The Pulitzer Prize--winning classic of the American West that follows two aging Texas Rangers embarking on one last adventure. An epic of the frontier and rich with complex characters, Lonesome Dove is the grandest novel ever written about the last defiant wilderness.

Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

The first prequel in Larry McMurtry's beloved Lonesome Dove series features the early adventures of Texas Rangers Augustus McCrae and Woodrow F. Call, two of the most memorable heroes in contemporary fiction.

As young Texas Rangers, Augustus McCrae and Woodrow Call (Gus and Call for short) have much to learn about survival in a land fraught with perils: not only the blazing heat and raging tornadoes, roiling rivers and merciless Indians, but also the deadly whims of soldiers. On their first expeditions--led by incompetent officers and accompanied by the robust, dauntless whore known as the Great Western--they will face death at the hands of the cunning Comanche war chief Buffalo Hump and the silent Apache Gomez. They will be astonished by the Mexican army. And Gus will meet the love of his life.

The acclaimed sequel to Larry McMurtry's Pulitzer Prize-winning classic Lonesome Dove, and the culmination of the legendary western saga, follows the further adventures of these beloved characters as they reckon with their past choices and uncertain futures in the rapidly changing American West.

Captain Woodrow Call, August McCrae's old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena--once Gus McCrae's sweetheart. This long chase leads them across the last wild stretches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.

The Pulitzer Prize--winning classic of the American West that follows two aging Texas Rangers embarking on one last adventure. An epic of the frontier and rich with complex characters, Lonesome Dove is the grandest novel ever written about the last defiant wilderness.

Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

The second prequel, following Dead Man's Walk, to Larry McMurtry's classic novel Lonesome Dove charts the harrowing careers of Texas Rangers Augustus McCrae and Woodrow F. Call as they fight foes throughout the Texas territory and their own demons, setting up the events of the Pulitzer Prize-winning classic.

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The second book of Larry McMurtry's Lonesome Dove tetralogy, Comanche Moon takes us once again into the world of the American West.

Texas Rangers August McCrae and Woodrow Call, now in their middle years, continue to deal with the ever-increasing tensions of adult life--Gus with his great love, Clara Forsythe, and Call with Maggie Tilton, the young whore who loves him. Two proud but very different men, they enlist with the Ranger troop in pursuit of Buffalo Hump, the great Comanche war chief; Kicking Wolf, the celebrated Comanche horse thief; and a deadly Mexican bandit king with a penchant for torture. Assisting the Rangers in their wild chase is the renowned Kickapoo tracker, Famous Shoes.

Comanche Moon closes the twenty-year gap between Dead Man's Walk and Lonesome Dove, following beloved heroes Gus and Call and their comrades in arms--Deets, Jake Spoon, and Pea Eye Parker--in their bitter struggle to protect the advancing West frontier against the defiant Comanches, courageously determined to defend their territory and their way of life.

The Last Picture Show (1966) is both a rambunctious coming-of-age story and an elegy to a forlorn Texas town trying to keep its one movie house alive. Adapted into the Oscar-winning film, this masterpiece immortalizes the lives of the hardscrabble residents who are threatened by the inexorable forces of the modern world.

In this comically subversive work of fiction (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.

In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark realities of the American West play out in a mesmerizing love triangle. Stubborn rancher Gideon Fry, resilient Molly Taylor, and awkward ranch hand Johnny McCloud struggle with love and jealousy as the years pass.

Hailed as one of the best novels ever set in America's fourth largest city (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's comic genius, his ability to render a sense of landscape, and interior intellection tension (Jim Harrison, New York Times Book Review). Desperate to break from the mundane happiness of Houston, budding writer Danny Deck hops in his car, El Chevy, bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naive troubadour's pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully normal friend. Since the novel's publication in 1972, Danny Deck has been far more successful at getting loved by readers than he ever was at getting loved by the women in his life (McMurtry), a testament to the author's incomparable talent for capturing the essential tragicomedy of the human experience.

A stunning literary debut, Horseman, Pass By (1961) exhibits the full-blooded Western genius (Publishers Weekly) that would come to define McMurtry's incomparable sensibility. In the dusty north Texas town of Thalia, young Lonnie Bannon quietly endures the pangs of maturity as a persistent rivalry between his grandfather and step-uncle, Hud, festers, and a deadly disease spreads among their cattle like wildfire.

In this acclaimed novel that inspired the Academy Award-winning motion picture, Larry McMurtry created two unforgettable characters who won the hearts of readers and moviegoers everywhere: Aurora Greenway and her daughter Emma.

Aurora is the kind of woman who makes the whole world orbit around her, including a string of devoted suitors. Widowed and overprotective of her daughter, Aurora adapts at her own pace until life sends two enormous challenges her way: Emma's hasty marriage and subsequent battle with cancer. Terms of Endearment is the Oscar-winning story of a memorable mother and her feisty daughter and their struggle to find the courage and humor to live through life's hazards--and to love each other as never before.

