Dorothy Parker's complete weekly New Yorker column about books and people and the rigors of reviewing.

When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic Constant Reader, she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson (She can go on like that for hours. Can, hell--does), praising Hemingway's latest collection (He discards detail with magnificent lavishness), or dissenting from the Tao of Pooh (And it is that word 'hummy, ' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up).

Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post

The second revision in sixty years, this sublime collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors.

In this new twenty-first-century edition, devoted admirers will be sure to find their favorite verse and stories. But a variety of fresh material has also been added to create a fuller, more authentic picture of her life's work. At the heart of her serious work lie her political writings dealing with race, labor, and international politics. A Dorothy Parker Sampler blends the sublime and the silly with the terrifying, a sort of tasting menu of verse, stories, essays, political journalism, a speech on writing, plus a catchy off-the-cuff rhyme she never thought to write down.

The introduction of two new sections is intended to provide the richest possible sense of Parker herself. Self-Portrait reprints an interview she did in 1956 with The Paris Review, part of a famed ongoing series of conversations (Writers at Work) conducted with the best of twentieth-century writers.

Letters: 1905-1962, which might be subtitled Mrs. Parker Completely Uncensored, presents correspondence written over the period of a half century, beginning in 1905 when twelve-year-old Dottie wrote her father during a summer vacation on Long Island, and concluding with a 1962 missive from Hollywood describing her fondness for Marilyn Monroe.

Features an introduction by Marion Meade and cover illustrations by renowned graphic artist Seth, creator of the comic series Palooka-ville

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An irresistible hardcover collection of the famous humorist's poems that range from lighthearted satire to gleeful dark comedy

One of the Jazz Age's most beloved poets, Dorothy Parker earned her reputation as the wittiest woman in America with her popular light verse, which was regularly published in Vanity Fair, Life, and The New Yorker. Her debut poetry collection, Enough Rope, was a runaway bestseller in 1926, and she followed it up in 1928 with the equally delightful collection Sunset Gun.

The poems gathered here range from barbed satires to lighthearted laments, all laced with Parker's unmistakable sense of humor, one that manages to be both cynical and sparkling.

Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.

Now available as a stand-alone edition, the famous humorist's debut collection--a runaway bestseller in 1926--ranges from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about relations between men and women.

Known as the wittiest woman in America and a founder of the fabled Algonquin Round Table, Dorothy Parker was also one of the Jazz Age's most beloved poets. Her verbal dexterity and cynical humor were on full display in the many poems she published in Vanity Fair, The New Yorker, and Life and collected in her first book in 1926. The poems in Enough Rope range from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about the relations between men and women.

Unfortunate Coincidence
By the time you swear you're his,
Shivering and sighing,
And he vows his passion is
Infinite, undying--
Lady, make a note of this:
One of you is lying.

As this complete collection of her short stories demonstrates, Dorothy Parker's talents extended far beyond brash one-liners and clever rhymes. Her stories not only bring to life the urban milieu that was her bailiwick but lay bare the uncertainties and disappointments of ordinary people living ordinary lives.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

On its publication in 1926, Enough Rope-Dorothy Parker's debut collection of poems-was an instant bestseller and established her as the wittiest woman in America. Full of cynical humor, lighthearted wisecracks, and hilarious satire, her poems mercilessly skewer sentimentality and provide rapier sharp commentary on everything from friendship and love to aging and death with sparkling burlesque. This Warbler Classics edition includes an extensive, detailed biographical timeline.

Now available as a stand-alone edition, the famous humorist's second collection of poetry ranges from lighthearted self-deprecation to gleefully acid-tongued satire and dark comedy.

One of the Jazz Age's most beloved poets, Dorothy Parker earned her reputation as the wittiest woman in America with her popular light verse, which was regularly published in Vanity Fair, Life, and The New Yorker. Her debut poetry collection, Enough Rope, was a runaway bestseller, and she followed it up in 1928 with the equally delightful collection Sunset Gun. The poems gathered here range from barbed satires to light-hearted laments, all laced with Parker's unmistakable sense of humor, one that manages to be both cynical and sparkling.

Thought for a Sunshiny Morning
It costs me never a stab nor squirm
To tread by chance upon a worm.
Aha, my little dear, I say,
Your clan will pay me back some day.

