A magical bedtime story, honored as a Caldecott Honor Book.
In sincere and imaginative dialogue between a child and her kind and understanding parents, the little girl decides in a cocoon of sheets, a nest of blankets, she is ready to sleep, warm and strong, just like a tiger.
The lyrical narrative echoes a Runaway Bunny-like cadence: Does everything in the world go to sleep? the little girl asks.
Artist Pamela Zagarenski's rich, luminous mixed-media paintings effervesce with charming details that non-yet-sleepy children can examine for hours. A rare gem.
Women Writing the West WILLA Award Finalist
From the reigning royalty of Minnesota murder mysteries (The Rake) comes a striking new heroine: a young Irish immigrant caught up in a deadly plot in nineteenth-century Deadwood When I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America.The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland's potato famine by moving to America, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him after eluding the unwanted attentions of the son of her rich employer in St. Paul--or so she hopes. But the morning after her arrival, a grisly tragedy occurs; Seamus, suspected of the crime, flees, and Brigid is left to clear his name and to manage his mining claim, which suddenly looks more valuable and complicated than he and his partners supposed.
Mary Logue, author of the popular Claire Watkins mysteries, brings her signature brio and nerve to this story of a young Irish woman turned reluctant sleuth as she tries to make her way in a strange and often dangerous new world. From the famine-stricken city of Galway to the bustling New York harbor, to the mansions of Summit Avenue in St. Paul, and finally to the raucous hustle of boomtown Deadwood, Logue's new thriller conjures the romance and the perils, and the tricky everyday realities, of a young immigrant surviving by her wits and grace in nineteenth-century America.
A grisly death near her new homestead draws Brigid Reardon into a complicated mystery soon after her arrival in Cheyenne, Wyoming, in 1881
After the harrowing events that entangled her in Deadwood, Brigid Reardon just wants to move west and get on with her new life in America. But shortly after traveling to Cheyenne to join her brother Seamus, she finds herself caught up in another deadly mystery--beginning with her discovery of a neighbor's body on the plains near their homes. Was Ella murdered? Are either of the two men in Ella's life responsible? With Seamus away on a cattle drive, her friend Padraic possibly succumbing to a local's charms, and the sheriff seemingly satisfied with Ella's fate, it falls to Brigid to investigate what really happened, which puts her in the crosshairs of one of Cheyenne's cattle barons, called big sugars in these parts. All she really wants is something better than a crumbling, soddy homestead on the desolate plains of Wyoming--and maybe, just maybe, she wants Padraic--but life, it seems, has other plans: this young immigrant from Ireland is going to be a detective on the western frontier of 1880s America, even if it kills her.
Loosely based on the true story of Ellen Watson in Cheyenne in 1889, The Big Sugar continues the adventure begun in Mary Logue's celebrated mystery The Streel, which introduced a gritty, charming, clever protagonist (Kirkus Reviews). With a faultless sense of history, a keen eye for suspense, and a poet's way with prose, Mary Logue all but guarantees that readers, like Brigid, will find the mystery at the heart of The Big Sugar downright irresistible.
One summer evening, while her sister Bridget takes care of Meg, Claire and Rich Haggard, a local pheasant farmer she's been dating for three months, attend a street dance in nearby Little Rock. Just as the fun gets under way, screams for help stop the music and put romance on hold. Someone has stabbed well-liked farmer Jed Spitzler in the chest. Members of the close-knit St. Antoine community join Jed's children in searching for Jed's killer.
Long-hidden town secrets are revealed as Claire seeks the truth and continues to struggle with her own demons.
A grisly death near her new homestead draws Brigid Reardon into a complicated mystery soon after her arrival in Cheyenne, Wyoming, in 1881
After the harrowing events that entangled her in Deadwood, Brigid Reardon just wants to move west and get on with her new life in America. But shortly after traveling to Cheyenne to join her brother Seamus, she finds herself caught up in another deadly mystery--beginning with her discovery of a neighbor's body on the plains near their homes. Was Ella murdered? Are either of the two men in Ella's life responsible? With Seamus away on a cattle drive, her friend Padraic possibly succumbing to a local's charms, and the sheriff seemingly satisfied with Ella's fate, it falls to Brigid to investigate what really happened, which puts her in the crosshairs of one of Cheyenne's cattle barons, called big sugars in these parts. All she really wants is something better than a crumbling, soddy homestead on the desolate plains of Wyoming--and maybe, just maybe, she wants Padraic--but life, it seems, has other plans: this young immigrant from Ireland is going to be a detective on the western frontier of 1880s America, even if it kills her.
Loosely based on the true story of Ellen Watson in Cheyenne in 1889, The Big Sugar continues the adventure begun in Mary Logue's celebrated mystery The Streel, which introduced a gritty, charming, clever protagonist (Kirkus Reviews). With a faultless sense of history, a keen eye for suspense, and a poet's way with prose, Mary Logue all but guarantees that readers, like Brigid, will find the mystery at the heart of The Big Sugar downright irresistible.