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In this ambitious and exciting work Richard Maxwell uses nineteenth century urban fiction- particularly the novels of Victor Hugo and Charles Dickens- to define a greater genre, the novel of urban mysteries. His title comes from the mystery mania that captured both sides of the channel.
In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode popular mysteries of the era and to reveal man's evolving consiousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in the nineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.
Media and the Ecological Crisis is a collaborative work of interdisciplinary writers engaged in mapping, understanding and addressing the complex contribution of media to the current ecological crisis. The book is informed by a fusion of scholarly, practitioner, and activist interests to inform, educate, and advocate for real, environmentally sound changes in design, policy, industrial, and consumer practices. Aligned with an emerging area of scholarship devoted to identifying and analysing the material physical links of media technologies, cultural production, and environment, it contributes to the project of greening media studies by raising awareness of media technology's concrete environmental effects.
Every day we are inundated by propaganda that claims life will be better once we are connected to digital technology. Poverty, famine, and injustice will end, and the economy will be green. All anyone needs is the latest smartphone.
In this succinct and lively book, Maxwell and Miller take a critical look at contemporary gadgets and the systems that connect them, shedding light on environmental risks. Contrary to widespread claims, consumer electronics and other digital technologies are made in ways that cause some of the worst environmental disasters of our time - conflict-minerals extraction, fatal and life-threatening occupational hazards, toxic pollution of ecosystems, rising energy consumption linked to increased carbon emissions, and e-waste. Nonetheless, a greener future is possible, in which technology meets its emancipatory and progressive potential.
How Green is Your Smartphone? encourages us to look at our phones in a wholly new way, and is important reading for anyone concerned by the impact of everyday technologies on our environment.
Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system and the designers who create media content to the salvage workers who dismantle the industry's high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between.
Specifically, this book features:
-wide-ranging international case studies spanning the major global hubs of media labor;
-interdisciplinary approaches for thinking about and analyzing class and labor in information communication technology (ICT), consumer electronics (CE), and media/cultural production;
-an overview of global political economic conditions affecting media workers;
-reports on chemical environments and their effect on the health of media workers and consumers;
-activist scholarship on media and labor, and inspiring stories of resistance and solidarity.
This volume collects for the first time the work of one of America's most important, vital and original young voices. Turning the American family drama firmly on its head, Maxwell strips more layers of explanation from the Freudian family romance, shining light on the humiliation and fury usually reasoned out of sight by psychologizing playwrights. Few characters in contemporary drama are as exposed as Maxwell's.--Marc Robinson, Village Voice
Imagine if you took a giant hatpin and stuck it into Sylvester Stallone's Rocky. Once all the hot air had leaked out of that melodrama about a working-class underdog who wins fame, fortune and love in the boxing ring, you might find something very much like Richard Maxwell's Boxing 2000. By taking a conventional formula and draining it of all its humid sentimentality and synthetic adrenaline, Mr. Maxwell discovers something new and unexpected. Boxing 2000 is a real knockout: a play that not only challenges theatrical clichés, but your ideas about theatre itself.--Wall Street Journal
It's a sensation that's felt all too rarely these days. Watching Mr. Maxwell's work makes you think of what it must have been like to stumble upon the baffling but seductive creations of a young Sam Shepard in the early 1960's in the East Village.--, New York Times
This first volume collects nine of Maxwell's early works: Boxing 2000, Caveman, House (1999 OBIE Award winner), Showy Lady Slipper and others.
Richard Maxwell is a writer, director and songwriter. He began his acting career with the Steppenwolf Theatre Company in Chicago, where he helped found the Cook County Theater Department, which challenged the principles of traditional acting training. He is artistic director of New York City Players. His plays have been performed in the U.S. at Soho Rep, The Kitchen, P.S. 122, HERE, the Williamstown Theater Festival, Walker Arts Center and the Wexner Center for the Arts; and in Paris, Berlin, Dublin, Brussels, Amsterdam and Vienna.
Media and the Ecological Crisis is a collaborative work of interdisciplinary writers engaged in mapping, understanding and addressing the complex contribution of media to the current ecological crisis. The book is informed by a fusion of scholarly, practitioner, and activist interests to inform, educate, and advocate for real, environmentally sound changes in design, policy, industrial, and consumer practices. Aligned with an emerging area of scholarship devoted to identifying and analysing the material physical links of media technologies, cultural production, and environment, it contributes to the project of greening media studies by raising awareness of media technology's concrete environmental effects.
Every day we are inundated by propaganda that claims life will be better once we are connected to digital technology. Poverty, famine, and injustice will end, and the economy will be green. All anyone needs is the latest smartphone.
In this succinct and lively book, Maxwell and Miller take a critical look at contemporary gadgets and the systems that connect them, shedding light on environmental risks. Contrary to widespread claims, consumer electronics and other digital technologies are made in ways that cause some of the worst environmental disasters of our time - conflict-minerals extraction, fatal and life-threatening occupational hazards, toxic pollution of ecosystems, rising energy consumption linked to increased carbon emissions, and e-waste. Nonetheless, a greener future is possible, in which technology meets its emancipatory and progressive potential.
How Green is Your Smartphone? encourages us to look at our phones in a wholly new way, and is important reading for anyone concerned by the impact of everyday technologies on our environment.
In this ambitious and exciting work Richard Maxwell uses nineteenth century urban fiction- particularly the novels of Victor Hugo and Charles Dickens- to define a greater genre, the novel of urban mysteries. His title comes from the mystery mania that captured both sides of the channel.
In The Mysteries of Paris and London Maxwell employs a sweeping vision of the nineteenth century and a formidable grasp of both popular culture and high culture to decode popular mysteries of the era and to reveal man's evolving consiousness of the city. His style is elegant and lucid. It is a book for anyone curious about the fortunes of the novel in the nineteenth century, the cultural history of that period, particularly in France and England, the relations between art and literature, or the power of the written word to produce and present social knowledge.
Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system and the designers who create media content to the salvage workers who dismantle the industry's high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between.
Specifically, this book features:
-wide-ranging international case studies spanning the major global hubs of media labor;
-interdisciplinary approaches for thinking about and analyzing class and labor in information communication technology (ICT), consumer electronics (CE), and media/cultural production;
-an overview of global political economic conditions affecting media workers;
-reports on chemical environments and their effect on the health of media workers and consumers;
-activist scholarship on media and labor, and inspiring stories of resistance and solidarity.
One article looks at the emergence of the biometrics industries and its effect on surveillance systems and businesses. Another addresses the labor of surveillance and how surveillance work and policy affect the homeland security workforce. Various geographic areas are highlighted in several essays, including those on sex workers in Bengal, local surveillance in Turkey, and welfare surveillance and resistance in Appalachian Ohio. Additional themes include historical modes of surveillance, processes of legitimation for intensifying surveillance, and cultural representations of surveillance.
Contributors. Kelly A. Gates, Swati Ghosh, John Gilliom, Margaret Morganroth Gullette, Richard Maxwell, Laikwan Pang, David J. Phillips, Michael J. Shapiro, agatay Topal
