Joe King Oliver's beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She's lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B's pure ask has opened King's heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man--a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he's been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it's in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can't help but want her near.

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

January 1970 finds Ezekiel Easy Rawlins, LA's premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas.

The missing ex, a young white man named Curt Fields, is found dead. Easy's only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that's only the beginning.

Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970's have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul.

The year is 1948, the town is Los Angeles.

Easy Rawlins, a black war veteran, has just been fired from his job at a defense factory plant. Drinking in his friend's bar, he's wondering how he'll manage to make ends meet, when a white man in a linen suit approaches him and offers him good money if Easy will simply locate Miss Daphne Money, a missing blonde beauty known to frequent black jazz clubs.

Easy has no idea that by taking this job, his life is about to change forever.

More than simply a detective novel...[Mosley is] a talented author with something vital to say about the distance between the black and white worlds, and with a dramatic way to say it (The New York Times).

Joe King Oliver's beloved Grandma B has found a tumor, and at her age, treatment is high-risk. She's lived life fully and without regrets, and now has only a single, dying wish: to see her long-lost son. King has been estranged from his father, Chief Odin Oliver, since he was a young boy. He swore to never speak to the man again when he was taken away in handcuffs. But now, Grandma B's pure ask has opened King's heart, and through his hunt, he gains a deeper understanding of his father as a complicated, righteous man--a man defined by women, a man protected by women, a man he wants to know. Although Chief was released from prison years ago, he's been living underground ever since. Now, King must not only find his father, but prove his innocence, and protect the future of his entire family.

Simultaneously, King finds himself in a moral bind. Marigold Hart, the wife of a powerful Californian billionaire, has gone missing, along with their seven-year-old daughter. Orr is brutish and dangerous, and King realizes after locating her that it's in her best interest to stay hidden. But are his motives pure? There is something magnetic about Marigold; he can't help but want her near.

In the latest installment in the Joe King Oliver series, no good deed goes unpunished. Emotionally stirring, pulse-pounding, and undeniably sexy, Been Wrong So Long It Feels Like Right shows Walter Mosley at his best.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.

A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions. --Steph Cha, Los Angeles Times

It's 1953 in Red-baiting, blacklisting Los Angeles--a moral tar pit ready to swallow Easy Rawlins. Easy is out of the hurting business and into the housing (and favor) business when a racist IRS agent nails him for tax evasion. Special Agent Darryl T. Craxton, FBI, offers to bail him out if he agrees to infiltrate the First American Baptist Church and spy on alleged communist organizer Chaim Wenzler. That's when the murders begin....

The name Easy Rawlins stirs excitement in the hearts of readers and fear in the hearts of his foes. His success has bought him a thriving detective agency, with its first female detective; a remote home, shared with children and pets and lovers, high atop the hills overlooking gritty Los Angeles; and more trouble, more problems, and more threat to those whom he loves. In other words, he's still beset on all sides.

A number of below-the-law powerbrokers plead with Easy to locate a mysterious, dangerous woman--Lutisha James, though she's gone by another name that Easy will immediately recognize. 1970s Los Angeles is a transient city of delicate, violent balances, and Lutisha has disturbed that. She also has a secret that will upend Easy's own life, painfully closer to home.

In this highly anticipated sequel from Edgar Award-winning master of craft and narrative, Walter Mosley, Joe King Oliver is entangled in a dangerous case when he's asked to investigate whether a white nationalist is being unjustly set up (National Book Foundation).

When friend of the family and multi-billionaire Roger Ferris comes to Joe with an assignment, he's got no choice but to accept, even if the case is a tough one to stomach. White nationalist Alfred Xavier Quiller has been accused of murder and the sale of sensitive information to the Russians. Ferris has reason to believe Quiller's been set up and he needs King to see if the charges hold.

This linear assignment becomes a winding quest to uncover the extent of Quiller's dealings, to understand Ferris' skin in the game, and to get to the bottom of who is working for whom. Even with the help of bodyguard and mercenary Oliya Ruez--no regular girl Friday--the machine King's up against proves relentless and unsparing. As King gets closer to exposing the truth, he and his loved ones barrel towards grave danger.

Mosley once again proves himself a master of craft and narrative (National Book Foundation) in this carefully plotted mystery that is at once a classic caper, a family saga and an examination of fealty, pride and how deep debt can go.

A NYTBR Editors' Choice Selection

January 1970 finds Ezekiel Easy Rawlins, LA's premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas.

The missing ex, a young white man named Curt Fields, is found dead. Easy's only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that's only the beginning.

Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970's have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul.

In the delectably hard-boiled (Entertainment Weekly) Six Easy Pieces, beloved Ezekiel Rawlins now has a steady job as senior head custodian of Sojourner Truth High School, a nice house with a garden, a loving woman, and children. He counts the blessings of leading a law-abiding life but is nowhere near happy. Easy mourns the loss of his best friend, Mouse. Though he tries to leave the street life behind, he still finds himself trading favors and investigating cases of arson, murder, and missing people. People who can't depend on the law to solve their problems, seek out Easy.

