Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters

From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood.

A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this. -- Colum McCann, author of Apeirogon and Let the Great World Spin

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name.

The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget.

Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, one of America's greatest storytellers (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving. --The Boston Globe

Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal.

But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head.

Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.

Many know Jonathan Lethem as one of our most celebrated and eclectic writers, whose iconic novels--Motherless Brooklyn, The Fortress of Solitude, Chronic City, among many others--play with genres and storytelling modes like a DJ mixing music. But Lethem grew up in his father's studio, went to art school, and, in his own words, made hundreds if not thousands of drawings, collages, paintings, hand-drawn comics, and even two animated shorts before diverting, at nineteen, to prose fiction. The surreal and form-defying panoply of his stories, essays, and novels celebrates--and mourns--this forsaken world of the visual and plastic arts. That leap, between the cellophane ephemerality of language and the brick-like tangibility of visual art, which operates as a sublimated wellspring for Lethem's writing, is the subject of this book.

Cellophane Bricks gathers a lifetime of Lethem's art-writing, along with stunning, full-color images from the author's own collection and elsewhere. Here we tour Lethem's fictions in response to (and in exchange for) artworks by his friends; his meditations on comics and graffiti art; his collaborations with artists and interventions into visual culture, and his portrait of the museum that was and continues to be his home, untethered from geography. More than just a compilation, Cellophane Bricks comprises a kind of stealth memoir of Jonathan Lethem's parallel life in visual culture--a ravishing assemblage that makes the perfect gift for story lovers of all kinds, and an essential, singular brick to add to your own collection.

It's the summer of 1979. A 15-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs The Talking Heads have a new album, it's called Fear of Music - and everything spins outward from that one moment.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.

A hard-boiled detective tale full of talking animals and murder, from the award-winning author of Motherless Brooklyn and The Arrest

Gumshoe Conrad Metcalf has problems--there's a rabbit in his waiting room and a trigger-happy kangaroo on his tail. Near-future Oakland is a brave new world where evolved animals are members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage.

Metcalf has been shadowing Celeste, the wife of an affluent doctor. Perhaps he's falling a little in love with her at the same time. When the doctor turns up dead, our amiable investigator finds himself caught in a crossfire between the boys from the Inquisitor's Office and gangsters who operate out of the back room of a bar called the Fickle Muse.

Mixing elements of sci-fi, noir, and mystery, this clever first novel from a beloved author is a wry, funny, and satiric look at all that the future may hold.

Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters

From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood.

A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this. -- Colum McCann, author of Apeirogon and Let the Great World Spin

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name.

The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget.

Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, one of America's greatest storytellers (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

The most outré science fiction writer of the 20th century has finally entered the canon, exclaimed Wired Magazine upon The Library of America's May 2007 publication of Philip K. Dick: Four Novels of the 1960s, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master.

Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. The floor joists of the universe, he once wrote, are visible in my novels. Martian Time-Slip (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. Dr. Bloodmoney, or How We Got Along After the Bomb (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, Now Wait for Last Year (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality. In Flow My Tears, the Policeman Said (1974), a television star seeks to unravel a mystery that has left him stripped of his identity. A Scanner Darkly (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

What Lethem has done is nothing less than define a new genre of literature-the amnesia story-and in the process he invites us to sit down, pick up the book, and begin to forget.

Also including: John Franklin Bardin, Donald Barthelme, Thomas M. Disch, Karn Joy Fowler, David Grand, Anna Kavan, Haruki Murakami, Flann O'Brien, Edmund White, and many others.

A New York Times Book Review Best Book of the Year.

A searing and wildly entertaining love letter to New York City from the bestselling author of Motherless Brooklyn and Fortress of Solitude.

