Aimed at children between the ages of eight and twelve, Seeing Things is a wonderful introduction to photography that asks how photographers transform ordinary things into meaningful moments.

In this book, acclaimed and beloved photographer Joel Meyerowitz takes readers on a journey through the power and magic of photography: its abilities to freeze time, tell a story, combine several layers into one frame and record life's fleeting and beautiful moments. The book features the work of masters such as William Eggleston, Mary Ellen Mark, Helen Levitt and Walker Evans, among many others. Each picture is accompanied by a short commentary, encouraging readers to look closely and use their imagination to understand key ideas in photography such as light, gesture, composition-and, ultimately, how there is wonder all around us when viewed through the lens.

An early advocate of color photography, Joel Meyerowitz has impacted and influenced generations of artists. For fifty-eight years, the master photographer has documented the United States' ever-changing social landscape.

During the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with color. Just how, when, and why American fine art photographers switched from black-and-white image-making, prized within the gallery system, to color photography, once seen as the preserve of tourist photography, has been the cause of much debate.

In Joel Meyerowitz: A Question of Color, Meyerowitz tells the story of his early days as a photographer when he was told that serious photographers took black-and-white pictures. But why, he asked, when the world is in color? He then bought a color camera and various rolls of film and began to experiment with color techniques: a passion he continues to pursue.

The 'Masters of Photography' series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots.

The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.

Praise for Joel Meyerowitz's retrospective, Where I Find Myself:
So let me say it plainly: Joel Meyerowitz's Where I Find Myself is a compelling, wonderful, deeply pleasing collection of an essential photographer's work. [it] is a necessary book. Necessary because of its size and scope. Necessary because of the way it holds the aesthetic of the artist in the air. LensCulture

More than just a career retrospective, Meyerowitz's book is a personal celebration of photography as an art form. Publishers Weekly

After over half a century of making pictures, Meyerowitz is noted as one of the most influential photographers living today. A new book titled Joel Meyerowitz's Where I Find Myself brings together his tremendous archive to create a portrait of not only America during the 20th and early 21st centuries, but also a prolific artist with a lifetime of groundbreaking work. BuzzFeed

Joel Meyerowitz's Where I Find Myself is a pièce de résistance, a masterful feat of publishing that sets the bar as high as it can possibly reach. The photographer's magnum opus opens in the present day, with his most recent body of work and unfolds in reverse chronological order, leading us through a spellbinding life in photography that is simply unparalleled. Feature Shoot

After 40 years Meyerowitz continues to entice and enthrall with a consistency of vision that reshapes subject matter in his own light. If you are a fan of Meyerowitz's work and especially of Cape Light, this lifetime retrospective will be a treasured addition. New York Journal of Books

Cape Light, Joel Meyerowitz's series of serene and contemplative color photographs taken on Cape Cod, Massachusetts, quickly became one of the most influential and popular photobooks in the latter part of the 20th century after its publication in 1978, breaking new ground both for color photography and for the medium's acceptance in the art world. Now, more than 35 years later, Joel Meyerowitz: Cape Light is back. This edition features all the now-iconic images, newly remastered and luxuriously printed in a larger format. In Cape Light, everyday scenes--an approaching storm, a local grocery store at dusk, the view through a bedroom window--are transformed by the stunning natural light of Cape Cod and the luminous vision of the photographer. Though Meyerowitz had begun shooting in color on the streets of New York a decade earlier, it was this collection of photographs that brought his sensitive color photography to wider notice. Meyerowitz is a contemporary master of color photography, and this powerful, captivating photobook is a classic of the genre.

A photographic travelog of Meyerowitz's yearlong journey across postwar Europe

In 1966, at the age of 28, photographer Joel Meyerowitz embarked on a journey that would take him to the United Kingdom, Ireland, Spain, France, Germany, Eastern Europe, Turkey and Greece. In total, he drove 20,000 miles through 10 countries and ended up taking 25,000 photographs. This trip was a transcendental experience and formative in shaping Meyerowitz's instinctive and brilliant identity that he is known for today. Europa 1966-1967 compiles a selection of photographs taken by Meyerowitz on his yearlong trip through Europe, offering an exciting glimpse of the New Old World that, having lately overcome the trauma of World War II, opened itself to modernity and progress. Meyerowitz witnessed societies in transition, stuck between dictatorship and economic blossoming. Yet he also documented unshakable cultural traditions, such as when he lived with a flamenco-performing family in Francoist Spain for six months. The strength and freshness of Meyerowitz's gaze and the new codes that were captured in these pictures inspired the next generation of photographers.
Joel Meyerowitz (born 1938) is a street, portrait and landscape photographer. The New York native began photographing in color in 1962 and was an early advocate for its use at a time when there was significant resistance to the idea of color photography as serious art. Many of his photographs are icons of modern photography, and he is considered one of the most influential representatives of the New Color Photography of the 1960s and '70s. His work has appeared in over 350 exhibitions around the world and is in the collections of the Museum of Fine Arts, Boston, the Art Institute of Chicago, the Museum of Modern Art, New York, and many other museums worldwide.