From Pulitzer Prize-winning author Larry McMurtry comes the first in a four-volume epic journey through the early American frontier, featuring the Berrybender family, English nobility adrift in the American West in the 1830s.It is 1830, and the Berrybender family--rich, aristocratic, English, and hopelessly out of place--is on its way up the Missouri River to see the untamed West as it begins to open up. Lord and Lady Berrybender have abandoned their home in England to broaden the horizons for themselves and their three children. With irascible determination--and a great deal of outright chaos--the party experiences both the awesome majesty and brutal savagery of the unexplored land, from buffalo stampedes and natural disasters to Indian raids and encounters with frontiersmen and trappers, explorers, pioneers, and one part-time preacher known as the Sin Killer. Sin Killer, the strong, silent Westerner, captures the heart of the strong-willed, beautiful Berrybender daughter, Tasmin. But their fast developing relationship can only bring more trouble for the Berrybender's. Packed with breathtaking adventure, charming romance, and a sense of humor stretching clear over the horizon, Sin Killer is a truly unique view of the West that could only come from the boundless skill and imagination of Larry McMurtry.

In a lucid, brilliant work of nonfiction, Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become.

Using an essay by the German literary critic Walter Benjamin that he first read in Archer City's Dairy Queen, McMurtry examines the small town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.​

McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life's work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

Larry McMurtry's Moving On, his epic first novel in the acclaimed Houston series, has long been considered a defining tale of monumental honesty worthy of great attention (New York Times). Preceding Terms of Endearment by five years, it is essential reading for anyone who appreciates the inherent genius of McMurtry's late twentieth-century fiction. Moving On centers on the life of Patsy Carpenter, one of his most beloved characters. After calmly finishing a Hershey bar alone in her car, a restless Patsy drives away from her lifeless marriage in search of a greater purpose. In precise and lyrical prose (Boston Globe), McMurtry reveals the complex, colorful lives of Pete, the rodeo clown; high-spirited cowboy Sonny Shanks; and impassioned grad student Hank. A critical work of American literature that presents human drama with sympathy and compassion (Los Angeles Times), Moving On unfolds a tale of perseverance and emotional survival in the modern-day West.

Larry McMurtry burst onto the American literary scene with a force that would forever redefine how we perceive the American West. His first three novels-- Horseman, Pass By (1961), * Leaving Cheyenne (1963), and The Last Picture Show (1966)-- all set in the north Texas town of Thalia after World War II, are collected here for the first time. In this trilogy, McMurtry writes tragically of men and women trying to carve out an existence on the plains, where the forces of modernity challenge small- town American life. From a cattleranch rivalry that confirms McMurtry's full- blooded Western genius (Publishers Weekly) to a love triangle involving a cowboy, his rancher boss and wife, and finally to the hardscrabble citizens of an oil- patch town trying to keep their only movie house alive, McMurtry captures the stark realities of the West like no one else. With a new introduction, Thalia emerges as an American classic that celebrates one of our greatest literary masters.

*Just named in 2017 by Publishers Weekly the #1 Western novel worthy of rediscovery.

The second volume in Larry McMurtry's four-part historical epic featuring the Berrybender family as they continue their journey through the West during the 1830s.

In The Wandering Hill, Larry McMurtry continues the story of Tasmin Berrybender and her eccentric family in the still unexplored Wild West of the 1830s. Their journey is one of exploration, beset by difficulties, tragedies, the desertion of trusted servants, and the increasing hardships of day-to-day survival in a land where nothing can be taken for granted. By now, Tasmin is married to the elusive young mountain man Jim Snow (the Sin Killer).

On his part, Jim is about to discover that in taking the outspoken, tough-minded, stubbornly practical young aristocratic woman into his teepee he has bitten off more than he can chew. Still, theirs is a great love affair and dominates this volume of Larry McMurtry's The Berrybender Narratives, in which Tasmin gradually takes center stage as her father loses his strength and powers of concentration, and her family goes to pieces stranded in the hostile wilderness.

The Wandering Hill (which refers to a powerful and threatening legend in local Indian folklore) is at once literature on a grand scale and riveting entertainment by a master storyteller.

In this tale of high-spirited and terrifying adventure, set against the background of the West that Larry McMurtry has made his own, By Sorrow's River is an epic in its own right with the return of the formidable, young Tasmin Berrybender.