Best remembered as a member of the Algonquin Round Table, the fabled Jazz Age literay coterie, Dorothy Parker built a reputations as one of the era's most beloved poets. Parker's satirical wit and sharp-edged humour earned her a reputation as the wittiest woman in America. This Penguin Classics edition of her poetry - the companion to Parker's Complete Stories and introduced by her noted biographer, Marion Meade - is the only complete collection available, showcasing the dry quips and piercingly introspective verse of a writer whose legend continues to fascinate.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In Men I'm Not Married To, Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. Men I'm Not Married To is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

The blackly comic play about the oppressed lives of women in 1950s New York

One of literature's leading humorists, Dorothy Parker drew from the dark side of her imagination to pen The Ladies of the Corridor, a searing drama about women living on their own in a New York residence hotel. Loosely based on Parker's life, and co-written with famed Hollywood playwright Arnaud d'Usseau, The Ladies of the Corridor exposes the limitations of a woman's life in a drama teeming with Parker's signature wit.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Enough Rope: Poems by Dorothy Parker is a sharp, witty collection that masterfully blends humor and melancholy. With biting cynicism and keen observations on love, loss, and society, Parker's verses capture the complexities of human emotions, making this a timeless exploration of the darker sides of life and relationships.

Renowned for her acerbic wit, cynicism, and satirical humor, Dorothy Parker skewered the pretensions of everyday life and clichéd relations between men and women in her debut poetry collection, published in 1926. Originally printed in Vanity Fair, The New Yorker, and Life magazine, her early poems were a runaway success with the young, liberated women of the Jazz Age. Notable for their lighthearted, clever verse and razor-sharp quips, the selections include A Well-Worn Story, Godspeed, News Item, Résumé, The False Friends, Verse for a Certain Dog, and many others. Once known as the wittiest woman in America, Parker was a founding member of the Algonquin Round Table and the Screen Writers Guild.

Self-depricating, bitingly satirical, and surprisingly thought-provoking, Dorothy Parker's first collection of poetry comments on love and the relations between men and women with quick wit and lyrical verse.

First published as a collection in 1926, the poetry featured in Enough Rope reflects the famous wit that Dorothy Parker is so widely loved for. A founding member of the Algonquin Round Table writers' group, Parker often presents a cynical analysis of love, which entertains as much as her verse captivates.

This volume features many of Parker's best-known poetry, including:

-'Threnody'

- 'The Small Hours'

- 'The False Friends'

- 'The Trifler'

- 'A Very Short Song'

- 'A Well-Worn Story'

- 'Convalescent'

- 'The Dark Girl's Rhyme'

Specialist poetry imprint Ragged Hand has proudly republished Enough Rope in this beautiful new volume and will make the perfect addition to the bookshelves of Dorothy Parker fans and those interested in Jazz Age poetry.

In Men I'm not Married To Dorothy Parker's famous wit is on full display as she describes nine men that she did not marry. Some of the descriptions are long and involved others are but a single line such as Lloyd wears washable neckties.

Delightful and funny!

Dorothy Parker holds a place in history as one of New York's most beloved writers. Now, for the first time in nearly a century, the public is invited to enjoy Mrs. Parker's sharp wit and biting commentary on the Jazz Age hits and flops in this first-ever published collection of her groundbreaking Broadway reviews.

Starting when she was twenty-four at Vanity Fair as New York's only female theatre critic, Mrs. Parker reviewed some of the biggest names of the era: the Barrymores, George M. Cohan, W.C. Fields, Helen Hayes, Al Jolson, Eugene O'Neil, Will Rogers, and the Ziegfeld Follies. Her words of praise--and contempt--for the dramas, comedies, musicals, and revues are just as fresh and funny today as they were in the age of speakeasies and bathtub gin. Annotated with a notes section by Kevin C. Fitzpatrick, president of the Dorothy Parker Society, the volume shares Parker's outspoken opinions of a great era of live theatre in America, from a time before radio, talking pictures, and television decimated attendance.

Dorothy Parker: Complete Broadway, 1918-1923 provides a fascinating glimpse of Broadway in its Golden Era and literary life in New York through the eyes of a renowned theatre critic.

Dorothy Parker's literary prowess reveals a razor-sharp wit in this original collection of twelve short stories, published between 1922 and 1927 in the top literary magazines of the day, including The Smart Set, The New Yorker, and The New Republic. These superbly crafted satirical stories, rich with keen insights into human nature, illuminate the pretentious absurdities within relationships between men and women -- in and outside of marriage, the politics of patriarchy and power, the subordination of women, and observations of class and race. An excellent sampling of Parker's acerbity rooted in an intimate realism and subtle feminism, this collection of early works features some of Parker's best-known tales, including Arrangement in Black and White, Mr. Durant, Such a Pretty Little Picture, and The Last Tea.

