A literary ode to peace, presence, and fulfillment inspired by a walk taken with a most surprising creature.

The demon of speed is often associated with forgetting, with avoidance . . . and slowness with memory and confronting, observes Milan Kundera in his novel Slowness. With that purpose in mind-a search for slowness and tranquility, Andy Merrifield sets out on a journey of the soul with a friend's donkey, Gribouille, to walk amid the ruins and spectacular vistas of southern France's Haute-Auvergne.

As Merrifield contemplates literature, science, truth, and beauty amid the French countryside, Gribouille surprises him with his subtle wisdom, reminding him time and again that enlightenment is all around us if we but seek it.

A contemporary interrogation of Marx's masterwork

Karl Marx saw the ruling class as a sorcerer, no longer able to control the ominous powers it has summoned from the netherworld. Today, in an age spawning the likes of Donald Trump and Boris Johnson, our society has never before been governed by so many conjuring tricks, with collusions and conspiracies, fake news and endless sleights of the economic and political hand. And yet, contends Andy Merrifield, as our modern lives become ever more mist-enveloped, the works of Marx can help us penetrate the fog.

In Marx, Dead and Alive--a book that begins and ends beside Marx's recently violated London graveside--Merrifield makes a spirited case for a critical thinker who can still offer people a route toward personal and social authenticity. Bolstering his argument with fascinating examples of literature and history, from Shakespeare and Beckett, to the Luddites and the Black Panthers, Merrifield demonstrates how Marx can reveal our individual lives to us within a collective perspective--and within a historical continuum. Who we are now hinges on who we once were--and who we might become. This, at a time when our value-system is undergoing core post-truth meltdown.

A contemporary interrogation of Marx's masterwork

Karl Marx saw the ruling class as a sorcerer, no longer able to control the ominous powers it has summoned from the netherworld. Today, in an age spawning the likes of Donald Trump and Boris Johnson, our society has never before been governed by so many conjuring tricks, with collusions and conspiracies, fake news and endless sleights of the economic and political hand. And yet, contends Andy Merrifield, as our modern lives become ever more mist-enveloped, the works of Marx can help us penetrate the fog.

In Marx, Dead and Alive--a book that begins and ends beside Marx's recently violated London graveside--Merrifield makes a spirited case for a critical thinker who can still offer people a route toward personal and social authenticity. Bolstering his argument with fascinating examples of literature and history, from Shakespeare and Beckett, to the Luddites and the Black Panthers, Merrifield demonstrates how Marx can reveal our individual lives to us within a collective perspective--and within a historical continuum. Who we are now hinges on who we once were--and who we might become. This, at a time when our value-system is undergoing core post-truth meltdown.

A passionate call for independent thinking

We have lost our amateur spirit and need to rediscover the radical and liberating pleasure of doing things we love.

In The Amateur, thinker Andy Merrifield shows us how the many spheres of our lives--work, knowledge, home, politics--have fallen into the hands of box tickers, bean counters and pedants. In response, he corrals a team of independent thinkers, wayward poets, dabblers and square pegs who challenge accepted wisdom. Such figures as Charles Baudelaire, Fyodor Dostoevsky, Edward Said, Guy Debord, Hannah Arendt and Jane Jacobs show us the way. As we will see, the amateur takes risks, thinks the unthinkable, seeks independence--and changes the world.

The Amateur is a passionate manifesto for the liberated life, one that questions authority and reclaims the iconoclast as a radical hero of our times.

