central Asiatic Expedition(1924-1928) to India, Sikkim, Little Tibet, Chinese Turkestan, Mongoliaand Tibet.
Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).
Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.

Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).
Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.

Nicholas Roerich (1874-1947) is known first and foremost as a painter. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty, and the spiritual strivings of humanity and of the world. But Nicholas Roerich was as prolific a writer as he was a painter. He wrote books, poetry, and almost-daily essays on life and events (called Diary Leaves).

Many of these writings have been unavailable for decades. They will therefore be new to many readers. It is our hope that bringing these volumes to light again will expand awareness of the vast range and depth of Roerich's interests and insights into human nature and cultural history.

Leaves of Morya's Garden Book One: The Call 1924, written by Nicholas Roerich, is a spiritual and philosophical book that explores the teachings of the ancient wisdom of the East. The book is divided into several sections, each containing a series of short, poetic essays that offer insights into the nature of reality, the human condition, and the path to enlightenment. The essays are presented as a series of messages received by the author from a spiritual teacher named Morya. The book covers a wide range of topics, including the nature of consciousness, the meaning of life, the importance of meditation, and the role of the individual in the world. The writing is poetic and evocative, and the book is often compared to the works of Rumi and other mystical poets. Overall, Leaves of Morya's Garden Book One: The Call 1924 is a thought-provoking and inspiring book that offers readers a unique perspective on spirituality and the human experience.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Nicholas Roerich, the Russian painter chronicles his expeditions through the Himalaya, his journeys to over fifty monasteries and his encounters with lamas.

Nicholas Roerich--prolific artist and writer, renowned philosopher, educator, and explorer--relates the remarkable encounters and events of his travels through central Asia and Tibet at the turn of the century. Through his detailed diary notes and the chronicling of legends and parables, he reveals the many facets of the tale of Shambhala, the long-awaited realization of paradise on earth. In Western mythology, Shambhala appears as the mythic land of Shangri-la. In the prophecies of the East, it is seen as both a physical place and the dawning of a New Era of enlightened consciousness. Roerich found signs of the imminent arrival of Shambhala at every juncture of his journey--in the legends of local villagers and within their rock paintings and engravings. In keeping with the ancient traditions, Roerich felt that Shambhala would be attained not inevitably or without effort, but only as a result of the Noblest and most intensive activity. A living example of this philosophy, he worked unceasingly for peace through culture, believing that obstacles are only new possibilities to create beneficent energy. Chapters on Tibetan art, the desert cities, subterranean dwellers, and the Great Mother give the reader crystalline glimpses of Roerich's manifold vision and the vast panorama of his life journey toward a new age of human achievement.

Nicholas Roerich is master of the singing word no less than of the singing form and color. His poetry is direct, simple, arrow-like. It has the same vibrant touch of the master, the same sense of mysticism and cosmic unfoldment found in his paintings. The depth and intensity, the rhythmic sweep and exaltation that mark his work as artist is no less present here. His lyric words, like so many singing arrows, fly straight to their invisible goal. Light rays out powerfully from the lines. It is evident that they have been made in flame as nature makes.
In the poetry of Roerich, finally, there is a fullness and expansion of consciousness, a vibration of light and color, a sense of prophecy and ongoing, of search, discovery and fulfilment that is as much part of his singing word as of the colors and contours of his brush. These poems are true children of the Flame in Chalice.

Leaves of Morya's Garden, Book 2: Illumination is a spiritual and philosophical book written by Nicholas Roerich. The book is a continuation of the first book in the series, which was published in 1924. In this second book, Roerich explores the concept of illumination and enlightenment through a series of poetic and philosophical musings. The book is divided into several chapters, each of which focuses on a different aspect of illumination, such as the nature of consciousness, the power of thought, and the role of intuition in spiritual development. Throughout the book, Roerich draws on his own experiences as a spiritual seeker and artist, as well as his deep knowledge of Eastern philosophy and spirituality. The writing is poetic and evocative, with many passages that are meant to inspire and uplift the reader. Overall, Leaves of Morya's Garden, Book 2: Illumination is a thought-provoking and inspiring book that will appeal to anyone interested in spiritual and philosophical topics.This is a new release of the original 1952 edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a new release of the original 1956 edition.

Brotherhood 1937 is a book written by Nicholas Roerich, a Russian artist and philosopher, and published in 1937. The book is a collection of essays and lectures that Roerich gave during his travels in Asia, Europe, and America. The main theme of the book is the idea of brotherhood, which Roerich believed was the key to achieving peace and unity among nations. The essays cover a wide range of topics, from the spiritual and philosophical aspects of brotherhood to practical ways in which it can be fostered through education, art, and cultural exchange. Roerich also shares his experiences and insights from his travels, including his encounters with different cultures and religions. Overall, Brotherhood 1937 is a thought-provoking and inspiring book that offers a vision of a more harmonious and compassionate world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Leaves Of Morya's Garden Book Two: Illumination 1925 is a spiritual book written by Nicholas Roerich. The book is a collection of teachings and insights that aim to inspire and enlighten readers on the path of spiritual growth and self-discovery. It is the second book in the Leaves Of Morya's Garden series and was originally published in 1925.The book is divided into short chapters, each containing a spiritual lesson or message. Roerich draws from various spiritual traditions, including Buddhism, Hinduism, and Christianity, to offer a broad perspective on spiritual matters. He also shares his own personal experiences and insights, making the book relatable and accessible to readers.The themes explored in the book include the nature of consciousness, the power of thought, the importance of self-discipline, and the pursuit of inner peace. Roerich also discusses the role of art and creativity in spiritual practice, as well as the interconnectedness of all things.Overall, Leaves Of Morya's Garden Book Two: Illumination 1925 is a thought-provoking and inspiring read for anyone seeking to deepen their spiritual understanding and connection to the world around them.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Realm of Light is a book by the renowned Russian artist, Nicholas Roerich. It is a collection of his paintings and writings, which explore the spiritual and cultural heritage of the Himalayan region. The book showcases Roerich's unique style of painting, which blends Eastern and Western artistic traditions, and features vivid depictions of the landscapes, people, and myths of the Himalayas. The accompanying text provides insight into Roerich's philosophy and his vision of a world united by art and spirituality. The book is a testament to Roerich's lifelong dedication to promoting peace and cultural understanding through his art. It is a must-read for anyone interested in the intersection of art, spirituality, and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.