Film photography has recently witnessed a significant renaissance--and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who have only ever shot digitally. In The Film Photography Handbook, 3rd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today's working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing.

This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You'll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography.

You'll learn all about:

- The important differences between film and digital photography

- Numerous film cameras, as well as how to buy a secondhand camera

- Film formats, from 35 mm to medium format and large format

- Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films

- Processing film, covering everything you need to know: equipment, chemicals, and workflow

- Scanning negatives to bring your analog photography into a digital workflow

- Both presenting and archiving your prints and negatives

Working in such an analog medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 3rd Edition covers it all--from the technical to the creative--and will have you shooting film in no time, whether it's with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.

The very thing that makes wide-angle photography so compelling also makes it a challenge: While you're sure to capture a vast scene using a wide-angle lens, it can be difficult to direct the viewer's attention when so many elements are included in an image. For many photographers, the results of their wide-angle attempts are a disappointment and they just can't seem to achieve that Wow they are hoping for in their images.

Whether you're new to wide-angle lenses or you've been frustrated by them for a long time, expert photographer, teacher, and author Chris Marquardt is here to help. Wide-Angle Photography is packed with information--as well as beautiful and inspiring photography--that will help you take your wide-angle image making to the next level.

In a friendly, accessible manner Chris walks you through in-depth discussions of both the advantages and the pitfalls of wide-angle photography, the fundamentals you need to know, composition and design principles, and the specific genres in which wide-angle lenses can be used to create outstanding images--not only for landscape photography, but for portrait, street, architectural, and interior photography, as well. Throughout the book, Chris offers hands-on exercises that drive home the concepts being taught so you can learn by doing. Chris also dedicates two full chapters to tilt-shift lenses for those who are interested in exploring and maximizing the fascinating capabilities these kinds of lenses offer.

Topics include:

• Types of lenses and filters
• Understanding depth of field
• Angles of view, crop factors, and focal lengths
• Handling distortion and aberrations
• Composition, design, and context
• Point of view and perspective
• Wide-angle for various genres
• Panoramas and stitching images
• Tilt-shift lenses
• Hands-on exercises
• And much more...

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In recent years, film photography has witnessed a significant renaissance--and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who only have experience shooting digitally. In The Film Photography Handbook, 2nd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today's working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing.

This book is intended for anyone who is curious about film and analog photography, whether you need a refresher course or are discovering this wonderful format for the first time. You'll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography.

You'll learn all about:

- The important differences between film and digital photography

- Numerous film cameras, as well as how to buy a second-hand camera

- Film formats, from 35 mm to medium format and large format

- Exposure settings, tonal values, and tonal representations in different types of film, from color negatives and slides to the enormous spectrum of black-and-white films

- Processing film, covering everything you need to know: equipment, chemicals, and workflow

- Scanning negatives to bring your analog photography into a digital workflow

- Both presenting and archiving your prints and negatives

Working in such an analog medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analog photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 2nd Edition covers it all--from the technical to the creative--and will have you shooting film in no time, whether it's with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.