Explores the lives and intellectual influences of the creators of Critical Race Theory

Critical race theory (CRT), a vital movement and discipline in American legal scholarship, has transformed our understanding of systemic racism. Yet despite insightful analysis revealing the threads of racism embedded in American institutions and society, it has been demonized by opponents at every turn, with numerous state legislators now seeking to ban its use in the classroom.

The Origins of Critical Race Theory weaves together the many sources of critical race theory, recounting the origin story for one of the most insightful and controversial academic movements in U.S. history. In addition to introducing readers to the tenets and key insights of critical race theory, Martinez and Smith explore the lives and intellectual influences of the movement's founders, shedding light on how the many components of critical race theory eventually formed into a movement.

Through archival research and interviews with scholars like Derrick Bell, Richard Delgado, and Jean Stefancic, Aja Y. Martinez and Robert O. Smith provide the personal side of critical race theory. They reveal that despite the Marxist menace it has recently been made out to be, critical race theory is an organic extension of the Civil Rights movement, a deeply human and deeply American response to ongoing systemic injustice and inequity. An insightful exploration into the story of a movement, The Origins of Critical Race Theory narrates the hidden influences, fascinating characters, and intellectual struggles that informed critical race theory's inception.

Winner of the 2023 CCCC Outstanding Book Award and the CCCC Advancement of Knowledge Award

Named one of the 20 Best New Rhetoric Books to Read in 2021 by BookAuthority

Winner of the 2021 Vision Award from the Coalition for Community Writing

Humanities scholar Aja Y. Martinez makes a compelling case for counterstory as methodology in rhetoric and writing studies through the well-established framework of critical race theory (CRT), reviewing first the counterstory work of Richard Delgado, Derrick Bell, and Patricia J. Williams, whom she terms counterstory exemplars. Delgado, Bell, and Williams, foundational critical race theorists working in the respective counterstory genres of narrated dialogue, fantasy/allegory, and autobiography, have set precedent for others who would research and compose with this method.

Arguing that counterstory provides opportunities for marginalized voices to contribute to conversations about dominant ideology, Martinez applies racial and feminist rhetorical criticism to the rich histories and theories established through counterstory genres, all the while demonstrating how CRT theories and methods can inform teaching, research, and writing/publishing of counterstory.

About the CCCC Studies in Writing & Rhetoric (SWR) Series
In this series, the methods of studies vary from the critical to historical to linguistic to ethnographic, and their authors draw on work in various fields that inform composition--including rhetoric, communication, education, discourse analysis, psychology, cultural studies, and literature. Their focuses are similarly diverse--ranging from individual writers and teachers, to classrooms and communities and curricula, to analyses of the social, political, and material contexts of writing and its teaching.