Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.
The biggest, the boldest, the most comprehensive collection of Pulp writing ever assembled.
Weighing in at over a thousand pages, containing over forty-seven stories and two novels, this book is big baby, bigger and more powerful than a freight train--a bullet couldn't pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.
Including:
- Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett.
- Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel,
one of the masters of the form.
- A never before published Dashiell Hammett story.
- Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many
many more of whom you've probably never heard.
- Three deadly sections-The Crimefighters, The Villains, and Dames-with three unstoppable introductions by Harlan Coben,
Harlan Ellison, and Laura Lippman
Featuring:
- Plenty of reasons for murder, all of them good.
- A kid so smart-he'll die of it.
- A soft-hearted loan shark's legman learning-the hard way-never to buy a strange blonde a hamburger.
- The uncanny Moon Man and his mad-money victims.
For devotees of the Golden Age mystery, the impossible crime story represents the period's purest form: it presents the reader with a baffling scenario (a corpse discovered in a windowless room locked from the inside, perhaps), lays out a set of increasingly confounding clues, and swiftly delivers an ingenious and satisfying solution. During the years between the two world wars, the best writers in the genre strove to outdo one another with unfathomable crime scenes and brilliant explanations, and the puzzling and clever tales they produced in those brief decades remain unmatched to this day.
Among the Americans, some of these authors are still household names, inextricably linked to the locked room mysteries they devised: John Dickson Carr, Ellery Queen, Clayton Rawson, Stuart Palmer. Others, associated with different styles of crime fiction, also produced great works--authors including Fredric Brown, MacKinlay Kantor, Craig Rice, and Cornell Woolrich.
All of these and more can be found in Golden Age Locked Room Mysteries, selected by Edgar Award-winning mystery expert and anthologist Otto Penzler. Featuring a delightful mix of well-known writers and unjustly-forgotten masters, the fourteen tales included herein highlight the best of the American impossible crime story, promising hours of entertainment for armchair sleuths young and old.
Sometimes, the police aren't the best suited to solve a crime. Depending on the case, you may find that a retired magician, a schoolteacher, a Broadway producer, or a nun have the necessary skills to suss out a killer. Or, in other cases, a blind veteran, or a publisher, or a hard-drinking attorney, or a mostly-sober attorney... or, indeed, any sort of detective you could think of might be able to best the professionals when it comes to comprehending strange and puzzling murders.
At least, that's what the authors from the Golden Age of American mystery fiction would have you think. For decades in the middle of the twentieth century, the country's best-selling authors produced delightful tales in which all types of eccentrics used rarified knowledge to interpret confounding clues. And for even longer, in the decades that have followed, these characters have continued to entertain new audiences with every new generation that discovers them.
Edgar Award-winning anthologist Otto Penzler selects some of the greatest American short stories from era. With authors including Ellery Queen, Mary Roberts Rinehart, Cornell Woolrich, Erle Stanley Gardner, and Anthony Boucher, this collection is a treat for those who know and love this celebrated period in literary history, and a great introduction to its best writers for the uninitiated.
Includes discussion guide questions for use in book clubs.
This year's guest editor, Sue Grafton, has put together a wonderfully diverse collection of stories to surprise and satisfy all fans of the genre. In this volume, best-selling writers such as Mary Higgins Clark, Walter Mosley, Lawrence Block, Jay McInerney, and Donald E. Westlake stand alongside an impressive array of new talent. As Grafton writes in her introduction, Nowhere is iniquity, wrongdoing, and reparation more satisfying to behold than in the well-crafted yarns spun by the writers represented here. Already a bestseller in its first year, this year's collection of The Best American Mystery Stories promises to keep readers intrigued and coming back for more.