Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as far and away, this country's best selling poet by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Mary Oliver's Dog Songs is a celebration of the special bond between human and dog, as understood through the poet's relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it.

Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

The New York Times bestselling collection of essays from beloved poet, Mary Oliver.

There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . . --Maureen Corrigan, NPR's Fresh Air

Uniting essays from Oliver's previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet's thoughts on the natural, spiritual and artistic worlds . . . --The New York Times

In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.

So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood friend Walt Whitman, through whose work she first understood that a poem is a temple, a place to enter, and in which to feel, and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.

Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.

Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as far and away, this country's best selling poet by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.

Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

Dream Work, a collection of forty-five poems originally published in 1986, follows both chronologically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for poetry in 1983. The depth and diversity of perceptual awareness, so steadfast and radiant in American Primitive, continues in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit, to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships.

Mary Oliver would probably never admit to anything so grandiose as an effort to connect the conscious mind and the heart (that's what she says poetry can do), but that is exactly what she accomplishes in this stunning little handbook.--Los Angeles Times

From the beloved and acclaimed poet, an ultimate guide to writing and understanding poetry.

With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks readers through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver's prolific mind--a must-have for all poetry-lovers.

Mary Oliver's perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. Do you love this world? she interrupts a poem about peonies to ask the reader. Do you cherish your humble and silky life? She makes us see the extraordinary in our everyday lives, how something as common as light can be an invitation/to happiness, /and that happiness, /when it's done right, /is a kind of holiness, /palpable and redemptive. She illuminates how a near miss with an alligator can be the catalyst for seeing the world as if for the second time/the way it really is. Oliver's passionate demonstrations of delight are powerful reminders of the bond between every individual, all living things, and the natural world.

In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life's work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

Within these pages you will find hawks, hummingbirds, and herons; kingfishers, catbirds, and crows; swans, swallows and, of course, the snowy owl, among a dozen others-including ten poems that have never before been collected. She adds two beautifully crafted essays, Owls, selected for the Best American Essays series, and Bird, a new essay that will surely take its place among the classics of the genre.

In the words of the poet Stanley Kunitz, Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations.

For anyone who values poetry and essays, for anyone who cares about birds, Owls and Other Fantasies will be a treasured gift; for those who love both, it will be essential reading.

This book was published with two different covers. Customers will be shipped the book with one of the available covers.

Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird's nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments.

At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.

If I have any secret stash of poems, anywhere, it might be about love, not anger, Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver's love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes--with joy--the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.

Tell me, what is it you plan to do
with your one wild and precious life?
--Mary Oliver, The Summer Day (one of the poems in this volume)

Winner of a 1991 Christopher Award

Winner of the 1991 Boston Globe Lawrence L. Winship Book Award

This book was published with two different covers. Customers will be shipped the book with one of the available covers.

Mary Oliver's Dog Songs is a celebration of the special bond between human and dog, as understood through the poet's relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it.

Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

On the subject of writing poetry, Oliver is the most enlightened and enlightening author I have read. -Susan Salter Reynolds, Los Angeles Times

From the winner of the Pulitzer Prize and the National Book Award comes Winter Hours, Mary Oliver's most personal book yet. And never more so than in this extraordinary and engaging gathering of nine essays, accompanied by a brief selection of new prose poems and poems.

With the grace and precision that have won her legions of admirers, Oliver talks here of turtle eggs and housebuilding, of her surprise at an unexpected whistling she hears, of the thousand unbreakable links between each of us and everything else. She talks of her own poems and of some of her favorite poets: Poe, writing of our inescapable destiny, Frost and his ability to convey at once that everything is all right, and everything is not all right, the unmistakably joyful Hopkins, and Whitman, seeking through his poetry the replication of a miracle. And Oliver offers us a glimpse as well of her private and natural self--something that must in the future be taken into consideration by any who would claim to know me.