Long Listed for the Frank O'Connor International Short Story Award
ForeWord Magazine Book of the Year, Short Fiction

One of the Best Books of the Year
Kansas City Star - San Antonio Express-News

Steven Mills has reached a crossroads. His wife and son have left, and they may not return. Which leaves him determined to find out what happened to his own father, a brilliant, charismatic professor who disappeared in 1984 when Steve was twelve, on a wave of ignominy.

As Steve drives up the coast of California, seeking out his father's friends, family members, and former colleagues, the novel offers us tantalizing glimpses into Steve's childhood--his parents' legendary pool parties, the black-and-white films on the backyard projector, secrets shared with his closest friend. Each conversation in the present reveals another layer of his father's past, another insight into his disappearance. Yet with every revelation, his father becomes more difficult to recognize. And, with every insight, Steve must confront truths about his own life.

Rich in atmosphere, and with a stunningly sure-footed emotional compass, The Imagined Life is a probing, nostalgic novel about the impossibility of understanding one's parents, about first loves and failures, about lost innocence, about the unbreakable bonds between a father and a son.

What a beautiful book about the profound mystery of ordinary life. --Alix Ohlin, author of We Want What We Want

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared reaffirms the undeniable artistry of a contemporary master of the form.

What a beautiful book about the profound mystery of ordinary life. --Alix Ohlin, author of We Want What We Want

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared reaffirms the undeniable artistry of a contemporary master of the form.

We begin with several thematic chapters--some are on Britain while others consider the empire's periphery--exploring the key dynamics of British expansion that made imperial influence possible and imperial rule prevalent. The volume also studies the economic, cultural, and institutional frameworks that shaped Britain's overseas empire. Focus then shifts to the principal areas of imperial activity overseas, including both white-settler and tropical colonies, and the question of how British interests and imperial rule shaped the political, social, and economic histories of individual regions. The themes include economics, institutions, defense, technology, imperial and colonial cultures, science, and exploration. The volume examines not only the formal empire, stretching from Australasia and the West Indies to India and the African colonies, but also China and Latin America, which were the central components of Britain's informal empire.

About the Series:

The Oxford History of the British Empire is a major new assessment of the Empire in the light of recent scholarship and the progressive opening of historical records. It deals with the interaction of British and non-western societies from the Elizabethan era to the late twentieth century, provides a balanced treatment of the ruled as well as the rulers, and takes into account the significance of the Empire for the peoples of the British Isles. All five of the volumes in this series fully explore economic and social as well as political trends.

Agamemnon led a ten-year-long struggle at Troy only to return home and die a pathetic death at his wife's hands. Yet while Agamemnon's story exerts an outsize influence--rivalled by few epic personalities--on the poetic narratives of the Iliad and Odyssey, scholars have not adequately considered his full portrait. What was Agamemnon like as a character for Homer and his audience? More fundamentally, how should we approach the topic of characterization itself, following the discoveries of Milman Parry, Albert Lord, and their successors?

Andrew Porter explains the expression of characterization in Homer's works, from an oral-traditional point of view, and through the resonance of words, themes, and back stories from both the past and future. He analyzes Agamemnon's character traits in the Iliad, including his qualities as a leader, against events such as his tragic homecoming narrative in the Odyssey. Porter's findings demonstrate that there is a traditional depth of characterization embedded in the written pages of these once-oral epics, providing a shared connection between the ancient singer and his listeners.

These ten short stories explore loss and sacrifice in American suburbia. In idyllic suburbs across the country, from Philadelphia to San Francisco, narrators struggle to find meaning or value in their lives because of (or in spite of) something that has happened in their pasts. In Hole, a young man reconstructs the memory of his childhood friend's deadly fall. In The Theory of Light and Matter, a woman second-guesses her choice between a soul mate and a comfortable one.

Memories erode as Porter's characters struggle to determine what has happened to their loved ones and whether they are responsible. Children and teenagers carry heavy burdens in these stories: in River Dog the narrator cannot fully remember a drunken party where he suspects his older brother assaulted a classmate; in Azul a childless couple, craving the affection of an exchange student, fails to set the boundaries that would keep him safe; and in Departure a suburban teenage boy fascinated with the Amish makes a futile attempt to date a girl he can never be close to.

Memory often replaces absence in these stories as characters reconstruct the events of their pasts in an attempt to understand what they have chosen to keep. These struggles lead to an array of secretive and escapist behavior as the characters, united by middle-class social pressures, try to maintain a sense of order in their lives. Drawing on the tradition of John Cheever, these stories recall and revisit the landscape of American suburbia through the lens of a new generation.

The Hardings are teetering on the brink. Elson--once one of Houston's most promising architects, who never quite lived up to expectations--is recently divorced from his wife of thirty years, Cadence. Their grown son, Richard, is still living at home: driving his mother's minivan, working at a local coffee shop, resisting the career as a writer that beckons him. But when Chloe Harding gets kicked out of her East Coast college, for reasons she can't explain to either her parents or her older brother, the Hardings' lives start to unravel. Chloe returns to Houston, but the dangers set in motion back at school prove inescapable. Told with piercing insight, taut psychological suspense, and the wisdom of a true master of character, this is a novel about the vagaries of love and family, about betrayal and forgiveness, about the possibility and impossibility of coming home.