Chase Insteadman, former child television star, has a new role in life--permanent guest on the Upper East Side dinner party circuit, where he is consigned to talk about his astronaut fiancée, Janice Trumbull, who is trapped on a circling Space Station. A chance encounter collides Chase with Perkus Tooth, a wily pop culture guru with a vicious conspiratorial streak and the best marijuana in town. Despite their disparate backgrounds and trajectories Chase and Perkus discover they have a lot in common, including a cast of friends from all walks of life in Manhattan. Together and separately they attempt to define the indefinable, and enter into a quest for the most elusive of things: truth and authenticity in a city where everything has a price.

Full of dark humor and dazzling writing --Entertainment Weekly

A definitive collection of new and selected stories by a master of the form. Comparisons might be drawn to writers ranging from Jorge Luis Borges and Haruki Murakami to Margaret Atwood and J. D. Salinger. All of Lethem's stories are enlivened by his wit and provocative wordplay (Chicago Tribune).

This dazzling, genre-defying collection from Jonathan Lethem features seven major stories published since his last collection, along with his best work spanning more than three decades. A major new story, The Red Sun School of Thoughts, never published elsewhere, follows a teenaged boy coming to terms with figures of authority and power--those both in his own biological family and in the family he creates for himself.

Elsewhere we meet Super Goat Man, a down-at-heels bohemian superhero; The Porn Critic, whose accidental expertise wrecks his own romantic aspirations; and Sleepy People, who pose interpersonal conundrums without ever rousing from their slumber. Fluidly moving between realism and the surreal, the absurd and the mundane, A Different Kind of Tension is a container bursting with life and death, couples in trouble, talking animals, technologies on the fritz. Through it all are people longing to be seen and to connect; to thrive, love, and be forgiven. This is the joy of reading Jonathan Lethem: you never know what you're going to get (Financial Times).

Motherless Brooklyn, winner of the National Book Critics Circle Award, is a compulsively readable riff on the classic noir detective novel. Lionel Essrog is an orphan whose Tourette's symptoms drive him to rip apart language in startling and evocative ways. Charismatic Brooklyn mobster Frank Minna serves as a father figure to Lionel and three of his fellow veterans of the St. Vincent's Home for Boys, employing them in his limo service and detective agency. But when Frank is fatally stabbed, Lionel's world is turned topsy-turvy, and he sets out to untangle the case while trying to keep the words straight in his head.

The Fortress of Solitude is the story of two motherless boys, Dylan Ebdus and Mingus Rude, growing up as neighbors in 1970s Brooklyn. Because Dylan is white and Mingus is Black, their friendship is not simple. Neither is their neighborhood, where the entertainments range from muggings to joyous games of stoopball, and where the smallest decisions--what music you listen to, whether to speak to the kid seated next to you, whether to give up your lunch money--are laden with potential disaster. Through the knitting and unraveling of the boys' friendship, Jonathan Lethem weaves a rich and emotionally gripping story that encompasses race and class, superheroes, gentrification, funk, hip-hop, graffiti, incarceration, loyalty, and memory.

Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

From the award-winning author of The Feral Detective and Motherless Brooklyn comes an utterly original post-collapse yarn about two siblings, the man that came between them, and a nuclear-powered super car.

The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted--cars, guns, computers, and airplanes, for starters--quits working. . . .

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.

Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he's up to, it may fall to Journeyman to stop him.

Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

From the National Book Critics Circle Award-winning author of Motherless Brooklyn, comes the vividly told story of Dylan Ebdus growing up white and motherless in downtown Brooklyn in the 1970s. In a neighborhood where the entertainments include muggings along with games of stoopball, Dylan has one friend, a black teenager, also motherless, named Mingus Rude. Through the knitting and unraveling of the boys' friendship, Lethem creates an overwhelmingly rich and emotionally gripping canvas of race and class, superheros, gentrification, funk, hip-hop, graffiti tagging, loyalty, and memory.

A tour de force.... Belongs to a venerable New York literary tradition that stretches back through Go Tell It on the Mountain, A Walker in the City, and Call it Sleep. --The New York Times Magazine

One of the richest, messiest, most ambitious, most interesting novels of the year.... Lethem grabs and captures 1970s New York City, and he brings it to a story worth telling. --Time

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.

