The definitive story of the seven Cleopatras, the powerful goddess-queens of ancient Egypt

One of history's most iconic figures, Cleopatra is rightly remembered as a clever and charismatic ruler. But few today realize that she was the last in a long line of Egyptian queens who bore that name.  
  
In The Cleopatras, historian Lloyd Llewellyn-Jones tells the dramatic story of these seven incomparable women, vividly recapturing the lost world of Hellenistic Egypt and tracing the kingdom's final centuries before its fall to Rome. The Cleopatras were Greek-speaking descendants of Ptolemy, the general who conquered Egypt alongside Alexander the Great. They were closely related as mothers, daughters, sisters, half-sisters, and nieces. Each wielded absolute power, easily overshadowing their husbands or sons, and all proved to be shrewd and capable leaders. Styling themselves as goddess-queens, the Cleopatras ruled through the canny deployment of arcane rituals, opulent spectacles, and unparalleled wealth. They navigated political turmoil and court intrigues, led armies into battle and commanded fleets of ships, and ruthlessly dispatched their dynastic rivals.   
  
The Cleopatras is a fascinating and richly textured biography of seven extraordinary women, restoring these queens to their deserved place among history's greatest rulers.   

A brilliant feat of resurrection (Tom Holland, author of Dominion), offering a stunning portrait of the magnificent splendor and enduring legacy of ancient Persia

The Achaemenid Persian kings ruled over the largest empire of antiquity, stretching from Libya to the steppes of Asia and from Ethiopia to Pakistan. From the palace-city of Persepolis, Cyrus the Great, Darius, Xerxes, and their heirs reigned supreme for centuries until the conquests of Alexander of Macedon brought the empire to a swift and unexpected end in the late 330s BCE.

In Persians, historian Lloyd Llewellyn-Jones tells the epic story of this dynasty and the world it ruled. Drawing on Iranian inscriptions, cuneiform tablets, art, and archaeology, he shows how the Achaemenid Persian Empire was the world's first superpower--one built, despite its imperial ambition, on cooperation and tolerance. This is the definitive history of the Achaemenid dynasty and its legacies in modern-day Iran, a book that completely reshapes our understanding of the ancient world.

A stunning portrait of the magnificent splendor and enduring legacy of ancient Persia

The Achaemenid Persian kings ruled over the largest empire of antiquity, stretching from Libya to the steppes of Asia and from Ethiopia to Pakistan. From the palace-city of Persepolis, Cyrus the Great, Darius, Xerxes, and their heirs reigned supreme for centuries until the conquests of Alexander of Macedon brought the empire to a swift and unexpected end in the late 330s BCE.

In Persians, historian Lloyd Llewellyn-Jones tells the epic story of this dynasty and the world it ruled. Drawing on Iranian inscriptions, cuneiform tablets, art, and archaeology, he shows how the Achaemenid Persian Empire was the world's first superpower--one built, despite its imperial ambition, on cooperation and tolerance. This is the definitive history of the Achaemenid dynasty and its legacies in modern-day Iran, a book that completely reshapes our understanding of the ancient world.

Esther is the most visual book of the Hebrew Bible and largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged.

In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

Towards the end of the fifth century BC Ctesias of Cnidus wrote his 23 book History of Persia. Ctesias is a remarkable figure: he lived and worked in the Persian court and, as a doctor, tended to the world's most powerful kings and queens. His position gave him special insight into the workings of Persian court life and access to the gossip and scandal surrounding Persian history and court politics, past and present. His History of Persia was completed at a time when the Greeks were fascinated by Persia and seems very much to cater to contemporary interest in Persian wealth and opulence, powerful Persian women, the institution of the harem, kings and queens, eunuchs and secret plots.

Presented here in English translation for the first time with commentaries, Ctesias offers a fascinating insight into Persia in the fifth century BC.