A bomb is set in the high school where Easy works. A man's daughter runs off with his employee. A beautiful woman turns up dead and the man who loved her is wrongly accused. Easy is the man people turn to in search of justice and retribution. He even becomes party to a killing that the police might call murder.

Intergalactic visions, deadly threats, and explosive standoffs between mostly good and completely evil converge in a dystopian fantasy that could only be conceived by the inimitable Walter Mosley, one of the country's most beloved and acclaimed writers

Martin Just wakes up one morning after what feels like, and might actually be, a centuries-long sleep with two new innate pieces of knowledge: Humanity is a virus destined to destroy all existence. And he is the Cure.

Martin begins slipping into an alternate consciousness, with new physical strengths, to violently defend his family--the only Black family in their neighborhood in the Hollywood Hills of Los Angeles-- against pure evil. Think Octavia Butler meets Jeff VanderMeer meets Jordan Peele.

Expansive and innovative, sexy and satirical, Touched brilliantly imagines the ways in which human life and technological innovation threaten existence itself.

The police don't show up on Easy's doorstep until the third girl dies. It's Los Angeles, 1956 and it takes more than a murdered black girl before the cops get interested. Now they need Easy. The LAPD need help to find the serial killer who's going around murdering young, African American strippers. They only show up when the killer murders a white girl.

But Easy turns them down. As he says: I was worth a precinct full of detectives when the cops needed the word in the ghetto. He's married now, a father, and his detective days are over. When the white college coed dies, the cops make it clear that if Easy doesn't help his best friend is headed for jail. So Easy is back, walking the midnight streets of Watts and the darker twisted avenues of a cunning killer's mind, in the most explosive Easy Rawlins mystery yet.

Intended as both inspiration and instruction, this book provides the tools to turn out a first draft painlessly and then revise it into something finer. Mosley teaches you how to:

• Create a daily writing regimen to fit any writer's needs -- and how to stick to it.
• Determine the narrative voice that's right for every writer's style.
• Hook readers with dynamic characters.
• Get past those first challenging sentences and into the heart of a story.
• And much more.

In the beginning there was Ezekiel Easy Rawlins and Raymond Mouse Alexander, two young men setting out in life, hitting the road in a borrowed '36 Ford headed for Pariah, Texas. The volatile Mouse wants to retrieve money from his stepfather so he can marry his Etta Mae.

But on their steamy bayou excursion, Mouse will choose murder as a way out, while Easy's past liaison with Etta Mae floats precariously in his memory. Easy and Mouse are coming of age and everything they ever knew about friendship and about themselves is coming apart at the seams.

As Mosley takes Easy and Mouse on this journey to manhood, he weaves together a remarkable cast of friends and foes, who are introduced here for the first time and will later appear in Easy Rawlins mysteries. This is the chance to unravel the mystery behind the souls of every character.

In this critically acclaimed collection of stores, noir
legend Walter Mosley takes his unique vision of American society into the
future. As the nation descends into chaos, its citizens wonder, is the world
ending, or has the apocalypse already come and gone?

In Whispers in the Dark, an ex-con sells his
organs to ensure his brilliant nephew's future. The boy will grow up to have
the highest IQ ever recorded, but the uncle, who sold his eyes, won't be able
to see it. In Voices, a history professor becomes addicted to a drug called
pulse, which gives him access to a world of vivid fantasy while tearing his brain
to shreds. By the time the professor qualifies for a brain transplant, he's no
longer sure what's real and what's imagined. And in Angel's Island, a convict
in the world's largest private prison reveals the facility's chilling secrets

A masterful collection of stories that showcases one of the country's most beloved and acclaimed writers--award-winning author, Walter Mosley.

Bestselling author Walter Mosley has proven himself a master of narrative tension, both with his extraordinary fiction and gripping writing for television. The Awkward Black Man collects seventeen of Mosley's most accomplished short stories to showcase the full range of his remarkable talent.

Mosley presents distinct characters as they struggle to move through the world in each of these stories--heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals. In The Good News Is, a man's insecurity about his weight gives way to a serious illness and the intense loneliness that accompanies it. Deeply vulnerable, he allows himself to be taken advantage of in return for a little human comfort in a raw display of true need. Pet Fly, previously published in the New Yorker, follows a man working as a mailroom clerk for a big company--a solitary job for which he is overqualified--and the unforeseen repercussions he endures when he attempts to forge a connection beyond the one he has with the fly buzzing around his apartment. And Almost Alyce chronicles failed loves, family loss, alcoholism, and a Zen approach to the art of begging that proves surprisingly effective.

Touching and contemplative, each of these unexpected stories offers the best of one of our most gifted writers.