This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.

Plus...

David Bowman and the Furry-Girl School of American Fiction is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. The Collapsing Frontier and In Mugwump Four are fictions mapping ominous new realms. Calvino's 'Lightness' and the Feral Child of History is an intimate encounter with a legendary author. In My Year of Reading Lemmishly and Snowden in the Labyrinth he explores courage, art, and the search for truth, with wildly different results.

And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.

This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.

Plus...

David Bowman and the Furry-Girl School of American Fiction is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. The Collapsing Frontier and In Mugwump Four are fictions mapping ominous new realms. Calvino's 'Lightness' and the Feral Child of History is an intimate encounter with a legendary author. In My Year of Reading Lemmishly and Snowden in the Labyrinth he explores courage, art, and the search for truth, with wildly different results.

And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more . . . Kicking off the series is Jonathan Lethem's take on They Live, John Carpenter's 1988 classic amalgam of deliberate B-movie, sci-fi, horror, anti-Yuppie agitprop.

Lethem exfoliates Carpenter's paranoid satire in a series of penetrating, free-associational forays into the context of a story that peels the human masks off the ghoulish overlords of capitalism. Taking into consideration classic Hollywood cinema and science fiction--as well as popular music and contemporary art and theory--They Live provides a wholly original perspective on Carpenter's subversive classic.

Jonathan Lethem, winner of the National Book Critics Circle Award for Fiction and the MacArthur Fellowship whose writing has been called as ambitious as Norman] Mailer, as funny as Philip Roth, and as stinging as Bob Dylan (Los Angeles Times), returns with an epic yet intimate family saga.

Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist who savages neighbors, family, and political comrades with the ferocity of her personality and the absolutism of her beliefs. Her equally passionate and willful daughter, Miriam, flees Rose's influence for the dawning counterculture of Greenwich Village. Despite their differences, they share a power to enchant the men in their lives: Rose's aristocratic German Jewish husband, Albert; her feckless chess hustler cousin, Lenny; Cicero Lookins, the brilliant son of her black cop lover; Miriam's (slightly fraudulent) Irish folksinger husband, Tommy Gogan; and their bewildered son, Sergius. Through Lethem's vivid storytelling we come to understand that the personal may be political, but the political, even more so, is personal.

Jonathan Lethem's first detective novel since Motherless Brooklyn

One of America's greatest storytellers. --Washington Post

Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She's looking for her friend's missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic and garrulous Phoebe. Reluctantly, he agrees to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble--caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe's trip to the desert was always going to be strange, but it was never supposed to be dangerous. . . .

Jonathan Lethem's first detective novel since Motherless Brooklyn, The Feral Detective is a singular achievement by one of our greatest writers.

In this supplement to Jonathan Lethem's novel A Gambler's Anatomy, the renowned novelist engages in a concerted transatlantic dialogue with cult theorist Laurence A. Rickels, exploring the vicissitudes of popular culture and the profound influence of Philip K. Dick on their respective lines of flight. Foregrounding the introjections between California and Germany, they address a range of ideas, subjects and figures, from B-movies, science fiction, Wile E. Coyote and the Devil to trauma theory, Freud, Hitchcock and German Expressionism. Animating their zone of interrogation is the blot--an algorithm of innuendo, an uncanny defamiliarization of reality and truth wherein the trajectories of meaning, desire and perception fold into themselves like an origami in flames.

The heroine is young Pella Marsh, whose mother dies just before her family flees a post-apocalyptic Brooklyn for the frontier of a recently discovered planet. Hating her ineffectual father, and troubled by a powerful attraction to a virile but dangerous loner who holds sway over the little colony, Pella sets out on a course of discovery that will have tragic and irrevocable consequences for the humans in the community and the ancient inhabitants, known only as archbuilders.

Girl in Landscape finds Jonathan Lethem twisting forms and literary conventions to create a dazzling, completely unconventional tale.