The internationally bestselling author of Who Cooked the Last Supper? presents a wickedly witty and very current history of the extraordinary female rebels, reactionaries, and trailblazers who left their mark on history from the French Revolution up to the present day.

Now is the time for a new women's history--for the famous, infamous, and unsung women to get their due--from the Enlightenment to the #MeToo movement.

Recording the important milestones in the birth of the modern feminist movement and the rise of women into greater social, economic, and political power, Miles takes us through through a colorful pageant of astonishing women, from heads of state like Empress Cixi, Eugenia Charles, Indira Gandhi, Jacinda Ardern, and Ellen Johnson Sirleaf to political rainmakers Kate Sheppard, Carrie Chapman Catt, Anna Stout, Dorothy Height, Shirley Chisholm, Winnie Mandela, STEM powerhouses Jocelyn Bell Burnell, Rosalind Franklin, Sophia Kovalevskaya, Marie Curie, and Ada Lovelace, revolutionaries Olympe de Gouges, Harriet Tubman, Sojourner Truth, Patyegarang, and writer/intellectuals Mary Wollstonecraft, Simon de Beauvoir, Elaine Morgan, and Germaine Greer. Women in the arts, women in sports, women in business, women in religion, women in politics--this is a one-stop roundup of the tremendous progress women have made in the modern era.

A testimony to how women have persisted--and excelled--this is a smart and stylish popular history for all readers.

Who Cooked the Last Supper? overturns the phallusy of history and gives voice to the untold history of the world: the contributions of millions of unsung women.

Men dominate history because men write history. There have been many heroes, but no heroines. Here, in Who Cooked the Last Supper?, is the history you never learned--but should have

Without politics or polemics, this brilliant and witty book overturns centuries of preconceptions to restore women to their rightful place at the center of culture, revolution, empire, war, and peace. Spiced with tales of individual women who have shaped civilization, celebrating the work and lives of women around the world, and distinguished by a wealth of research, Who Cooked the Last Supper? redefines our concept of historical reality.

In the golden time of Arthur and Guenevere, the Island of the West shines like an emerald in the sea--one of the last strongholds of Goddess-worship and Mother-right. Isolde is the only daughter and heiress of Ireland's great ruling queen, a lady as passionate in battle as she is in love. La Belle Isolde, like her mother, is famed for her beauty, but she is a healer instead of a warrior, of all surgeons, the best among the isles. A natural peacemaker, Isolde is struggling to save Ireland from a war waged by her dangerously reckless mother. The Queen is influenced by her lover, Sir Marhaus, who urges her to invade neighboring Cornwall and claim it for her own, a foolhardy move Isolde is determined to prevent. But she is unable to stop them. King Mark of Cornwall sends forth his own champion to do battle with the Irish--Sir Tristan of Lyonesse--a young, untested knight with a mysterious past. A member of the Round Table, Tristan has returned to the land of his birth after many years in exile, only to face Ireland's fiercest champion in combat. When he lies victorious but near death on the field of battle, Tristan knows that his only hope of survival lies to the West. He must be taken to Ireland to be healed, but he must go in disguise--for if the Queen finds out who killed her beloved, he will follow Marhaus into the spirit world. His men smuggle him into the Queen's fort at Dubh Lein, and beg the princess to save him.

From this first meeting of star-crossed lovers, an epic story unfolds. Isolde's skill and beauty impress Tristan's uncle, King Mark of Cornwall, and--knowing nothing of her love for Tristan--he decides to make her his queen, a match her mother encourages as a way to bind their lands under one rule. Tristan and Isolde find themselves caught in the crosscurrents of fate, as Isolde is forced to marry a man she does not love. Taking pity on her daughter, the Queen gives her an elixir that will create in her a passion for King Mark and ensure that their love will last until death. But on the voyage to Ireland, Tristan and Isolde drink the love potion by accident, sealing their already perilous love forever.

So begins the first book of the Tristan and Isolde trilogy, another stunning example of the storyteller's craft from Rosalind Miles, author of the beloved and bestselling Guenevere trilogy.

