A comedic romp into the world of fantasy role-playing games, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly's Dungeons & Dragons notebook, however. she stumbles into a journey of discovery and action packed adventure in the imaginary world that was Tilly's refuge. In this high octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

Remember the excitement of each new production from the Ridiculous Theatrical Company? The company would offer a riff on a classic, shot through with enough satire to stand on its own. Vampire Cowboys Theater Company is channeling that energy in LIVING DEAD IN DENMARK, the hilarious and witty new play by Qui Nguyen. Nguyen, like Charles Ludlam before him, knows his Shakespeare. Using HAMLET as a jumping-off point, Nguyen throws in martial arts, horror movies, pop songs, puppetry, and comic books. Eat your heart out, Ed Wood.... A Backstage Critic's Pick!

Victor Gluck, Backstage

Qui Nguyen's comic book fantasia on Bardic themes takes characters from the main tragedies and throws them into an us-versus-zombies apocalyptic scenario, with enough rock-accompanied stage combat to keep an Elizabethan groundling satisfied. This gamely trashy treat is a perfect storm of theater-and horror-geek obsessions.

David Cote, Time Out New York

A young Vietnamese family attempts to put down roots in Arkansas, a place as different from home as it gets. A mom and dad balance big hopes and low-wage jobs, as old flings threaten to pull them apart. It all makes for a bumpy road to the American dream. From the world of Nguyen's Vietgone, with its comic book and action movie influences, comes a play that melds a deeply personal story with the playwright's trademark, killer humor.

In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

In a dark (darkly awesome!) future, New York's boroughs have grown too dangerous to police. Shoguns reign, vampires infest Brooklyn, and most terrifying of all, it's still stylistically the '70s. After losing her lover to some undead hoodlums, Dewdrop gets herself a training montage and a sidekick, and sets off for revenge. Explosively funny nonsense ensues.

SOUL SAMURAI kicks the Vampire Cowboys recipe up a notch; the script has the complexity of a graphic novel, though it hasn't sacrificed its zinelike homemade sweetness. Yes, outside it's still the chill dead of winter, but go and guffaw your way through SAMURAI. It can bring you back to life. A Time Out New York Critic's Pick!

Helen Shaw, Time Out New York

Not many theater groups can count both Comic Con as a sponsor and the Ma-Yi Theater Company as an artistic partner, but then there aren't a lot like Qui Nguyen's Vampire Cowboys, where pop culture and theater artistry combine seamlessly and satisfyingly. It's smart and funny stuff that's deftly supported in this sure-handed production, where Asian theater traditions are ably blended with Nguyen's exhilarating fight choreography. Side-splittingly funny and slyly intelligent!

Andy Propst, Village Voice

Even if, unlike me, you don't have a fondness for petite women brandishing large weapons, SOUL SAMURAI offers plenty of charm and entertainment. SOUL SAMURAI, a glorious melting pot of influences and inspirations, is theatre at its best. A Critic's Pick!

Mark Peikert, Backstage

Three interwoven tales of people with superpowers, including the downfall of America's beloved Captain Justice, the adventures of Brooklyn's Los Hermanos Manos, and the tragic tale of an indestructible man, that ultimately collide inside the walls of a maximum security prison. A superhero story for adults. Captain America, who was killed this month in a comic book but is rumored to be returning to life in time for a movie, first came on the scene in 1941, back when a nervous nation was looking for a patriotic symbol of American power. But times have changed, and so have superheroes. In films like Batman Begins and television shows like Heroes, they are now more flawed, moody and ambivalent about power than ever. Qui Nguyen's MEN OF STEEL ... introduces audiences to Captain Justice, a crusader for the Iraq war era. A dead ringer for Captain America, including the tights and shield, he was created by the United States military and has dispensed with all kinds of villains, but he still has his critics. Some say he's made people dependent on 'supers, ' as they're called, and created safe havens in the outer boroughs by concentrating on Manhattan. And when he killed two murderers in an act of revenge, the man who fights for justice and the American way was tossed into prison ... the show belongs to the genre of gleefully lowbrow Off-Off-Broadway entertainments for overgrown adults. The prodigious onstage fights are not as elaborate as those in THE JADED ASSASSIN, the martial arts fantasy play, but this plot-rich piece, which begins with a murder and moves backward, has more to chew on. The plot centers on the friendship between Captain Justice and Maelstrom, a wealthy playboy with a collection of gadgets and a sexual secret. He's an angrier version of Batman. There are other superheroes as well, including Bryant, a drag queen whose power is that he doesn't feel pain, and Captain Justice's sidekick, Liberty Lady, who some suspect is merely a P R gimmick. Mr Nguyen has an appealingly clean style that mixes colloquial slang and hard-boiled detective fiction. ('Hope is only good for prisoners and bums playing the lotto.') Some of his comic ideas are truly inspired, like the mad villain, The Mole, who prefers making dramatic statements of intent to actually avoiding weapons hurled at him ... this is a fully realized and contained world that raises the skeptical question: If power corrupts, than what about super power? -Jason Zinoman, The New York Times

