Scoring a goal against your own team. Copying a classmate's schoolwork. Accepting a dare to jump down the stairs . . . and getting hurt.
This engrossing poetry anthology explores making mistakes and learning from them. Twenty brave poets―Linda Sue Park, Margarita Engle, Allan Wolf, David Elliott, Matt Forrest Esenwine, Lacresha Berry, George Ella Lyon, Jaime Adoff, Vikram Madan, Kim Rogers, Douglas Florian, Tabatha Yeatts, Jorge Argueta, Jane Yolen, Charles Waters, JaNay Brown-Wood, Irene Latham, April Halprin Wayland, Darren Sardelli, and Naomi Shihab Nye―share real-life mistakes they made as young people . . . and what happened next. Edited by Irene Latham and Charles Waters, with brilliantly evocative illustrations by Mercè López, this is a book for all who are growing and discovering and still figuring out who we are. (Which is to say . . . all of us!)
In this upbeat picture book, acclaimed authors Irene Latham and Charles Waters bring key themes from their earlier collaborations (Can I Touch Your Hair? and Dictionary for a Better World) to a young audience.
Rhyming verse describes different ways in which readers can be a bridge, from welcoming a new student and listening respectfully when someone else is talking to standing up to a bully and comforting a classmate who is upset.
Nabila Adani's cheerful illustrations depict a diverse group of students, including young versions of Charles and Irene. Scan a Page Plus QR code at the end of the book to download a Bridge Builder Pledge. An ideal book to share with students in the fall to set the tone for the whole school year!
The most curious museum on Earth isn't on the earth at all; it's on the moon.
A 2024 Notable Poetry Book, National Council of Teachers of English
Honor Award, 2024 Lee Bennett Hopkins Poetry Award (Pennsylvania State University Libraries and the Pennsylvania Center for the Book)
Nominee, Intermediate Division, 2024-2025 Keystone to Reading Elementary Book Awards
The poetry and facts complement each other and make for a nice flow of information and fun, resulting in sometimes goofy poetry....A lovely picture book that mixes poetry and history about the moon.--School Library Journal?
A provocative tally of treasures and trash. --Kirkus Reviews
Footprints forever etched in time. A commemorative patch from a tragic flight. Two golf balls, still lodged in frozen dust 238,900 miles away. From the amusing to the poignant, The Museum on the Moon introduces readers to the mysterious objects left on the lunar surface since humans arrived in 1969. Part history, part poetry, heartwarming and haunting, and illustrated with breathtaking graphite drawings, The Museum on the Moon is a moving exhibit of humankind's most famous quest for knowledge and our place in the universe.
From the book:
The primary goals of the United States' NASA Apollo program (1961-1972) were to establish space technology, carry out scientific exploration of the moon, and to develop ways for humans to work in the lunar environment. Six missions--Apollos 11, 12, 14, 15, and 17--landed American astronauts on the moon. The astronauts carried with them a variety of items that are now artifacts--some personal mementos, some tools and equipment for the purpose of moon transport and experimentation, and other things, like human waste products, unavoidable. Because the moon has virtually no atmosphere, these things remain on the moon, just as they were, and will presumably continue to be there for years to come. The moon truly is a museum!
How can we make the world a better place?
This inspiring resource for middle-grade readers is organized as a dictionary; each entry presents a word related to creating a better world, such as ally, empathy, or respect. For each word, there is a poem, a quote from an inspiring person, a personal anecdote from the authors, and a try it prompt for an activity.
This second poetic collaboration from Irene Latham and Charles Waters builds upon themes of diversity and inclusiveness from their previous book Can I Touch Your Hair? Poems of Race, Mistakes, and Friendship. Illustrations from Iranian-British artist Mehrdokht Amini offer readers a rich visual experience.
Latham and Waters's personal stories are plainspoken and relatable . . . and the suggested actions, accessible. . . The approach creates multiple pathways for engagement. Extensive supplementary materials include an index of poetic forms.--starred, Publishers Weekly
Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation.
How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to.
Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.
Welcome wildebeest / and beetle, / Oxpecker and lion. / This water hole is yours. / It offers you oasis / beside its shrinking shores.
Spend a day at a water hole on the African grasslands. From dawn to nightfall, animals come and go. Giraffes gulp, wildebeest graze, impalas leap, vultures squabble, and elephants wallow. Fact sidebars support the poems about the animals and their environment. Imaginative illustrations from Anna Wadham complete this delightful collection.
Wild Peace by Irene Latham and Il Sung Na is a lush, soothing mindfulness picture book about finding solace in the natural world.
With lyrical text and whimsical art, Wild Peace follows a girl whose imagination helps her escape her frenzied home and discover the joys of nature. After enjoying the serenity of the forest, she is finally ready to return to her family, where peace welcomes all that is wild, and kisses the forehead of every child. When the world fills with noise and fury,SIBA Book Award Finalist Alabama Library Association Children's Book of the Year
Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly--medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic--leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own. Beyond the log cabins, orange dirt, and cotton fields of her small sharecropping community, Ludelphia discovers a world she could never have imagined. Fancy houses, cars, and even soda pop! But there's also danger lurking for a young girl on her own, and Ludelphia begins to wonder if she'll ever see Gee's Bend or her mama again. Despite the twists and turns, Ludelphia weathers each challenge in a way that would maker her mama proud, and she may even save the day for not just Mama, but her entire town. Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition. The book was 2011 Alabama Library Association Book of the Year and a SIBA Book Award finalist. Book Page calls it captivating, a tale that will stay with the reader forever.No kid knows more about zoo life than Whit. That's because he sleeps, eats, and even attends home-school at the Meadowbrook Zoo. It's one of the perks of having a mother who's the zoo director and a father who's the head elephant keeper. Now that he's eleven, Whit feels trapped by the rules and routine of zoo life. With so many exotic animals, it's easy to get overlooked. But when Whit notices a mysterious girl who visits every day to draw the birds, suddenly the zoo becomes much more interesting. Who is the Bird Girl? And why does she come by herself to the zoo?
Determined to gain her trust, Whit takes the Bird Girl on his own personal tour of the zoo. He shows her his favorite animals and what happens with them behind the scenes. For Whit, having a friend his own age that he can talk to is an exciting new experience. For Stella the Bird Girl, the zoo and Whit are a necessary escape from her chaotic home life. Together they take risks in order to determine where it is they each belong. But when Stella asks Whit for an important and potentially dangerous favor, Whit discovers how complicated friendship--and freedom--can be, in Irene Latham's Don't Feed the Boy.