Life in the city can be both liberating and oppressive. The contemporary city is an arena in which new and unexpected personal identities and collective agencies are forged and at the same time the major focus of market forces intent on making all life a commodity. This book explores both sides of the urban experience, developing a perspective from which the contradictory nature of the politics of the city comes more clearly into view.
Dialectical Urbanism discusses a range of urban issues, conflicts and struggles through detailed case studies set in Liverpool, Baltimore, New York, and Los Angeles. Issues which affect the quality of everyday life in the citygentrification and development, affordable rents, the accountability of local government, the domination of the urban landscape by new corporate giants, policingare located in the context of larger political and economic forces. At the same time, the narrative constantly returns to those moments in which city dwellers discover and develop their capacity to challenge larger forces and decide their own conditions of life, becoming active citizens rather than the passive consumers.
Merrifield draws on a wide range of sourcesfrom interviews with activists and tenants fighting eviction to government and corporate reportsand uncovers surprising connections, for example, between the rise of junk bonds in the 1980s and urban improvement schemes in a working-class neighborhood in Baltimore. This lively and many-sided narrative is constantly informed by broader analyses and reflections on the city and engages with these analyses in turn. It fuses scholarship and political engagement into a powerful defense of the possibilities of life in the metropolis today.

The New Urban Question is an exuberant and illuminating adventure through our current global urban condition, tracing the connections between radical urban theory and political activism. From Haussmann's attempts to use urban planning to rid 19th-century Paris of workers revolution to the contemporary metropolis, including urban disaster-zones such as downtown Detroit, Merrifield reveals how the urban experience has been profoundly shaped by class antagonism and been the battle-ground for conspiracies, revolts and social eruptions. Going beyond the work of earlier urban theorists such as Manuel Castells, Merrifield identifies the new urban question that has emerged and demands urgent attention, as the city becomes a site of active plunder by capital and the setting for new forms of urban struggle, from Occupy to the Indignados.

With a career in literature and art spanning more than sixty years, John Berger is characterized by an independent and anti-institutional approach to creativity. Working in a range of media including novels, painting, essays and scriptwriting, Berger's voice has resounded through mainstream and alternative culture alike. He is perhaps best known for his seminal book of art criticism Ways of Seeing, published in 1972. Tied directly into a four-part BBC television series, the book presented a radical new interpretation of Western cultural aesthetics. In the same year, Berger's experimental novel G. was awarded the Man Booker Prize for Fiction, cementing his reputation as a boundary-pushing writer and thinker. In this concise yet detailed study of Berger's life and work, the first for decades, Andy Merrifield sheds light on Berger the man, the artist, and the concerned citizen. Merrifield shows Berger to be a figure who constantly strives to open up new horizons, and also reveals the depth of feeling that infuses even his most intellectual work. In this sense, Berger is a creator who feels reality like the irrationalist Rousseau, yet is also a meticulous realist, probing objects critically and rationally like Spinoza. John Berger stitches together art, literature, biography and politics into a lucid, coherent whole. The result is a reader-friendly, freewheeling narrative, which gives fascinating insight into one of the most influential thinkers of our times. The book is essential reading for students and scholars of art, literature and twentieth-century culture.

Though well-known for his founding of the avant-garde Situationist International movement and his prominent political and cultural activism, Guy Debord was nonetheless a surprisingly elusive and enigmatic figure, spending his last years in an isolated farmhouse in Champot, France. Andy Merrifield's Guy Debord pushes back the farmhouse shutters and opens a window onto Debord's life, theory, and art.

Merrifield explores the dynamics of Debord's ideas and works, including the groundbreaking Howls for Sade and his 1967 classic, The Society of the Spectacle. Debord understood life as art, Merrifield argues, and through that lens he chronicles Debord's stint as a revolutionary leader in the 1950s and 1960s, his time in Spain and Italy during the 1970s and the reclusive years leading up to his death in 1994.

Dada and Surrealism's legacy and punk rock's god, Guy Debord spun theories on democracy, people, and political power that still resonate today, making Merrifield's concise yet comprehensive study an invaluable resource on one of the foremost intellectual revolutionaries of the twentieth century.

