Attica Locke--a writer and producer of FOX's Empire--delivers an engrossing, complex, and cinematic thriller about crime and racial justice
Los Angeles Times Book Prize Finalist (Mystery/Thriller)
Edgar Award Nominee (Best First Novel)
The Orange Prize for Fiction (Shortlist)
A near-perfect balance of trenchant social commentary, rich characterizations, and action-oriented plot.... Attica Locke is] a writer wise beyond her years. -- Los Angeles Times
Atmospheric... deeply nuanced... akin to George Pelecanos or Dennis Lehane.... Subtle and compelling. -- New York Times
--James Ellroy, author of American Tabloid and L.A. ConfidentialFrom Attica Locke, a writer and producer of FOX's Empire:
The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience.--Dolen Perkins-Valdez, New York Times bestselling author of Wench
After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first--a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana's Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar(R) Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.
--New York TimesIn this stunning culmination of the award-winning Highway 59 trilogy, Detective Darren Mathews is pulled out of an early retirement to investigate the case of a missing black college student from an all-white sorority and soon finds a town that will stop at nothing to keep its secrets hidden.
Texas Ranger Darren Mathews isn't sure he's been a good cop, but believes he's got a shot at being a good man--if he manages to dodge the potential indictment hanging over his head and if he, from here on out, pledges allegiance to the truth. It's a virtue the country appears to have wholly lost its grip on, but one Darren sees as his salvation. He is in the midst of remaking his life with the woman he loves, hoping for the peace of country living at his beloved farmhouse, when he is visited by someone who couldn't hold the truth on her tongue if it was dipped in sugar, a woman who's always been bent of tearing his life apart. His mother. Armed with a tall tale about a missing Black college student, Sera (whose white sorority sisters insist she isn't missing at all). Darren must decide if his can trust his mother is telling the truth--and what her ulterior motive may be, and what if that motive has to do with a grand jury deciding his fate.
Darren gets his hooks into the investigation, along the way discovering things about Sera's family and her hometown that are odd at best, vaguely sinister at worst. Hamstrung by local law enforcement and the Texas Rangers who likewise doubt the account of a missing girl, if Darren wants answers, he'll need help from the person whom he swore to never trust again--his mother.
In this emotionally stirring conclusion to the singular Highway 59 series, set three years after the events of Heaven, My Home, Darren reckons with his life's purpose as he's forced to choose between his own peace and the higher call to do good.
WINNER OF THE HARPER LEE PRIZE FOR LEGAL FICTION
Wall Street Journal BEST BOOK OF THE YEAR
LONGLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
From Attica Locke, a writer and producer of FOX's Empire, this sophisticated thriller sees lawyer Jay Porter--hero of her bestseller Black Water Rising--return to fight one last case, only to become embroiled in a dangerous game of shadowy politics and a witness to how far those in power are willing to go to win.
Fifteen years after his career-defining case against Cole Oil, Jay Porter is broke and tired. That victory might have won the environmental lawyer fame, but thanks to a string of appeals, he hasn't seen a dime. His latest case--representing Pleasantville in the wake of a chemical fire--is dragging on, shaking his confidence and raising doubts about him within this upwardly mobile black community on Houston's north side. Though Jay still believes in doing what's right, he is done fighting other people's battles. Once he has his piece of the settlement, the single father is going to devote himself to what matters most--his children.
His plans are abruptly derailed when a female campaign volunteer vanishes on the night of Houston's mayoral election, throwing an already contentious campaign into chaos. The accused is none other than the nephew and campaign manager of one of the leading candidates--a scion of a prominent Houston family headed by the formidable Sam Hathorne. Despite all the signs suggesting that his client is guilty--and his own misgivings--Jay can't refuse when a man as wealthy and connected as Sam asks him to head up the defense. Not if he wants that new life with his kids. But he has to win.
Plunging into a shadowy world of ambitious enemies and treacherous allies armed with money, lies, and secrets, Jay reluctantly takes on his first murder trial--a case that will put him and his client, and an entire political process, on trial.
LONGLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION
From Attica Locke, a writer and producer of FOX's Empire, this sophisticated thriller sees lawyer Jay Porter--hero of her bestseller Black Water Rising--return to fight one last case, only to become embroiled in a dangerous game of shadowy politics and a witness to how far those in power are willing to go to win.
Fifteen years after his career-defining case against Cole Oil, Jay Porter is broke and tired. That victory might have won the environmental lawyer fame, but thanks to a string of appeals, he hasn't seen a dime. His latest case--representing Pleasantville in the wake of a chemical fire--is dragging on, shaking his confidence and raising doubts about him within this upwardly mobile black community on Houston's north side. Though Jay still believes in doing what's right, he is done fighting other people's battles. Once he has his piece of the settlement, the single father is going to devote himself to what matters most--his children.
His plans are abruptly derailed when a female campaign volunteer vanishes on the night of Houston's mayoral election, throwing an already contentious campaign into chaos. The accused is none other than the nephew and campaign manager of one of the leading candidates--a scion of a prominent Houston family headed by the formidable Sam Hathorne. Despite all the signs suggesting that his client is guilty--and his own misgivings--Jay can't refuse when a man as wealthy and connected as Sam asks him to head up the defense. Not if he wants that new life with his kids. But he has to win.
Plunging into a shadowy world of ambitious enemies and treacherous allies armed with money, lies, and secrets, Jay reluctantly takes on his first murder trial--a case that will put him and his client, and an entire political process, on trial.
From Attica Locke, a writer and producer of FOX's Empire:
The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience.--Dolen Perkins-Valdez, New York Times bestselling author of Wench
After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first--a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana's Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar(R) Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.
--New York Times