New poetry by the author of acclaimed 2023 novel Take What You Need faces the complexities of life on a swiftly heating earth.

Idra Novey's first collection in a decade, since Patricia Smith chose Exit, Civilian for the National Poetry Series, brings a lyric intimacy to the extremes of our era. The poems juxtapose sweltering days raising children in a city with moments from a rural childhood roaming free in the woods, providing a bridge between those often polarized realities. Novey's spare, contemporary fables move across the Americas, from a woman housesitting in central Chile, surrounded by encroaching fires, to a man in New York about to give birth to a panda.

Other poems return to the Allegheny Highlands of Appalachia, where Novey revisits the roads and creeks of her childhood: Maybe we knew we only appeared/to be floating, but soon and wholly/we'd go under. Like Lydia Davis and Anne Carson, Novey draws from the well of her work translating myriad authors, from Brazilian writer Clarice Lispector to Iranian poet Garous Abdolmalekian, and from her own award-winning novels. These are deeply lived poems, evoking both a singular life and the shared urgencies of our time, a collection of great inventiveness and wit, conjuring our bit part in the history of the future.

[sample text]

The Duck Shit at Clarion Creek

We liked to stick it in a BB gun and shoot it.

We tattooed with it.

We said Hallelujah, the poor man's tanning lotion.

Then the frack wells began, something black capping the water and we got high watching a green-backed heron die.

We got funny at Clarion, flung each other's underwear into the trees.

Why was it we got naked there like nowhere else?

Maybe we knew we were getting rusted inside as the trucks we rode into the water.

Maybe we only appeared to be floating, but soon and wholly we'd go under, get sucked to the bottom.

We'd sink and become creek bed; its deep mud would claim us, hold us hard and close.

From one of the finest and bravest novelists at work today, (Vulture) award-winning writer Idra Novey has conjured a novel of astonishing and singular honesty (Rumaan Alam) with two determined, unforgettable female voices.

Set in the Allegheny Mountains of Appalachia, Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who's sought a clean break from her rural childhood. In Leah's urban life with her young family, she's revealed little about Jean, how much she misses her stepmother's hard-won insights and joyful lack of inhibition. But with Jean's death, Leah must return to sort through what's been left behind.

What Leah discovers is staggering: Jean has filled her ramshackle house with giant sculptures she's welded from scraps of the area's industrial history. There's also a young man now living in the house who played an unknown role in Jean's last years and in her art.

With great verve and humor, Idra Novey zeros in on the joys and difficulty of family, the ease with which we let distance mute conflict, and the power we can draw from creative pursuits.

Take What You Need explores the continuing mystery of the people we love most with passionate and resonance, this novel illuminating can be built from what others have discarded--art, unexpected friendship, a new contentment of self. This is Idra Novey at her very best.

Beatriz Yagoda was once one of Brazil's most celebrated authors. At the age of sixty, she is mostly forgotten-until one summer afternoon when she enters a park in Rio de Janeiro, climbs into an almond tree, and disappears.

When her devoted translator Emma hears the news in wintry Pittsburgh, she flies to the sticky heat of Rio. There she joins the author's son and daughter to solve the mystery of Yagoda's disappearance and satisfy the demands of the colorful characters left in her wake, including a loan shark with a debt to collect and the washed-up editor who launched Yagoda's career. What they discover is how much of her they never knew.

Exquisitely imagined and as profound as it is suspenseful, Ways to Disappear is at once a thrilling story of intrigue and a radiant novel of self-reckoning.

An elegant page-turner....Charges forward with the momentum of a bullet.-New York Times Book Review

In her second collection, Idra Novey steps in and out of jails, courthouses, and caves to explore what confinement means in the twenty-first century. From the beeping doors of a prison in New York to cellos playing in a former jail in Chile, she looks at prisons that have opened, closed, and transformed to examine how the stigma of incarceration has altered American families, including her own. Novey writes of the expanding prison complex that was once a field and imagines what's next for the civilians who enter and exit it each day.

On Bafflement

We drew a prison in the sand and it wouldn't go away.