Life in the city can be both liberating and oppressive. The contemporary city is an arena in which new and unexpected personal identities and collective agencies are forged and at the same time the major focus of market forces intent on making all life a commodity. This book explores both sides of the urban experience, developing a perspective from which the contradictory nature of the politics of the city comes more clearly into view.
Dialectical Urbanism discusses a range of urban issues, conflicts and struggles through detailed case studies set in Liverpool, Baltimore, New York, and Los Angeles. Issues which affect the quality of everyday life in the citygentrification and development, affordable rents, the accountability of local government, the domination of the urban landscape by new corporate giants, policingare located in the context of larger political and economic forces. At the same time, the narrative constantly returns to those moments in which city dwellers discover and develop their capacity to challenge larger forces and decide their own conditions of life, becoming active citizens rather than the passive consumers.
Merrifield draws on a wide range of sourcesfrom interviews with activists and tenants fighting eviction to government and corporate reportsand uncovers surprising connections, for example, between the rise of junk bonds in the 1980s and urban improvement schemes in a working-class neighborhood in Baltimore. This lively and many-sided narrative is constantly informed by broader analyses and reflections on the city and engages with these analyses in turn. It fuses scholarship and political engagement into a powerful defense of the possibilities of life in the metropolis today.

*Shortlisted for the Bread and Roses Prize, 2012*

Andy Merrifield breathes new life into the Marxist tradition. Magical Marxism demands something more of orthodox Marxism - something more interesting and liberating. It asks that we imagine a Marxism that moves beyond debates about class, the role of the state and the dictatorship of the proletariat. In escaping the formalist straitjacket of typical Marxist critique, Merrifield argues for a reconsideration of Marxism and its potential, applying previously unexplored approaches to Marxist thinking that will reveal vital new modes of political activism and debate. This book will provoke and inspire in equal measure. It gives us a Marxism for the 21st century, which offers dramatic new possibilities for political engagement.

The Politics of the Encounter is a spirited interrogation of the city as a site of both theoretical inquiry and global social struggle. The city, writes Andy Merrifield, remains important, virtually and materially, for progressive politics. And yet, he notes, more than forty years have passed since Henri Lefebvre advanced the powerful ideas that still undergird much of our thinking about urbanization and urban society. Merrifield rethinks the city in light of the vast changes to our planet since 1970, when Lefebvre's seminal Urban Revolution was first published. At the same time, he expands on Lefebvre's notion of the right to the city, which was first conceived in the wake of the 1968 student uprising in Paris.

We need to think less of cities as entities with borders and clear demarcations between what's inside and what's outside and emphasize instead the effects of planetary urbanization, a concept of Lefebvre's that Merrifield makes relevant for the ways we now experience the urban. The city--from Tahrir Square to Occupy Wall Street--seems to be the critical zone in which a new social protest is unfolding, yet dissenters' aspirations are transcending the scale of the city physically and philosophically. Consequently, we must shift our perspective from the right to the city to the politics of the encounter, says Merrifield. We must ask how revolutionary crowds form, where they draw their energies from, what kind of spaces they occur in--and what kind of new spaces they produce.

The New Urban Question is an exuberant and illuminating adventure through our current global urban condition, tracing the connections between radical urban theory and political activism.

From Haussmann's attempts to use urban planning to rid 19th-century Paris of workers revolution to the contemporary metropolis, including urban disaster-zones such as downtown Detroit, Merrifield reveals how the urban experience has been profoundly shaped by class antagonism and been the battle-ground for conspiracies, revolts and social eruptions.

Going beyond the work of earlier urban theorists such as Manuel Castells, Merrifield identifies the new urban question that has emerged and demands urgent attention, as the city becomes a site of active plunder by capital and the setting for new forms of urban struggle, from Occupy to the Indignados.

With the advent of AIDS, the proliferation of gangs and drugs, and the uneasy sensation that Big Brother is actually watching us, the dark side of urban living seems to be overshadowing the brighter side of pleasure, liberation, and opportunity.
The Urbanization of Injustice chronicles these bleak urban images, while taking to task exclusivist politics, globalization theory, and superficial environmentalism. Exploring the links between urbanism, power, and justice, The Urbanization of Injustice presents the thoughts and theories of Edward Soja, David Harvey, Marshall Bermann, Doreen Masey, Sharon Zukin, Susan Fainstein, Ira Katznelson, Nell Smith, and Michael Keith in one cohesive volume, bringing us one step closer to genuinely humane and socially just urban practices.

