A close look at the lives of working musicians who aren't the center of their stage.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists--these and other band people are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.

In 2009, musician Franz Nicolay left his job in the Hold Steady, aka the world's greatest bar band. Over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. He meets Polish artists nostalgic for their revolutionary days, Mongolian neo-Nazis in full SS regalia, and a gay expat in Ulaanbaatar who needs an armed escort between his home and his job. The Russian punk scene is thrust onto the international stage with the furor surrounding the arrest of the group Pussy Riot, and Ukrainians find themselves in the midst of a revolution and then a full-blown war.>

While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the postcommunist world in the kind of book a punk rock Paul Theroux might have written, with a humor reminiscent of Gary Shteyngart. An audacious debut from a vivid new voice, The Humorless Ladies of Border Control is an unforgettable, funny, and sharply drawn depiction of surprisingly robust hidden spaces tucked within faraway lands.

Someone Should Pay for Your Pain by Franz Nicolay hits the backroads with singer-songwriter Rudy Pauver as he navigates a conflicted relationship with a successful protégé and the unexpected arrival of his spirited young niece.

In the doldrums of a career as a cult figure, Rudy has been overshadowed by Ryan Orland, to the point where Rudy is now identified as an imitator of the younger man. Ryan is generous and supportive, but Rudy finds it hard to be grateful, especially as a sordid confrontation results in their estrangement. When his sister's daughter, a teenage runaway, turns up asking to join him on the road, Rudy has to come to terms with the limits of his ambition and the nature of his obligation to family.

Someone Should Pay for Your Pain is an exploration of the nature of creativity and popular success; artistic and ethical influence; the pathos of the middle-aged artist; changing standards of sexual morality; and guilt and penance in a post-religious society.

Reading group guide available to download from publisher's website.

Named one of Rolling Stone's Best Music Books of 2021.