Following several of his internationally acclaimed novels, A Year of Last Things is Michael Ondaatje's long-awaited return to poetry. In pieces that are sometimes witty, sometimes moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and the abandoned landscapes we hold on to to rediscover the influence of every border crossed.

Moving from a Sri Lankan boarding school to Molière's chair during his last stage performance, to Bulgarian churches and their icons, to the California coast and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges memory with the present, in the way memory as the distant shores of art and lost friends continue to influence everything that surrounds him.

From his poem His chair, a narrow bed, a motel room, the fox
At the Hacienda Motel in Los Angeles Sam Cooke was shot dead.
'See that shadow on the wall . . .' All those motels and hotels
in literature and song, where X wrote this,
where Y got drunk, where Z overdosed.
The one Hank Williams was driven past, dead already in his car.
The Slavianski Bazaar Hotel in The Lady with a Dog,
where Dmitri imagines their dark but hopeful future.
The Hôtel de ville de Courtrai, where Verlaine shot Rimbaud.
The Casa Verdi in Milan, where retired opera singers were welcomed
along with various heteronyms of Fernando Pessoa in their afterlife.

It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book--a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.

The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries--including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella--from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.

Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient.

Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.

In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.

Anil's Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past-a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka's landscape and ancient civilization, Anil's Ghost is a literary spellbinder-Michael Ondaatje's most powerful novel yet.

In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the cat's table--as far from the Captain's Table as can be--with a ragtag group of insignificant adults and two other boys, Cassius and Ramadhin. As the ship crosses the Indian Ocean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: they are first exposed to the magical worlds of jazz, women, and literature by their eccentric fellow travelers, and together they spy on a shackled prisoner, his crime and fate a galvanizing mystery that will haunt them forever. By turns poignant and electrifying, The Cat's Table is a spellbinding story about the magical, often forbidden, discoveries of childhood, and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

Handwriting is Michael Ondaatje's first new book of poetry since The Cinnamon Peeler. The exquisite poems collected here draw on history, mythology, landscape, and personal memories to weave a rich tapestry of images that reveal the longing for--and expose the anguish over--lost loves, homes, and language, as the poet contemplates scents and gestures and evokes a time when handwriting occurred on waves, / on leaves, the scripts of smoke and remembers a woman's laughter with its / intake of breath. Uhh huh.

Crafted with lyrical delicacy and seductive power, Handwriting reminds us of Michael Ondaatje's stature as one of the finest poets writing today.

Seventy-four distinguished writers tell personal tales of books loved and lost-great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission.

Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader's delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, being lovers of books, we've pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory. Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.

Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara's Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene-the slightly ditzy cousin of Graham; Bill Richardson on a children's book for adults by Russell Hoban; Ronald Wright on William Golding's Pincher Martin; Caryl Phillips on Michael Mac Liammoir's account of his experiences on the set of Orson Welles's Othello, and much, much more.

Bilingual Traveller's Edition: Edition pour Voyageurs. French translation by Lola Lemire Tostevin.

Instructions: An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis. Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. Any person who has burst into tears at the Liquor Control Board) until a single couple remains. And now, the post-Meech Lake edition.

Brick Books reaches out to Quebec: Tout amant qui, à la Saint-Valentin, est entré dans une boutique de fleuriste et a demandé pour un clitoris au lieu d'une clématile.

Seventy-four distinguished writers tell personal tales of books loved and lost-great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission.

Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader's delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, being lovers of books, we've pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory. Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.

Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara's Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene-the slightly ditzy cousin of Graham; Bill Richardson on a children's book for adults by Russell Hoban; Ronald Wright on William Golding's Pincher Martin; Caryl Phillips on Michael Mac Liammoir's account of his experiences on the set of Orson Welles's Othello, and much, much more.