The oral autobiography of one of American photography's most legendary figures

Joel Meyerowitz is one of the pioneers of color photography, street photography, large-format photography and portraiture. The Pleasure of Seeing offers a look behind the scenes of his life and career. In conversation with historian and photographer Lorenzo Braca, Meyerowitz describes meeting Robert Frank; photographing on the streets of New York City with Tony Ray-Jones and Garry Winogrand; traveling across America and Europe; learning from John Szarkowski; working on exhibitions and publications; photographing at Ground Zero in 2001 and 2002; and producing his most recent still lifes and self-portraits.
Meyerowitz reveals the stories behind many of his famous photographs and discusses the value of the visual image as well as technical details concerning cameras and lenses, the printing process and various films. The book features over 100 images, including Meyerowitz's most iconic photographs and new and previously unpublished material.
Born in the Bronx in 1938, Joel Meyerowitz began capturing everyday scenes on the streets of New York in 1962 and was an early adopter of color film for the genre, advocating its use when many photographers resisted its popularization. He has published more than 35 books.
Lorenzo Braca (born 1977) is an Italian historian and photographer who has published widely on the literature and imagination of the late Middle Ages. His photography explores the urban environment. His first solo exhibition was held in 2021.

An expanded edition of Meyerowitz's acclaimed study of the many shades and styles of red hair

Photographer Joel Meyerowitz (born 1938) began photographing redheads in 1978 against the contrasting blue backdrop of Cape Cod. The portraits from this period are collected in this new edition of Meyerowitz's 1991 photobook Redheads, featuring 16 additional images. After running an ad in the Provincetown Advocate, Meyerowitz began collecting the experiences of people who grew up with red hair, in addition to photographing them. Making up only two or three percent of the world's population, their stories of schoolyard bullying and self-acceptance illustrate a broader narrative of growth and beauty.
Despite cultural and racial distinctions between redheads, the phenotypic association between the subjects brings a sense of familiality to the collection of portraits.
Meyerowitz describes how red hair and its reaction to light evokes a sense of the color film process. He is known for his transition to color film during a period of resistance to color photography. My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity, Meyerowitz writes, but simply standing eye to eye with anyone who has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through. This hardcover edition includes previously unseen portraits.

A precious document of a lost world and time. --Guy Trebay, New York Times

If extraterrestrials asked me to convey the nature of human beings, I'd show them Joel Meyerowitz's dazzling array of portraits. I can think of no better testament to the joy, the beauty, the sheer force of our lives here on Earth. --Michael Cunningham, Pulitzer Prize-winning author of The Hours

The beach town of Provincetown, Massachusetts, has long been defined by outsiders. A safe haven for the queer community and a getaway for artists, it is a place defined by openness and tolerance. Throughout the late 1970s and early '80s, Joel Meyerowitz spent his summers there, roaming the seaside with an 8-by-10 camera, making exquisite, sharply observed portraits of families, couples, children, artists, and other denizens of the progressive community. A cast of characters appear and reappear from season to season against a picturesque backdrop of sea, sand, and sun. Provincetown collects one hundred portraits, most never before published, bringing viewers into an idyllic world of self-styled individualism.

Meyerowitz brilliantly demonstrates how C zanne's studio and its contents enhanced the flatness of his paintings

Some years ago, while working on a book commission about Provence, Joel Meyerowitz visited C zanne's studio in Aix-en-Provence. While there, he experienced a flash of understanding about C zanne's art. C zanne had painted the studio walls a dark gray, mixing the color himself. Consequently, every object in the studio seemed to be absorbed into the gray of the background. There were no telltale reflections around the edges of the objects, so there was nothing that could separate them from the background itself. Meyerowitz suddenly saw how C zanne, making his small, patch-like brush marks, moved from the object to the background, and back again to the objects, without the illusion of perspective. After all, C zanne was the original voice of flatness.

Meyerowitz decided to take each of the objects in C zanne's studio and view them against the gray wall (managing to obtain permission from the Director of the Atelier--no-one had touched these objects in ages). His impulse was to place each one in the exact same spot on his marble-topped table and just make a dumb record of it. He then decided to arrange them in rows, almost as if they were back on his shelf above the table, and made a grid of five rows with five objects on each row, with C zanne's hat as the centerpiece.

This beautifully designed volume presents these photographs, which are at once marvelous photographic still lifes and an incredible revelation of C zanne's methods.