New York Dram Critc's Circle Award for Best Foreign Play
Evening Standard Award for Best Comedy
London Critics' Circle Award for Best Play
Time Out Award for Best West End Play
The award-winning play of love and betrayal that was the inspiration for Mike Nichols' acclaimed film of the same name and starring Julia Roberts, Jude Law, Natalie Portman, and Clive Own.
In Closer, Patrick Marber has created a brilliant exploration into the brutal anatomy of modern romance, where a quartet of strangers meet, fall in love, and become caught up in a web of sexual desire and betrayal. Closer is being hailed as one of the best new plays of the nineties, and as the London Observer noted, it has wired itself into the cultural vocabulary in a way that few plays have ever done.
Ibsen's classic in a version by Patrick Marber. Hedda returns from her honeymoon with new husband George Tesman. Struggling with her marriage and life devoid of excitement, Hedda strives to find a way to fulfill her desires by manipulating those around her.
This version opened at the National Theatre, London, in December 2016.
Passion. Loyalty. Salvation. Small time semi-pro football, the non-league. A world away from the wealth and the television cameras. A young player touched with brilliance arrives from nowhere. An ambitious manager determines to make him his own. And the old soul of the club still has dreams of glory. A haunting and humorous new play about the dying romance of the great English game - and the tender, savage love that powers it.
Marber Plays: 1 brings together three of this award-winning playwright's first plays produced at the National Theatre and the Donmar Warehouse, London.
Dealer's Choice premiered at the Royal National Theatre, London, in 1995 and subsequently transferred to the West End. It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play. 'An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head.' Financial Times After Miss Julie relocates August Strindberg's Miss Julie (1888) to an English country house in July 1945. In this radical re-imagining of theatre's first 'naturalistic tragedy' the events of Strindberg's original are transposed to the night of the British Labour Party's 'landslide' election victory. Closer: 'Love and sex are like politics: it's not what you say that matters, still less what you mean, but what you do. Patrick Marber understands this perfectly, and in Closer he has written one of the best plays of sexual politics in the language: it is right up there with Williams' Streetcar, Mamet's Oleanna, Albee's Virginia Woolf, Pinter's Old Times and Hare's Skylight.' The Sunday Times'Love and sex are like politics: it's not what you say that matters, still less what you mean, but what you do. Patrick Marber understands this perfectly, and in Closer he has written one of the best plays of sexual politics in the language: it is right up there with Williams' Streetcar, Mamet's Oleanna, Albee's Virginia Woolf, Pinter's Old Times and Hare's Skylight.' The Sunday Times
Patrick Marber's searing follow-up to Dealer's Choice establishes him as the leading playwright of his generation. Independent on Sunday This Student Edition comes complete with a full introduction, plot synopsis, commentary, discussion of the film version, bibliography and questions for study. It is the perfect edition for anyone studying the play at school or college.Dealer's Choice premiered at the Royal National Theatre, London, in 1995 and subsequently transferred to the West End. It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play.
'An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head.' Financial Times 'Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year.' Daily MailA new version of a world classic by one of Britain's best-known contemporary playwrights