Greek women routinely wore the veil. That is the unexpected finding of this meticulous study, one with interesting implications for the origins of Western civilisation. The Greeks, popularly (and rightly) credited with the invention of civic openness, are revealed as also part of a more Eastern tradition of seclusion. Llewellyn-Jones' work proceeds from literary and, notably, from iconographic evidence. In sculpture and vase painting it demonstrates the presence of the veil, often covering the head, but also more unobtrusively folded back onto the shoulders. This discreet fashion not only gave a priviledged view of the face to the ancient art consumer, but also, incidentally, allowed the veil to escape the notice of traditional modern scholarship. From Greek literary sources, the author shows that full veiling of the head and face was commonplace. He analyses the elaborate Greek vocabulary for veiling and explores what the veil meant to achieve. He shows that the veil was a conscious extension of the house and was often referred to as tegidion', literally a little roof'. Veiling was thus an ingeneous compromise; it allowed women to circulate in public while mainting the ideal of a house-bound existence. Alert to the different types of veil used, the author uses Greek and more modern evidence (mostly from the Arab world) to show how women could exploit and subvert the veil as a means of eloquent, sometimes emotional, communication. First published in 2003 and reissued as a paperback in 2010, Llewellyn-Jones' book has established itself as a central - and inspiring - text for the study of ancient women.

Sister-Queens in the High Hellenistic Period is a cutting-edge exploration of ancient queenship and the significance of family politics in the dysfunctional dynasties of the late Hellenistic world.

This volume, the first full-length study of Kleopatra III and Kleopatra Thea and their careers as queens of Egypt and Syria, thoroughly examines the roles and ideology of royal daughters, wives, and queens in Egypt, the ancient Near East, and ancient Israel and provides a comprehensive study of the iconography, public image, and titles of each queen and their cultural precedents. In addition, this book also offers an introduction to the critical concept of the 'High Hellenistic Period' and the maturation of royal female power in the second century BCE.

Sister-Queens in the High Hellenistic Period is suitable for students and scholars in ancient history, Egyptology, classics, and gender studies, as well as the general reader interested in ancient queenship, ancient Egypt, the Hellenistic world, and gender in antiquity.

Explores Achaemenid kingship and argues for the centrality of the royal court in elite Persian society
The first Persian Empire (559-331 BCE) was the biggest land empire the world had seen, and seated at the heart of its vast dominions, in the south of modern-day Iran, was the person of the Great King. Hidden behind the walls of his vast palace, and surrounded by the complex rituals of court ceremonial, the Persian monarch was undisputed master of his realm, a god-like figure of awe, majesty, and mystery.Yet the court of the Great King was no simple platform for meaningless theatrical display; at court, presentation mattered: nobles vied for position and prestige, and the royal family attempted to keep a tight grip on dynastic power - in spite of succession struggles, murders, and usurpations, for the court was also the centre of political decision-making and the source of cultural expression.
Key features:
Draws on rich Iranian and Classical sourcesExamines key issues such as royal ideology, court structure, ceremony and ritual, royal migrations, gender, hierarchy, architecture and space and cultural achievementsAccesses the rarefied but dangerous world of Persian palace lifeIncludes guides to further reading and web resources to encourage research

In the period 1916-1966, during its so-called Golden Age, Hollywood developed a passion for the ancient world and produced many epic movie blockbusters. The studios used every device they could find to wow audiences with the spectacle of antiquity.
In this unique study, Lloyd Llewellyn-Jones shows how Hollywood carefully and skilfully created the popular modern perception of the ancient world. He analyses how producers, art directors, costumiers, publicity agents, movie stars, and inevitably, 'a cast of thousands' literally designed and crafted the ancient world from scratch.
This lively book offers a technical as well as a theoretical guide to a much-neglected area of film studies and reception studies that will appeal to anyone working in these disciplines.

Key Features:

This is the first study of the mechanisms and ideologies behind the making of epic movies in Hollywood
Lavishly illustrated including rare and fascinating marketing material and production stills produced by Hollywood at the time
Explores the casting and consequences of movie stars in historical roles
Sets a new agenda for exploring the relationship between history and film and between history and visual culture.