Dorothy Parker (née Rothschild; August 22, 1893 - June 7, 1967) was an American poet, writer, critic, and satirist based in New York; she was known for her wit, wisecracks, and eye for 20th-century urban foibles.

From a conflicted and unhappy childhood, Parker rose to acclaim, both for her literary works published in magazines, such as The New Yorker, and as a founding member of the Algonquin Round Table. Following the breakup of the circle, Parker traveled to Hollywood to pursue screenwriting. Her successes there, including two Academy Award nominations, were curtailed when her involvement in left-wing politics resulted in her being placed on the Hollywood blacklist.

Dismissive of her own talents, she deplored her reputation as a wisecracker. Nevertheless, both her literary output and reputation for sharp wit have endured. Some of her works have been set to music; adaptations included the operatic song cycle Hate Songs by composer Marcus Paus.

Parker inspired a number of fictional characters in several plays of her day. These included Lily Malone in Philip Barry's Hotel Universe (1932), Mary Hilliard (played by Ruth Gordon) in George Oppenheimer's Here Today (1932), Paula Wharton in Gordon's 1944 play Over Twenty-one (directed by George S. Kaufman), and Julia Glenn in the Kaufman-Moss Hart collaboration Merrily We Roll Along (1934). Kaufman's representation of her in Merrily We Roll Along led Parker, once his Round Table compatriot, to despise him. She also was portrayed as Daisy Lester in Charles Brackett's 1934 novel Entirely Surrounded. She is mentioned in the original introductory lyrics in Cole Porter's song Just One of Those Things from the 1935 Broadway musical Jubilee, which have been retained in the standard interpretation of the song as part of the Great American Songbook.

Prince released The Ballad of Dorothy Parker in 1987; it was the first song recorded in his Chanhassen, Minnesota studio home. Those closest to him at the time suggest the association between the poet and the waitress by the same name in the song is a coincidence, but Dorothy Parker died on Prince's 9th birthday and chances are this brought her to his attention prior to writing the song.

Parker is featured as a character in the novel The Dorothy Parker Murder Case by George Baxt (1984), in a series of Algonquin Round Table Mysteries by J. J. Murphy (2011- ), and in Ellen Meister's novel Farewell, Dorothy Parker (2013). She is the main character in Love For Miss Dottie, a short story by Larry N Mayer, which was selected by writer Mary Gaitskill for the collection Best New American Voices 2009 (Harcourt).

She has been portrayed on film and television by Dolores Sutton in F. Scott Fitzgerald in Hollywood (1976), Rosemary Murphy in Julia (1977), Bebe Neuwirth in Dash and Lilly (1999), and Jennifer Jason Leigh in Mrs. Parker and the Vicious Circle (1994). Neuwirth was nominated for an Emmy Award for her performance, and Leigh received a number of awards and nominations, including a Golden Globe nomination.

The Wild Colonials song, Vicious Circle from Life As We Know It EP (2007) is about Dorothy Parker. The chorus lyrics are, I know how Dorothy Parker felt with someone in her way.

Television creator Amy Sherman-Palladino named her production company 'Dorothy Parker Drank Here Productions' in tribute to Parker.

Tucson actress Lesley Abrams wrote and performed the one-woman show Dorothy Parker's Last Call in 2009 in Tucson, Arizona at the Winding Road Theater Ensemble. She reprised the role at the Live Theatre Workshop in Tucson in 2014. The play was selected to be part of the Capital Fringe Festival in DC in 2010. ...(wikipedia.org)

One of America's Greatest Wits!

Published in 1926 Enough Rope was Parker's first collection of poetry. The collection sold very well and garnered impressive reviews. The Nation described it as caked with a salty humor, rough with splinters of disillusion, and tarred with a bright black authenticity. The New York Times referred to it as flapper verse, Enough Rope affirm Parker's reputation for sparkling wit

In Men I'm not Married To Dorothy Parker's famous wit is on full display as she describes nine men that she did not marry. Some of the descriptions are long and involved others are but a single line such as Lloyd wears washable neckties.

Delightful and funny