A dazzling YA anthology that spotlights the transformative power of books while equipping teens to fight for the freedom to read, featuring the voices of 15 diverse, award-winning authors and illustrators.

Books are disappearing from shelves across the country.

What does this mean for authors, illustrators, and--most crucially--for young readers?

This bold collection of fiction, memoir, poetry, graphic narratives, essays, and other genres explores book bans through various lenses, and empowers teens to fight back. From moving personal accounts to clever comebacks aimed at censorship, fifteen legendary YA authors and illustrators confront the high-stakes question of what is lost when books are kept from teens.

Contributors include Elana K. Arnold, Nikki Grimes, Ellen Hopkins, Kelly Jensen, Brendan Kiely, Maia Kobabe, Bill Konigsberg, Kyle Lukoff, MariNaomi, Trung Lê Nguyễn, Ashley Hope Pérez, Isabel Quintero, Traci Sorell, Robin Stevenson, and Padma Venkatraman; the collection is a star-studded must-read that packs strength and power into every last word.

Striking illustrations from Ignatz-nominated artist Debbie Fong pair perfectly with the searing, impactful narrative. Resources include tips from the Vandegrift Banned Book Club and other teen activists, as well as extensive recommended book lists, a How to Start Your Own Little Free Library flier, and more.

A dangerous forbidden romance rocks a Texan oil town in 1937, when segregation was a matter of life and death.

A Top Ten Most Challenged Book of the Year

This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear? New London, TX. 1937. Naomi Vargas is Mexican American. Wash Fuller is Black. These teens know the town's divisive racism better than anyone. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.

Naomi and Wash dare to defy the rules, and the New London school explosion serves as a ticking time bomb in the background. Can their love survive both prejudice and tragedy?

Race, romance, and family converge in this riveting novel that transplants Romeo and Juliet to a bitterly segregated Texas town. Includes a fascinating author's note detailing the process of research and writing about voices that have largely been excluded from historical accounts.

A Printz Honor Book
A Booklist 50 Best YA Books of All Time Selection
A Kirkus Reviews Best Book of the Year
A School Library Journal Best Book
Winner of the Tomás Rivera Mexican American Children's Book Award

A Michael L. Printz Honor Book

This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?

New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive.

Ashley Hope Pérez takes the facts of the 1937 New London school explosion--the worst school disaster in American history--as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.

[This] layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine.--The New York Times Book Review

Pérez deftly weaves [an] unflinchingly intense narrative....A powerful, layered tale of forbidden love in times of unrelenting racism.―starred, Kirkus Reviews

This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory....Set against the backdrop of an actual historical event, Pérez...gives voice to many long-omitted facets of U.S. history.―starred, School Library Journal

Tapping a rich vein of Latin American literature, Deformative Fictions by Ashley Hope Pérez excavates works that unsettle, defamiliarize, and disrupt access to the conventional pleasures of reading and interpretation. Close readings highlight the nuances of texts that have been misread, underread, or fetishized because they depart from literary norms, including fiction by Roberto Bolaño and Silvina Ocampo. Interweaving rhetorical and narratological analysis with reflections on the ethical stakes of writing, reading, and interpreting deformative fictions and fictional cruelty, Pérez issues a resounding entreaty for us to expand our understandings of the value of narrative beyond the logics of utility and comfort. Doing so, she contends, allows readers to embrace the full possibilities of the relationships among authors, readers, and the worlds we inhabit on and off the page. In defamiliarizing the act of reading, deformative fictions reacquaint us with its ethical weight.

Tapping a rich vein of Latin American literature, Deformative Fictions by Ashley Hope Pérez excavates works that unsettle, defamiliarize, and disrupt access to the conventional pleasures of reading and interpretation. Close readings highlight the nuances of texts that have been misread, underread, or fetishized because they depart from literary norms, including fiction by Roberto Bolaño and Silvina Ocampo. Interweaving rhetorical and narratological analysis with reflections on the ethical stakes of writing, reading, and interpreting deformative fictions and fictional cruelty, Pérez issues a resounding entreaty for us to expand our understandings of the value of narrative beyond the logics of utility and comfort. Doing so, she contends, allows readers to embrace the full possibilities of the relationships among authors, readers, and the worlds we inhabit on and off the page. In defamiliarizing the act of reading, deformative fictions reacquaint us with its ethical weight.

After a marijuana-addled brawl with a rival gang, 16-year-old Azael wakes up to find himself surrounded by a familiar set of concrete walls and a locked door. Juvie again, he thinks. But he can't really remember what happened or how he got picked up. He knows his MS13 boys faced off with some punks from Crazy Crew. There were bats, bricks, chains. A knife. But he can't remember anything between that moment and when he woke behind bars.

Azael knows prison, and something isn't right about this lockup. No phone call. No lawyer. No news about his brother or his homies. The only thing they make him do is watch some white girl in some cell. Watch her and try to remember.

Lexi Allen would love to forget the brawl, would love for it to disappear back into the Xanax fog it came from. And her mother and her lawyer hope she chooses not to remember too much about the brawl--at least when it's time to testify.

Lexi knows there's more at stake in her trial than her life alone, though. She's connected to him, and he needs the truth. The knife cut, but somehow it also connected.

Another day finished, gracias a Dios.

Seventeen-year-old Marisa's mother has been saying this for as long as Marisa can remember. Her parents came to Houston from Mexico. They work hard, and they expect Marisa to help her familia. An ordinary life--marrying a neighborhood guy, working, having babies--ought to be good enough for her.

Marisa hears something else from her calc teacher. She should study harder, ace the AP test, and get into engineering school in Austin. Some days, it all seems possible. On others, she's not even sure what she wants.

When her life at home becomes unbearable, Marisa seeks comfort elsewhere--and suddenly neither her best friend nor boyfriend can get through to her. Caught between the expectations of two different worlds, Marisa isn't sure what she wants--other than a life where she doesn't end each day thanking God it's over.

But some things just can't wait...