The Politics of the Encounter is a spirited interrogation of the city as a site of both theoretical inquiry and global social struggle. The city, writes Andy Merrifield, remains important, virtually and materially, for progressive politics. And yet, he notes, more than forty years have passed since Henri Lefebvre advanced the powerful ideas that still undergird much of our thinking about urbanization and urban society. Merrifield rethinks the city in light of the vast changes to our planet since 1970, when Lefebvre's seminal Urban Revolution was first published. At the same time, he expands on Lefebvre's notion of the right to the city, which was first conceived in the wake of the 1968 student uprising in Paris.

We need to think less of cities as entities with borders and clear demarcations between what's inside and what's outside and emphasize instead the effects of planetary urbanization, a concept of Lefebvre's that Merrifield makes relevant for the ways we now experience the urban. The city--from Tahrir Square to Occupy Wall Street--seems to be the critical zone in which a new social protest is unfolding, yet dissenters' aspirations are transcending the scale of the city physically and philosophically. Consequently, we must shift our perspective from the right to the city to the politics of the encounter, says Merrifield. We must ask how revolutionary crowds form, where they draw their energies from, what kind of spaces they occur in--and what kind of new spaces they produce.

Following his hugely popular book, The Wisdom of Donkeys, Andy Merrifield breathes new life into the Marxist tradition.

Magical Marxism demands something more of traditional Marxism - something more interesting and liberating. It asks that we imagine a Marxism that moves beyond debates about class, the role of the state and the dictatorship of the proletariat. In escaping the formalist straitjacket of orthodox Marxist critique, Merrifield argues for a reconsideration of Marxism and its potential, applying previously unexplored approaches to Marxist thinking that will reveal vital new modes of political activism and debate.

This book will provoke and inspire in equal measure. It gives us a Marxism for the 21st century, which offers dramatic new possibilities for political engagement.

A radical manifesto about doing what you love

Andy Merrifield offers a passionate tribute to the revolutionary spirit of the amateur--a figure who thinks outside the box, takes risks, dreams the impossible dream, seeks independence, and carves out a new world. Merrifield celebrates such square pegs as Charles Baudelaire, Fyodor Dostoevsky, Edward Said, Guy Debord, Hannah Arendt, and Jane Jacobs, each of whom shows us a path of unconventional wisdom and freedom.

The Amateur advocates urgently for the liberated life, one that creates the space to question authority.

A remarkable personal journey through the life and writings of the great Sardinian Marxist, Antonio Gramsci

In June 2023, author Andy Merrifield and his partner and their daughter moved from the UK to Rome, she to take a new job, he to get his creative juices flowing again, and both to begin a new life. A short time later, he visited Gramsci's grave at the Non-Catholic Cemetery, home as well to the great Romantics, Percy Bysshe Shelley and John Keats. Soon he took a volunteer position helping to maintain the cemetery and as it turned out, to keep a watchful eye on Gramsci's tombstone, admiring the roses and notes that visitors left, talking to some of them and communing with the sentinel cat that kept watch near the gravesite. Thus began Merrifield's deep dive into Gramsci's life.

The result is a stunning portrait that offers fresh insights into nearly every aspect of Gramsci's often tortured existence: a childhood scarred by severe health problems; his growing understanding of political economy; his generosity and kindness; his grasp of the culture of workers and peasants; his friendship with the economist Piero Sraffa; and his frustration trying to communicate with and be father to the son he never saw. Above all, Merrifield illuminates how Gramsci kept his humanity, suffering horribly in prison while writing a revolutionary classic, The Prison Notebooks.

Personal, compassionate, moving--and illustrated with the author's photographs --Merrifield revives both the legacy and meaning of Gramsci's work and the dying art of belles lettres. Roses for Gramsci is an evocative and indelible book.