The final thrilling chapter in the Tristan and Isolde trilogy

Isolde, heir to the throne of the queens, is now a sovereign in her own right. With the glories of the throne comes the responsibility of a queen, and Isolde knows she must return to her beloved Western Isle. She can no longer tolerate her marriage to King Mark of Cornwall, a marriage she has accepted for years to save her country from the threat of war--and to be near her only love, Mark's nephew, Tristan of Lyonesse. And so she leaves Cornwall and comes home to Ireland, where her lords face a growing threat from the warlike Picti, who live in the barren highlands to the north of England. The Picti have a bold new king, Darath, who is determined to take the riches of Ireland for his own people, whether by war or by marriage with Isolde.

Isolde gathers her armies to confront the Picti while facing a violent conflict with King Mark, who vows he will not let a prize like Isolde, and Ireland, slip from his grasp. Isolde is last in a line of famous warrior queens who have guarded Ireland from time before memory, and now she--and her knight, Tristan--must play out their fate and face her enemies in a final battle, a war that could spell ruin for them both.

To download a free copy of the discussion group guide in this book visit CrownPublishing.com.

A spellbinding novel about Elizabeth I from the internationally bestselling author of the Guenevere and Tristan and Isolde trilogies.

Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What's more, her favorites--William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh--had made
the Elizabethan era a cultural Golden Age still remembered today.

But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.

Last in a line of proud queens elected to rule the fertile lands of the West, true owner of the legendary Round Table, guardian of the Great Goddess herself . . . a woman whose story has never been told--until now.

As High King and Queen, Arthur and Guenevere reign supreme across the many kingdoms of Great Britain. Still, Guenevere secretly mourns the loss of her beloved Lancelot, who has returned to the Sacred Lake of his boyhood, hoping to restore his faith in chivalry in the place where he learned to be a knight. In a glittering Pentecost ceremony, new knights are sworn to the Round Table, including Arthur's nephews, Agravain and Gawain. After many years of strife, peace is restored to Guenevere's realm.

But betrayal, jealousy, and ancient blood feuds fester unseen. Morgan Le Fay, now the mother of Arthur's only son, Mordred, has become the focus of Merlin's age-old quest to ensure the survival of the house of Pendragon. From the east comes the shattering news that Guenevere may have a rival for Lancelot's love. A bleak shadow falls again across Camelot--and across the sacred isle of Avalon, where Roman priests threaten the life of the Lady herself. At the center of the storm is Guenevere, torn between her love for her husband, her people, and Sir Lancelot of the Lake.

With rare and intuitive magic, Rosalind Miles brings to life a legendary woman's bravery and passion, and all the pageantry, heartbreak, violence, and beauty of an age gone by.

An engaging collection that uncovers injustices in history and overturns misconceptions about the role of women in war

When you think of war, you think of men, right? Not so fast. In Hell Hath No Fury, Rosalind Miles and Robin Cross prove that although many of their stories have been erased or forgotten, women have played an integral role in wars throughout history.

In witty and compelling biographical essays categorized and alphabetized for easy reference, Miles and Cross introduce us to war leaders (Cleopatra, Elizabeth I, Margaret Thatcher); combatants (Molly Pitcher, Lily Litvak, Tammy Duckworth); spies (Belle Boyd, Virginia Hall, Noor Inayat Khan); reporters and propagandists (Martha Gellhorn, Tokyo Rose, Anna Politkov- skaya); and more. These are women who have taken action and who challenge our perceived notions of womanhood. Some will be familiar to readers, but most will not, though their deeds during wartime were every bit as important as their male contemporaries' more heralded contributions.

Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study.

In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson's output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.

The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson's expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson's life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.

Though he is one of the undisputed giants of English literature, Ben Jonson is known to most people only as the author of one or two masterly plays which regularly appear in the drama repertory. He is much less well-known for his whole oeuvre, which encompasses poetry, criticism, masque-making, and a lifetime of linguistic and lexicographical study.

In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson's output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama.

The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson's expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson's life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.