The sci-fi spectacular FIGHT GIRL BATTLE WORLD blends stage combat, puppetry, and multi-media to create a uniquely cinematic experience for the live stage. FIGHT GIRL BATTLE WORLD, the latest lark by the proudly lowbrow Vampire Cowboys Theater Company ... The playwright, Qui Nguyen, clearly knows his Star Wars, and while he has given his story a more topical update - environmental disaster and imperialism play a role - he has really nailed the stilted, jargon-rich style of writing that the saga's creator, George Lucas, is famous for. FIGHT GIRL BATTLE WORLD dispenses with the hipster distance and indulges the embarrassing passion of an obsessed fan ... It's theater for sci-fi nerds ... -Jason Zinoman, The New York Times From the refreshingly off-kilter collective known as the Vampire Cowboys Theater Company comes FIGHT GIRL BATTLE WORLD, an action-packed sci-fi saga that blends punch-ups and parody into one delicious mix. Set in a futuristic universe (surprise, surprise) where humanity is nearly non-existent, FIGHT GIRL revolves around E-V, a hardnosed prizefighter and the last known female human in the galaxy ... -Tom Fay, Show Business Weekly ... Qui Nguyen's script is dotted with spiky humor and ... politically tinged jokes ... -Ron Cohen, Backstage

In a post-apocalyptic Lost Vegas, a young gunslinger named Jess December enlists the help of a mysterious samurai cowboy to avenge the murder of her sister. However, the gang they'll be going against has powers that go way beyond just gunpowder and steel. To get revenge, they may have to become just as blood-thirsty as the monsters they're facing.

Poker players are always told that to be successful, you have to play aggressively. What is not usually explained is just exactly how you are supposed to play aggressively. On the Final Table of the 2016 WSOP Main Event, Qui Nguyen destroyed the opposition with an absolute masterclass in aggressive play and walked away with the coveted gold bracelet as well as $8 million. If you want to understand what this mythical playing aggressively means in practical terms, then From Vietnam to Vegas will give you the answer.

Many of the experienced professionals commentating for TV simply couldn't understand Qui's play. Antonio Esfandiari, who has won over $27 million in live play, commented, I couldn't get a read on Qui Nguyen if my life depended on it.

From Vietnam to Vegastells the complete story behind Qui's magnificent achievement. In this book Qui:

• reviews 176 key hands from his historic victory at the WSOP Final Table
• provides an in-depth analysis of his thought process on each hand
• relates the story of his life, from his early struggles in Vietnam through to his transition to a poker professional in Las Vegas.

The book also includes commentary from Steve Blay, founder of AdvancedPokerTraining.com and Qui Nguyen's personal poker advisor at the final table. Blay's commentary often analyzes the mathematical basis behind Qui's decisions, and discusses practical ways to apply it to your own poker game.

In this action-packed samurai story set inside the halls of an all-American high school, Begets: Fall of a High School Ronin tells the tale of Emi Edwards, a high school geekgurl whose fighting to overthrow the cruel shoguns of her school. However in her journey to right wrongs, will her own cravings for popularity and power corrupt her quest to save the school? Will she able to establish a new world order? Or will violence just beget more violence?

It's been 10 years since Agent G has last been in Vietnam where his family and friends were all viciously slain. He's now come back looking for answers and a good bit of revenge. However, mysterious forces are at hand trying to stop him as well as the playwright from finishing this brutal task. Qui Nguyen's play is an ambitious entertainment about modern identity wrapped inside an exploitation drama about what used to be called the 'inscrutable Orient.' It gleefully mocks countless movies. In an impressive feat, the Vampire Cowboys become serious without giving up any of their silliness. A Critic's Pick -Jason Zinoman, The New York Times In the schizophrenic, wonderful THE INEXPLICABLE REDEMPTION OF AGENT G, the comet at long last returns, drawing Nguyen into profound metatheatrical self-examination. He can't stay serious for long - insights alternate with dance battles and the Vampire Cowboys' usual barrage of inside jokes. This confusion of gravities keeps the play fascinatingly off-balance: In its very wonkiness, we feel a playwright tearing himself apart to find his own first principles. AGENT G completes Nguyen's GOOK TRILOGY, an attempt (beginning with TRIAL BY WATER) at telling his cousin Hung's story ... The result is funny and weird and eye-opening. -Helen Shaw, Time Out New York