At the heart of this third volume of his Western saga remains the beautiful and determined Tasmin Berrybender, now married to the Sin Killer and mother to their young son, Monty. By Sorrow's River continues the Berrybender party's trail across the endless Great Plains of the West toward Santa Fe, where they intend, those who are lucky enough to survive the journey, to spend the winter. They meet up with a vast array of characters from the history of the West: Kit Carson, the famous scout; Le Partezon, the fearsome Sioux war chief; two aristocratic Frenchmen, whose eccentric aim is to cross the Great Plains by hot air balloon; a party of slavers; a band of raiding Pawnee; and many other astonishing characters who prove, once again, that the rolling, grassy plains are not, in fact, nearly as empty of life as they look. Most of what is there is dangerous and hostile, even when faced with Tasmin's remarkable, frosty sangfroid. She is one of the strongest and most interesting of Larry McMurtry's characters, and she stands at the center of this powerful and ambitious novel of the West.

In this brilliant saga--the final volume of The Berrybender Narratives and an epic in its own right--Larry McMurtry lives up to his reputation for delivering novels with wit, grace, and more than a hint of what might be called muscular nostalgia, fit together to create a panoramic portrait of the American West (The New York Times Book Review).

As this finale opens, Tasmin and her family are under irksome, though comfortable, arrest in Mexican Santa Fe. Her father, the eccentric Lord Berrybender, is planning to head for Texas with his whole family and his retainers, English, American, and Native American. Tasmin, who would once have followed her husband, Jim Snow, anywhere, is no longer even sure she likes him, or knows where to go to next. Neither does anyone else--even Captain Clark, of Lewis and Clark fame, is puzzled by the great changes sweeping over the West, replacing Native Americans and buffalo with towns and farms.

In the meantime, Jim Snow, accompanied by Kit Carson, journeys to New Orleans, where he meets up with a muscular giant named Juppy, who turns out to be one of Lord Berrybender's many illegitimate offspring, and in whose company they make their way back to Santa Fe. But even they are unable to prevent the Mexicans from carrying the Berrybender family on a long and terrible journey across the desert to Vera Cruz.

Starving, dying of thirst, and in constant, bloody battle with slavers pursuing them, the Berrybenders finally make their way to civilization--if New Orleans of the time can be called that--where Jim Snow has to choose between Tasmin and the great American plains, on which he has lived all his life in freedom, and where, after all her adventures, Tasmin must finally decide where her future lies.

With a cast of characters that includes almost every major real-life figure of the West, Folly and Glory is a novel that represents the culmination of a great and unique four-volume saga of the early days of the West; it is one of Larry McMurtry's finest achievements.

Before embarking on what would become one of the most prominent writing careers in American literature, spanning decades and indelibly shaping the nation's perception of the West, Larry McMurtry knew what it meant to come from Texas. Originally published in 1968, In a Narrow Grave is the Pulitzer Prize-winning author's homage to the past and present of the Lone Star State, where he grew up a precociously observant hand on his father's ranch. From literature to rodeos, small-town folk to big city intellectuals, McMurtry explores all the singular elements that define his land and community, revealing the surprising and particular challenges in the dying . . . rural, pastoral way of life. The gold standard for understanding Houston's brash rootlessness and civic insecurities (Douglas Brinkley, New York Times Book Review), In a Narrow Grave offers a timeless portrait of the vividly human, complex, full-blooded Texan.

A brilliant and riveting history of the famous and infamous massacres that marked the settling of the American West in the nineteenth century.

In Oh What a Slaughter, Larry McMurtry has written a unique, brilliant, and searing history of the bloody massacres that marked--and marred--the settling of the American West in the nineteenth century, and which still provoke immense controversy today.

Here are the true stories of the West's most terrible massacres--Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans, and, in the case of the hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children.

McMurtry's evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small--Custer's famous defeat at Little Big Horn in 1876 was the only encounter to involve more than two hundred dead--yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horrors they had committed. From letters and diaries, McMurtry has created a moving and swiftly paced narrative, as memorable in its way as such classics as Evan S. Connell's Son of the Morning Star and Dee Brown's Bury My Heart at Wounded Knee.

In Larry McMurtry's own words:
I have visited all but one of these famous massacre sites--the Sacramento River massacre of 1846 is so forgotten that its site near the northern California village of Vina can only be approximated. It is no surprise to report that none of the sites are exactly pleasant places to be, though the Camp Grant site north of Tucson does have a pretty community college nearby. In general, the taint that followed the terror still lingers and is still powerful enough to affect locals who happen to live nearby. None of the massacres were effectively covered up, though the Sacramento River massacre was overlooked for a very long time.

But the lesson, if it is a lesson, is that blood--in time, and, often, not that much time--will out. In case after case the dead have managed to assert a surprising potency.

The deep, constant apprehension, which neither the pioneers nor the Indians escaped, has, it seems to me, been too seldom factored in by historians of the settlement era, though certainly it saturates the diary-literature of the pioneers, particularly the diary-literature produced by frontier women, who were, of course, the likeliest candidates for rapine and kidnap.