Not even beneath the foam of the biggest waves.

The torn leg of a starfish clung to the door.

A piece of seaweed clung to the bars over the windows.

The tide came in higher and we thought, So much for the prison.

Somebody asked why did we draw that thing,

And were we growing old watching it this way.

We felt compelled to make love in the sand a few feet off.

Then we drew another one, just to see if we'd make love again.

A taut, timely novel about what a powerful politician thinks he can get away with and the group of misfits who finally bring him down, from the award-winning author of Ways to Disappear.

On an unnamed island country ten years after the collapse of a U.S.-supported regime, Lena suspects the powerful senator she was involved with back in her student activist days is taking advantage of a young woman who's been introducing him at rallies. When the young woman ends up dead, Lena revisits her own fraught history with the senator and the violent incident that ended their relationship.

Why didn't Lena speak up then, and will her family's support of the former regime still impact her credibility? What if her hunch about this young woman's death is wrong?

What follows is a riveting exploration of the cost of staying silent and the mixed rewards of speaking up in a profoundly divided country. Those Who Knew confirms Novey's place as an essential new voice in American fiction.

In these powerful lyric poems, Idra Novey's exploration of country extends beyond national boundaries into the countries of marriage and family, history and the unspoken, leading to a bold and imaginative reckoning of the self with the larger world.

Those Who Knew speaks with uncommon prescience to the swirl around us. Novey writes, with acuity and depth, about questions of silence, power, and complicity. The universe she has created is imagined, and all too real.--Rebecca Traister, author of All the Single Ladies

From the award-winning author of Ways to Disappear, a taut, timely novel about what a powerful politician thinks he can get away with and the group of misfits who finally bring him down.

On an unnamed island country ten years after the collapse of a U.S.-supported regime, Lena suspects the powerful senator she was involved with back in her student activist days is taking advantage of a young woman who's been introducing him at rallies. When the young woman ends up dead, Lena revisits her own fraught history with the senator and the violent incident that ended their relationship.

Why didn't Lena speak up then, and will her family's support of the former regime still impact her credibility? What if her hunch about this young woman's death is wrong?

What follows is a riveting exploration of the cost of staying silent and the mixed rewards of speaking up in a profoundly divided country. Those Who Knew confirms Novey's place as an essential new voice in American fiction.

New poetry by the author of acclaimed 2023 novel Take What You Need faces the complexities of life on a swiftly heating earth.

Idra Novey's first collection in a decade, since Patricia Smith chose Exit, Civilian for the National Poetry Series, brings a lyric intimacy to the extremes of our era. The poems juxtapose sweltering days raising children in a city with moments from a rural childhood roaming free in the woods, providing a bridge between those often polarized realities. Novey's spare, contemporary fables move across the Americas, from a woman housesitting in central Chile, surrounded by encroaching fires, to a man in New York about to give birth to a panda.

Other poems return to the Allegheny Highlands of Appalachia, where Novey revisits the roads and creeks of her childhood: Maybe we knew we only appeared/to be floating, but soon and wholly/we'd go under. Like Lydia Davis and Anne Carson, Novey draws from the well of her work translating myriad authors, from Brazilian writer Clarice Lispector to Iranian poet Garous Abdolmalekian, and from her own award-winning novels. These are deeply lived poems, evoking both a singular life and the shared urgencies of our time, a collection of great inventiveness and wit, conjuring our bit part in the history of the future.

[sample text]

The Duck Shit at Clarion Creek

We liked to stick it in a BB gun and shoot it.

We tattooed with it.

We said Hallelujah, the poor man's tanning lotion.

Then the frack wells began, something black capping the water and we got high watching a green-backed heron die.

We got funny at Clarion, flung each other's underwear into the trees.

Why was it we got naked there like nowhere else?

Maybe we knew we were getting rusted inside as the trucks we rode into the water.

Maybe we only appeared to be floating, but soon and wholly we'd go under, get sucked to the bottom.

We'd sink and become creek bed; its deep mud would claim us, hold us hard and close.