Lloyd Llewellyn-Jones is Professor of Ancient History at Cardiff University.

In the period 1916-1966, during its so-called Golden Age, Hollywood developed a passion for the ancient world and produced many epic movie blockbusters. The studios used every device they could find to wow audiences with the spectacle of antiquity.
In this unique study, Lloyd Llewellyn-Jones shows how Hollywood carefully and skilfully created the popular modern perception of the ancient world. He analyses how producers, art directors, costumiers, publicity agents, movie stars, and inevitably, 'a cast of thousands' literally designed and crafted the ancient world from scratch.
This lively book offers a technical as well as a theoretical guide to a much-neglected area of film studies and reception studies that will appeal to anyone working in these disciplines.

Key Features:

This is the first study of the mechanisms and ideologies behind the making of epic movies in Hollywood
Lavishly illustrated including rare and fascinating marketing material and production stills produced by Hollywood at the time
Explores the casting and consequences of movie stars in historical roles
Sets a new agenda for exploring the relationship between history and film and between history and visual culture.

Lloyd Llewellyn-Jones is Professor of Ancient History at Cardiff University.

Esther is the most visual book of the Hebrew Bible and largely crafted in the Fourth Century BCE by an author who was clearly au fait with the rarefied world of the Achaemenid court. It therefore provides an unusual melange of information which can enlighten scholars of Ancient Iranian Studies whilst offering Biblical scholars access into the Persian world from which the text emerged.

In this book, Lloyd Llewellyn-Jones unlocks the text of Esther by reading it against the rich iconographic world of ancient Persia and of the Near East. Ancient Persia and the Book of Esther is a cultural and iconographic exploration of an important, but often undervalued, biblical book, and Llewellyn-Jones presents the book of Esther as a rich source for the study of life and thought in the Persian Empire. The author reveals answers to important questions, such as the role of the King's courtiers in influencing policy, the way concubines at court were recruited, the structure of the harem in shifting the power of royal women, the function of feasting and drinking in the articulation of courtly power, and the meaning of gift-giving and patronage at the Achaemenid court.

The clothing and ornament of Greek women signalled much about the status and the morality assigned to them. Yet this revealing aspect of women's history has been little studied. In this collection of new studies by an international team, ancient visual evidence from vase-painting and sculpture is used extensively alongside Greek literature to reconstruct how women of the Greek world were perceived, and also, in important ways, how they lived.

Towards the end of the fifth century BC Ctesias of Cnidus wrote his 23 book History of Persia. Ctesias is a remarkable figure: he lived and worked in the Persian court and, as a doctor, tended to the world's most powerful kings and queens. His position gave him special insight into the workings of Persian court life and access to the gossip and scandal surrounding Persian history and court politics, past and present. His History of Persia was completed at a time when the Greeks were fascinated by Persia and seems very much to cater to contemporary interest in Persian wealth and opulence, powerful Persian women, the institution of the harem, kings and queens, eunuchs and secret plots.

Presented here in English translation for the first time with commentaries, Ctesias offers a fascinating insight into Persia in the fifth century BC.

Sister-Queens in the High Hellenistic Period is a cutting-edge exploration of ancient queenship and the significance of family politics in the dysfunctional dynasties of the late Hellenistic world.

This volume, the first full-length study of Kleopatra III and Kleopatra Thea and their careers as queens of Egypt and Syria, thoroughly examines the roles and ideology of royal daughters, wives, and queens in Egypt, the ancient Near East, and ancient Israel and provides a comprehensive study of the iconography, public image, and titles of each queen and their cultural precedents. In addition, this book also offers an introduction to the critical concept of the 'High Hellenistic Period' and the maturation of royal female power in the second century BCE.

Sister-Queens in the High Hellenistic Period is suitable for students and scholars in ancient history, Egyptology, classics, and gender studies, as well as the general reader interested in ancient queenship, ancient Egypt, the Hellenistic world, and gender in antiquity.