This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Frederick Litchfield created an enduring classic study of functional art with his Illustrated History of Furniture. This reprinting is presented out of a deep appreciation for the excellent scholarship and many illuminating insights that he so generously shared.

The first chapter, which refers to Ancient Furniture and covers a period of several centuries, is introductory to those that follow, rather than a serious attempt to examine the history of the furniture during that space of time. The fourth chapter, which deals with a period of some hundred and fifty years, from the time of King James the First until that of Chippendale and his contemporaries, and the last three chapters, are more fully descriptive than some others, partly because trustworthy information to these times was more accessible, and partly because it is probable that English readers will feel greater interest in the furniture of which they are the subject. The French meubles de luxe, from the latter half of the seventeenth century until the Revolution, are also treated more fully than the furniture of other periods and countries, on account of the interest which has been manifested in this description of the cabinet maker's and metal mounter's work.

Evidence of this appreciation may be found in the enormous prices realized at notable auction sales, when such furniture has been offered for competition to wealthy connoisseurs. Such furniture cannot be cheap certainly, but the real cost is sometimes borne by the artist who produces, rather than by the man who may happen to buy it. It is often forgotten that the price paid is that of the lives and sustenance of the workers and their families.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

Contained within this antique book is a detailed guide to English furniture in the eighteenth century, containing information on important designers, history, development, manufacturing, and much more. This fascinating book is sure to be value to those with an interest in the colourful history of English furniture, and it is not to be missed by discerning collectors of antique furniture literature. The chapters of this book include: 'English Furniture of the Eighteenth Century', 'Thomas Chippendale', 'Haig and Chippendale', 'Ince and Mayhew', 'Contemporary Manufacturers', 'A. Hepplewhite and C.O. Gillows', 'Thomas Sheraton', 'Painted and Enamelled Furniture'. This book has been elected for modern republication because of its educational value, and we are proud to republish it here complete with a new introduction on the history of furniture.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This text contains a detailed introduction to French furniture, popular in the seventeenth and eighteenth centuries. A fascinating treatise, detailing some of the most beautiful and ornate furniture ever produced, this antique book will be of considerable value to collectors of furniture literature and those with an interest in the breath-taking endeavours of France's artisan furniture makers. Complete with an array of beautiful illustrations, this book is one of a kind and not to be missed by those keen on the subject. The chapters of this book include discussions of: Louis Quatorze, The Regency Period, Louis Quinze, The Directory, and Reproductions. This text has been elected for modern republication due to its educational value, and we are proud to republish it here complete with a new introduction on the history of furniture.

Frederick Litchfield traces the international history of furniture design, from the ancient Assyrians and Egyptians, to China, Japan, India and Europe, through the late Victorian Era. Illustrated with more than 250 original, full sized drawings, woodcuts and photographs, this is an indespesible guide for both the antique collector, and the student of history.

\In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made, and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer.\ Contains chapters on Roman furniture, the Renaissance Period and its variations throughout Europe, Asian furniture, and many more. Originally released in 1892.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

The Illustrated History Of Furniture: From The Earliest To The Present Time by Frederick Litchfield is a comprehensive and visually stunning guide to the evolution of furniture design and craftsmanship throughout history. The book is filled with detailed illustrations and photographs that showcase the various styles, materials, and techniques used in furniture making from ancient times to modern day.Beginning with the earliest known examples of furniture, such as the Egyptian and Assyrian pieces, the book takes readers on a journey through the centuries, exploring the development of furniture styles and designs in different parts of the world. From Gothic and Renaissance styles to Baroque, Rococo, and Neoclassical, the book covers all the major movements in furniture design.In addition to discussing the various styles and designs, the book also delves into the materials and techniques used in furniture making. Readers will learn about the different types of wood, fabrics, and metals used in furniture, as well as the tools and methods used by craftsmen to create these beautiful pieces.Overall, The Illustrated History Of Furniture: From The Earliest To The Present Time is a must-have for anyone interested in furniture design and history. With its detailed illustrations, informative text, and comprehensive coverage, this book is sure to be a valuable resource for years to come.This Is A New Release Of The Original 1899 Edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A lavish and informative survey of furniture design and craftsmanship spanning centuries and cultures, showcasing the evolution of form and function. Litchfield's text is accompanied by hundreds of illustrations that bring the subject to life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

\In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made, and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer.\ Contains chapters on Roman furniture, the Renaissance Period and its variations throughout Europe, Asian furniture, and many more. Originally released in 1892.

\In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made, and the representations of the different interiors will convey an idea of the character and disposition of the furniture of the periods to which they refer.\ Contains chapters on Roman furniture, the Renaissance Period and its variations throughout Europe, Asian furniture, and many more. Originally released in 1892.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.