One morning, so early that fog still sleeps on the surface of the river, a young boy accompanies his yeye seven miles north to the grassy field behind their home to cut satintail to feed the livestock. But when a massive gale scatters the hay--and a whole day's work--important lessons will need to be learned about endurance, impermanence, and how to let go and weather the storm in a world that can often feel overwhelming and uncontrollable.

In sparse, lyrical prose interpreted by critically acclaimed author-illustrator Ying-Hwa Hu, The Gale is the first-ever picture book by the Nobel Prize-winning author of celebrated classics like Red Sorghum and Life and Death Are Wearing Me Out. It is adapted from the novella of the same name.

This powerful novel by Mo Yan--one of contemporary China's most famous and prolific writers--is both a stirring love story and an unsparing critique of political corruption during the final years of the Qing Dynasty, China's last imperial epoch.

Sandalwood Death is set during the Boxer Rebellion (1898-1901)--an anti-imperialist struggle waged by North China's farmers and craftsmen in opposition to Western influence. Against a broad historical canvas, the novel centers on the interplay between its female protagonist, Sun Meiniang, and the three paternal figures in her life. One of these men is her biological father, Sun Bing, an opera virtuoso and a leader of the Boxer Rebellion. As the bitter events surrounding the revolt unfold, we watch Sun Bing march toward his cruel fate, the gruesome sandalwood punishment, whose purpose, as in crucifixions, is to keep the condemned individual alive in mind-numbing pain as long as possible.

Filled with the sensual imagery and lacerating expressions for which Mo Yan is so celebrated, Sandalwood Death brilliantly exhibits a range of artistic styles, from stylized arias and poetry to the antiquated idiom of late Imperial China to contemporary prose. Its starkly beautiful language is here masterfully rendered into English by renowned translator Howard Goldblatt.

Spanning three generations, this novel of family and myth is told through a series of flashbacks that depict events of staggering horror set against a landscape of gemlike beauty as the Chinese battle both the Japanese invaders and each other in the turbulent 1930s.

As the novel opens, a group of villagers, led by Commander Yu, the narrator's grandfather, prepare to attack the advancing Japanese. Yu sends his 14-year-old son back home to get food for his men; but as Yu's wife returns through the sorghum fields with the food, the Japanese start firing and she is killed.

Her death becomes the thread that links the past to the present and the narrator moves back and forth recording the war's progress, the fighting between the Chinese warlords and his family's history.