THE USA TODAY NATIONAL BESTSELLER!
The author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.

Every night, in the college's ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.

One dark October evening in the defunct churchyard, they find a hole that wasn't there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks--and that they may be closer to the mystery than they thought.

Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio's inimitable style.

Much like Donna Tartt's The Secret History, M. L. Rio's sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.
--Cynthia D'Aprix Sweeney, New York Times bestselling author of The Nest

Nerdily (and winningly) in love with Shakespeare...Readable, smart.
--New York Times Book Review

On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.

A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras.

But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students' world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.

If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth.

Featuring scarlet sprayed edges

Much like Donna Tartt's The Secret History, M. L. Rio's sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.
--Cynthia D'Aprix Sweeney, New York Times bestselling author of The Nest

Nerdily (and winningly) in love with Shakespeare...Readable, smart.
--New York Times Book Review

On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.

A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras.

But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students' world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.

If We Were Villains, now available with beautiful stained edges, was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth.

THE USA TODAY NATIONAL BESTSELLER!
The author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave.

Every night, in the college's ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story.

One dark October evening in the defunct churchyard, they find a hole that wasn't there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks--and that they may be closer to the mystery than they thought.

Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio's inimitable style.

Much like Donna Tartt's The Secret History, M. L. Rio's sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.
--Cynthia D'Aprix Sweeney, New York Times bestselling author of The Nest

Nerdily (and winningly) in love with Shakespeare...Readable, smart.
--New York Times Book Review

On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.

A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras.

But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students' world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.

If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth.

Summer, 1989: ten-year-old Suzanne is drawn like a magnet to her father's forbidden world of electric guitars and tricked-out cars. When her mother remarries, she jumps at the chance to tag along on the concert tour that just might be Gil and the Kills' wild ride to glory. But fame has sharper fangs than anybody realized, and as the band blazes up the charts, internal power struggles set Gil and his group on a collision course destined for a bloody reckoning--one shrouded in mystery and lore for decades to come.

The only witness to a desperate act of violence, Suzanne spends the next twenty-nine years trying to disappear. She trades the music and mayhem of her youth for the quiet of the suburbs and the company of her mild-mannered husband Rob. But when her father's sudden death resurrects the troubled past she tried so hard to bury, she leaves it all behind and hits the road in search of answers. Hitching her fate and Gil's beloved car to two vagabonds who call an old Airstream trailer home, she finds everything she thought she'd lost forever: desire, adventure, and the woman she once wanted to be. But Rob refuses to let her go. Determined to bring her back where she belongs, he chases her across the country--and drives her to a desperation all her own.

Drenched in knock-down drag-out rock and roll, Hot Wax is a raucous, breakneck ride to hell and back--where getting lost might be the only way to find yourself and save your soul.